Category Archives: 2010’s

Art Outdoors. (3 Photos).

Chicago, October 2015.

Jerry Peart (b. 1948, American), Wildflower, Sinnissippi Gardens, Rockford, Illinois, in July 2017. The 20-foot painted aluminum sculpture in a fountain setting stands near the entrance of the Nicholas Conservatory & Gardens along the Rock River. The Conservatory, which opened in October 2011, offers a main exhibition house, greenhouses, classrooms, a roof garden, a lagoon, walking trails, outdoor gardens, and more. Peart, a Chicago-based artist who has created over 35 large-scale public sculptures according to his website https://www.sedgwickstudiochicago.com/jerry-peart, created Wildflower in part because he was inspired by this place in the Midwest dedicated to all things clean and green.

Bob Mangold (b. 1930, American), Anemotive Kinetic, Sinnissippi Gardens, Rockford, Illinois, in July 2017. As a kinetic (movement) artist, Mangold’s sculptures explore concepts of space and motion. In 1962, Mangold began his Anemotive series of spherical, wind-propelled kinetic sculptures. As with this work, the anemotives are characterized by cup-like shapes mounted on arms which allow for motion. 

Chicago Harbor Lighthouse (1893). This active lighthouse has had a significant role in the development of Chicago and the U.S. Midwest.

Chicago Harbor Lighthouse (1893), Chicago, Illinois, 2017.

Known as the “Chicago Light,” the Chicago Harbor Lighthouse is an active automated lighthouse dating from 1893.

About one-half mile beyond Navy Pier, the lighthouse stands at the north of the main entrance of the Chicago Harbor in Lake Michigan. The lighthouse has had a significant role in the development of Chicago and the American Midwest and remains an active aid to nautical navigation today.

For more than a century, the U.S. Coast Guard has staffed this lighthouse at the breakwater outside the Chicago Harbor Lock. The lock separates Lake Michigan from the mouth of the Chicago River.

The lock was built in the mid-1930’s and is operated by the U.S. Army Corps of Engineers. The lock is one of the entrances into the Illinois Waterway system at the Great Lakes. The waterway system is a commercial and recreational shipping connection to the Gulf of Mexico by way of the Illinois and Mississippi rivers.

The “Chicago Light” is at that waterway system’s headwaters as it stands in the outer harbor constructed in 1880. The Chicago Light’s conical tower dates from 1893. Twenty-five years later, in 1918, the tower was reconstructed and the base building which contains a fog-signal room and boathouse was added. The architects are not identified.

Through its breakwaters, the main entrance into Chicago Harbor is 580 feet wide. The Chicago Harbor Lighthouse was designated a Chicago Landmark on April 9, 2003. It is the only surviving lighthouse in Chicago and one of two remaining examples in the state of Illinois.

The mouth of the Chicago River at Lake Michigan in Chicago, Illinois, U.S.A. About one mile ahead, the Chicago Harbor Lock, built in the 1930’s, provides the entrance/exit of the Illinois Waterway system at the Great Lakes. The waterway system is a commercial and recreational shipping connection from the Great Lakes to the Gulf of Mexico by way of the Illinois and Mississippi rivers.

PHOTO Credits:

Chicago Light–by John P. Walsh.

Chicago River —“chicago river.” by alyssaBLACK. is licensed under CC BY-SA 2.0

SOURCES:

The Chicago River: an illustrated history and guide to the river and its waterways, David M. Solzman, Wild Onion Books, Chicago, 1998, pp.126-128.
Chicago Landmarks Map [brochure], City of Chicago, 2006.
https://web.archive.org/web/20070410173708/http://www.ci.chi.il.us/Landmarks/C/ChicagoHarborLighthouse.html – retrieved December 2, 2017.

Street Photography II. (30 Photos).

Photographs ©John P. Walsh

The Logan Theatre, Chicago, illinois, February 2013.

Lakefront, East Chicago, Indiana, July 2016.

Chicago (The Loop), November 2017.

Downers Grove, Illinois, July 2018.

Chicago (Michigan Avenue), August 2015.

Chicago (Michigan Avenue), May 2014.

Chicago, July 2016.

Chicago, July 2016.

Chicago, July 2016.

Chicago, September 2015.

Chicago (Navy Pier), September 2016.

Chicago, August 2015.

Chicago (West Loop/East Garfield Park), October 2016.

Chicago (Millennium Monument), September 2016.

Chicago, Mount Pisgah Missionary Baptist Church, 4600 S. King Drive, October 2016. Originally a synagogue founded in 1861 by German Jewish immigrants, the neo-Classical building was home to Chicago Sinai Congregation from 1912 until the 1940s. In 1961, Mount Pisgah Missionary Baptist Church moved into the building. The church community brought a strong commitment to social justice and played an instrumental role in bringing Dr. Martin Luther King Jr.’s Southern Christian Leadership Conference to Chicago. Since the late 1960’s the church has provided a neighborhood food bank.

Chicago (Navy Pier), September 2015.

May 2019.

June 2020.

Milwaukee, Wisconsin, June 2018.

Chicago (Edgewater), 2014.

Oakbrook, Illinois, summer 2019.

Summer 2019.

Summer 2019.

Metropolitan Correctional Center, Chicago (1975) in late 2017. The 28-story building is a right triangle shape. Architect Harry Weese (1915-1998) designed each cell with a floor-to-ceiling slit window, 7 feet (2.1 m) long by 5 inches (130 mm) wide. The windows were narrow enough that they did not require bars and beveled out to allow natural light to pass inside.

Chicago, August 2017.

Magnificent Mile, Chicago, May 2016.

skyline (artist), September 2015.

Crown Fountain (Millennium Park), Chicago, September 2016.

Chicago, August 2017.

Concert, October 2014.

Chicago, (Wabash Avenue near Adams Street), August 2017.

Odds & Ends. (16 Photos).

Photographs ©John P. Walsh

morning porch, April 2020.

St. Joseph, April 2020.

dry cleaners, Wilmette, Illinois, 2016.

Naperville, Illinois, March 2018.

Artist’s table, 2015.

The Skyway, Chicago, July 2016. The main feature of the Skyway is a 1⁄2-mile-long steel truss bridge, known as the “High Bridge.”

BNSF Rail Line, July 2020.

Below the fold, November 2017.

pay phone, 2018.

Grand Theatre (1925), Wheaton, Illinois, May 2018.

alley, Oak Park, Illinois, January 2018.

May 2018.

School bus, August 2015.

grotto, Forest Park, Illinois, August 2015.

zipper, June 2018, Chicago.

handcrank organ, c. 1930, Old Stone Church (Methodist Episcopal), 1861, Lemont, Illinois, June 2015.

The Bard, Rockford, Illinois, July 2017.

Signs. (29 Photos).

Photographs ©John P. Walsh

Villa Park, Illinois, May 2018.

Lisle, Illinois, 2018.

Chicago, 2018.

April 2020.

April 2020.

April 2020.

Chicago, 2015.

April 2020.

The Wilmette Theatre, 1122 Central Ave., in downtown Wilmette, Illinois, 2016. The theater was built in 1914, and originally called the Central Theatre. Owned by Encyclopedia Britannica Films since 1950, the vintage movie house had been shuttered when Richard S. Stern bought and re-opened it in 1966. Stern came from a family of movie theater owners. His father, Henry Stern, opened what is credited as the first art film theater house in Chicago–the Cinema Theater at Michigan and Chicago Avenues opened in 1929. After it was demolished in 1981, a skyscraper and high-end retail store were built on the site. In 1966, Richard Stern asked his father for a loan, and bought the property. Decades later, after renovating the Wilmette Theater into a two-screen operation, Richard Stern decided to sell it. In 2006, Stern sold the Wilmette Theatre to a small group of community investors interested in the movie theatre’s unique history and continuing to operate it showing top-quality first run and art films. The lobby portion of the building retains much of its vintage charm.

Sources: https://www.chicagotribune.com/suburbs/wilmette/ct-wml-richard-stern-obit-story-tl-1029-20151027-story.html; http://cinematreasures.org/theaters/980;http://cinematreasures.org/theaters/7675

The Tivoli Theatre (1928), Downers Grove, Illinois, 2016. 1,000+-seat movie theater designed by Van Gurten & Van Gurten architects. Opened Christmas Day, 1928. It is the second in the U.S. fitted for sound movies. The first was the 1200-seat Brooklyn Paramount Theater in New York City that opened in November 1928 and closed in the early 1960’s.

Chicago, 2014.

Macy’s on State Street, Chicago, 2018.

Chicago Loop Synagogue (1958), 2015.

The Nutcracker by Peter Ilyich Tchaikovsky, December 2017. The 3,900-seat Auditorium Theatre (1889) in Chicago was designed by Dankmar Adler and Louis Sullivan.

April 2020.

Chicago, 2015.

April 2020.

The Braddock Road, PA, March 2010.

The Braddock Road was a military road built in 1755 in what was then British America and is now the United States. It was the first improved road to cross the barrier of the ridge lines of the Appalachians. It was constructed by about 2,500 troops of the Virginia militia and British regulars commanded by General Edward Braddock (1695-1755), part of the expedition to conquer the Ohio Country from the French at the beginning of the French and Indian War (1756-63). George Washington, who was aide-de-camp to Braddock, had pioneered this route a year earlier when he traveled into the Ohio Country and met Native American leader, Tanacharison (1700-1754).  The expedition gave Washington his first field military experience as well as other American military officers whose numbers profited from this military outing later during the American Revolutionary War (1775-1783).

Braddock’s men had to cut a road wide enough to accommodate the wagons and draft animals that accompanied them, as well as the siege artillery that they brought along to use against the new Fort Duquesne established by the French in 1754 at the confluence of the Allegheny and Monongahela rivers.  Progress was painstakingly slow until Braddock split the force into a lead column of about 1,500 men and the rest as a support column to drag artillery and supplies. The flying column made rapid progress, and with each day, the distance between it and the support column increased. This marker is on the (later) National Pike (Route 40) between Elk Park and Farmington, Pennsylvania.

April 2020.

April 2020. Postponed to 2021.

CTA stop, Oak Park, Illinois, January 2018.

June 2020.

Forest Park, Illinois. July 2016.

Chicago, September 2015.

Chicago, July 2015.

Chicago, August 2015.

Chicago, September 2015.

Chicago, June 2018.

Fried Green Tomato Fest, Aug 26, Watseka, Illinois, August 2017.

Animals & Nature (Land, Sea, Sky). (13 Photos).

Photographs and Text ©John P. Walsh

Wind surfers, Lake Michigan, 2019.

Beach house, Jenner, California, June 1987.

North Avenue Beach, Chicago, 2015.

Dog Beach, Chicago, 2014.

Dog Beach, Chicago, 2014.

Lake Geneva, May 2017.

Wheaton, Illinois, 2016.

Dog beach, Chicago, 2014.

Lake Michigan, August 2017.

Prairie burn, Streamwood, Illinois, 2016.

Beach house, Sonoma County, California, 1987.

Dog beach, Chicago, 2014.

Oak Street Beach, Chicago, July 2014.

Chicago, August 2015.

“Notre Dame is on Fire!”: the architectural history of the world-famous Gothic cathedral in Paris and the April 2019 inferno that devastated it, its immediate aftermath, and what is ahead.

By John P. Walsh, May 21, 2019.

Flames engulf Notre Dame de Paris in an historic early evening blaze on Monday, April 15, 2019. The fire left the 850-year-old Gothic cathedral standing, but suffering serious damage.

Hundreds of Paris firefighters battled the blaze for hours at Notre Dame de Paris on April 15, 2019. They saved the cathedral though its expansive timber roof, frame and spire burned crashed into the nave.

Fire broke out at Mass with 1,000 people inside the building

Notre Dame de Paris suffered a devastating fire on April 15, 2019 causing most of its roof and a 300-foot oak spire to collapse. The fire broke out during an early evening Mass when more than 1,000 people were in the cathedral which is the most touristic site in the center of the most touristic city in the world. The priest had been in the middle of reading that day’s Gospel of John. It was Holy Monday, the first day of Holy Week where the gospel tells the story of Mary pouring oil over the feet of Jesus which will anoint him for burial. Judas complains the perfume could have been sold and the money given to the poor.1

Pledges to rebuild

Notre Dame de Paris (“Our Lady of Paris” named in honor of the Virgin Mary) will take years, even decades, to rebuild and at great expense. This will be the case whether the edifice is simply restored or, as some have argued for, more creatively re-imagined for modern times. Whichever rebuilding vision or visions are followed – and there will be voices from many quarters involved in the restoration process ahead – French president Emmanuel Macron promised to complete its rebuilding by around 2024. Within 48 hours of the fire, donations poured in from around the world to rebuild the cathedral amounting to more than one billion dollars whose substantial amount may prove inadequate to fully cover rebuilding costs.2

Maintenace holes in an 850-year-old stone and wood building in the middle of a major European city

While the fire’s precise ultimate cause is yet to be fully determined, the conditions surrounding the blaze are recognizably available:

its spotty maintenance record over 10 centuries;

the anachronistic methods and complexity of its 21st century renovation going on when the fire broke out;

the twelfth and thirteenth century flammable oak “forest’” that constitutes the building’s roof and frame;

and the challenges encountered by hundreds of firefighters owing to the cathedral’s size and the fire’s location and breadth.

Almost ironically, the Cathedral roof that burned—a major attic fire— was one of the larger parts of the original 12th century cathedral builder’s monied investment.3

Architectural History of a World Icon

Notre Dame de Paris is one of Paris’s famous icons–an historical and religious treasure–and one of France’s great cathedrals along with Reims (which was nearly destroyed by fire during World War I) and Chartres (reconstructed after a fire in 1194). Others on any short list of great French cathedrals would include Amiens and Bourges, among others.

Above: Notre Dame de Paris before the April 15, 2019 blaze. The Roman Catholic cathedral is the tourist mecca in the most touristed city in the world.

Below: The Cathedral’s great nave in the immediate aftermath of the April 15, 2020 fire.

Reims Cathedral on fire in World War 1. The site of the coronation of French kings, the Gothic cathedral was virtually destroyed by bombing. After the war, the massive cathedral was completely rebuilt.

In 1163 when it became time to roof the superstructure of Notre Dame de Paris’s choir which was the first part of the church to be constructed, Paris bishop Maurice de Sully (1120-1196) provided 5000 French livres so that it could be richly and securely layered with lead. That and other of the Cathedral roof’s protective lead covering was stolen during the French Revolution in the eighteenth century. The roof’s space and design provided a large part of the church’s riddle of secret passages – including spiral staircases in the nave’s columns – that served mainly for the needs of the religious complex’s maintenance. Obviously twelfth and thirteenth century engineering proved resilient but not impregnable over ten centuries. The 2019 blaze caused serious damage leaving questions to be answered about the medieval stone and timber building’s ultimate stability. This is highly symbolic as Notre Dame de Paris is Paris Point Zero – the very center not only of the Île-de la-Cité and Paris, but the place from which all distances in France and, by extension, the world are to be judged.4

The Paris bishop Maurice de Sully (1120-1196) who with his chapter of cathedral canons started the building of Notre Dame de Paris in 1163. The structure was completed in 1250.

Episodes from the life of a bishop, c.1500, oil on panel, 61.5 x 47 cm, National Gallery of Art, Washington, D.C. Though about 300 years after the death of Bishop de Sully, this artwork captures some of the grandeur and long history of the archbishop at his cathedral of Notre Dame de Paris.

The story of the Gothic cathedral, such as Notre Dame de Paris, is essentially a French story. By the end of the Gothic Movement in the late 14th century, all corners of France -– and points between — possessed a Gothic church that displayed pointed arch, stained glass, and buttresses, some of them magnificently flying. The style and power of Gothic art reflected not only a new theological thinking in the Renaissance of the 12th century but also an assertion of royal power.5

Notre Dame de Paris viewed from the south side of the Seine. Its magnificent flying buttresses can be seen supporting the nave and apse as well as its oak spire erected in 1860 that burned and crashed into the nave during the April 15, 2019 fire.

Collégiale Notre-Dame-et-Saint-Laurent d’Eu in far northeastern France is a Gothic church constructed between 1186 and 1240, roughly contemporaneous to Notre Dame de Paris. The subterranean crypt contains the tomb (excepting his heart which is at Christ Church Cathedral in Dublin) of Irish St. Laurence O’Toole (1128-1180). The main impetus for the building of the new Gothic Collégiale Notre-Dame-et-Saint-Laurent d’Eu was to accommodate the pilgrims who came to venerate at the saint’s tomb. French Gothic building efforts stretched from a Collégiale Notre-Dame-et-Saint-Laurent d’Eu (1186) in northeastern France to Toulouse Cathedral (13th century) in the south in France’s historic Languedoc.

Impact of the Crusades on Notre Dame de Paris

It was the age of international crusades of Western conquest to the Holy Land where a French king, King Louis IX, or St. Louis (1214-1270) led its seventh manifestation from 1248 to 1254 and died while on its Eighth. Here the king purchased relics to bring back to France, including the highly prized Crown of Thorns reputedly worn by Jesus Christ at his crucifixion. During the April 2019 fire, scores of ordinary people and cathedral personnel formed a human chain to save the cathedral’s many irreplaceable artifacts and preventing them from being consumed forever into the hellish blaze.

Louis IX (St. Louis) with his counselors and mother Blanche de Castile (1188-1252) in a miniature of the 15th century.

King Louis IX, or St. Louis (1214-1270) led the Seventh Crusade from 1248 to 1254.

As one of the first cathedrals built Notre Dame de Paris is of enduring architectural significance. Monday, April 15, 2019 was a tragic day in history as fire broke out in the 850-year old edifice while the world watched. Thousands of people gathered in the streets of Paris, and transmitted pictures of the dramatic blaze from smartphones and other devices onto the internet and television. It caused many to shed tears as well as express consternation and questions about what lies ahead for one of the most famous and beloved symbols of Paris.

Notre Dame de Paris is on fire, April 15, 2019. Countless pictures were taken and transmitted instantaneously around the world on the internet.

Extent of the fire damage (in red) at Notre Dame de Paris on April 15, 2019.

The fire’s immediate aftermath.

In the immediate aftermath of the 2019 fire, workers aimed to secure and protect the edifice which will take several months to finalize. By May 2019, the north tower was stabilized and secured while the transept’s beams were declared in good condition. Although the interior was not damaged, the structural integrity of the high vaults that protected it remains precariously uncertain and requires further close study to determine its ultimate fate. The cathedral is undergoing a major effort to remove fire debris including the oak spire (or flèche) dating from 1860 and the arch that fell into the nave.

To the highest degree possible, each bit of fallen debris will be deciphered, cataloged and saved for potential reuse in a restoration. Just one month after the fire, it would be premature to determine if the building is completely stable and it could still suffer some sort of collapse. Working on the cathedral in the 21st century are virtually the same type of skilled laborers who built it in the first place in the 12th and 13th centuries – namely, masons, stonecutters, carpenters, roofers, iron workers, and master glassmakers.6 The work associated with the Notre Dame de Paris in the aftermath of the 2019 fire promises to concentrate long centuries of history into one place looking to sustain its continued thriving existence for future generations.

NOTES:

1. “Vows to Restore Notre Dame Following a Harrowing Rescue,” by Sam Schechner and Stacy Meichtry, The Wall Street Journal, April 17, 2019; see Gospel of John, Chapter 12.

2. “Some say the $1 billion donated to the Paris cathedral should’ve been directed elsewhere,” by Sigal Samuel, Vox, April 20, 2019 – https://www.vox.com/future-perfect/2019/4/20/18507964/notre-dame-cathedral-fire-charity-donations- retrieved May 21, 2019.

3. Gimpel, Jean, The Cathedral Builders, Grove Press, Inc., New York and Evergreen Books, Ltd., London, 1961, pp. 171-72.

4. see “Paris Point Zero” – https://www.atlasobscura.com/places/paris-point-zero – retrieved May 21, 2019.

5. Duby, Georges, The Age of the Cathedrals: Art and Society, 980-1420, translated by Eleanor Levieux and Barbara Thompson, The University of Chicago Press, Chicago and London, 1981, p.97.

6. “Notre-Dame de Paris: Very serious damage that can be repaired,” Élodie Maurot, La Croix International, May 14, 2019 – https://international.la-croix.com/news/notre-dame-de-paris-very-serious-damage-that-can-be-repaired/10094 – retrieved May 20, 2019.

On Trump’s North Korea Crisis (2017) and Kennedy’s Cuban Missile Crisis (1962).

Like JFK in the Cuban Missile Crisis in 1962, Trump in 2017 must use the military and moral strength of the U.S. to seek and find a conclusion so that North Korea changes course on their nuclear weapons peacefully.

By John P. Walsh, dated August 9, 2017

In addition to Twitter, the media tells us that U.S. President Donald J. Trump loves to watch a lot of TV. I hope he has seen this film: Virtual JFK (2008). “Does it matter,” the film’s narrator states, “who is president on issues of war and peace? Can a president make a decisive difference in matters of war and peace? Can a president decisively lead his country into war or keep his country out of war? Or are the forces that drive nations into conflict far more impersonal (and) out of the control of any human being, even a president?”

In 2014 nine nations around the world—including North Korea—have around 16,300 nuclear weapons. Estimates are that North Korea’s arsenal today may be about 20 warheads or higher. In descending order of warhead amounts, the other nuclear states are Russia (8,000 warheads), the U.S.A. (7,300), France (300), China (250), the UK (225), India and Pakistan (about 100 each) and Israel (80). According to the National Security Archive, the last tactical nuclear weapons left Cuba in December 1962. For a rogue state such as North Korea to possess nuclear weapons is dangerous and unpredictable to the region and world.

Like JFK in the Cuban Missile Crisis in 1962, the U.S. must use its military and moral strength to seek and find a conclusion so that North Korea changes course on their nuclear weapons peacefully. Exactly what that change should look like is an important debate not explored here, but the U.S. must NOT and NEVER start or provoke a nuclear war to achieve it. Kennedy prepared for nuclear war during the Cuban Missile Crisis, but always carefully did not pull the trigger. There can be no close analogy between Cuba in 1962 and North Korea in 2017. Cuba is 90 miles off American shores and North Korea about 6,500 miles from the Continental U.S. In the Cuban Missile Crisis, those were clearly Russian nukes. The Cold War by the early 1960’s was a well-worn competitive geopolitical game that hadn’t yet completely played out. The Russians built a wall in Berlin in 1961; Kennedy quarantined Cuba in 1962. In 2017 what is the multiplicity of sources Trump can hold accountable for the North Korean weapons deployment in addition to the rogue regime? China? Russia? Iran? If Pyongyang is today as remote and obscure as the Kremlin was in Kennedy’s time, today’s political and military equations are even more tangled and complicated.

Any calculations for war must include those who may or will get killed – and how many. Is American “hyper” power any good if its allies are casualties on a massive scale? No nuclear exchange must result with a hermit kingdom dictator who is not a friend of the U.S. or its allies in the region – especially if war may incalculably spread. If the U.S. has allies in the true meaning of the word then an attack on them by North Korea (or China or Russia) is equal to an attack on the homeland – otherwise what’s the point of the U.S. having allies at all? We must protect our allies in the region to the highest degree so to defend and preserve our esteemed alliances. In this dangerous politico-military crisis there are ramifications with severe strong risk for the U.S. as a global power and markedly in that part of the world. North Korea must somehow stand down for there to be success from the perspective of the U.S and its allies.

Similar to the Cuban Missile Crisis that endured for 13 straight days—the Korean crisis has gone on arguably for over 60 years — patience and cool-headed leadership joined to a perfect calibration of carrot and stick (preferring the carrot) should serve as worthwhile qualities so to craft a necessarily peaceful and successful outcome. “Because of the ingenuity of science and man’s own inability to control his relations one with another,” said JFK in 1961 in Virtual JFK, “we happen to live in the most dangerous time in the history of the human race.” The film states that experienced military advisers believed that whenever Americans committed military force – they won the conflict. But as frequent and strong pressure by many advisers is put on Kennedy to commit the U.S. to a war, the president time and again chose to avoid both conventional and nuclear war.  It may not be remembered today but after the failure of the Bay of Pigs in 1961, there was talk of John Kennedy’s impeachment for incompetence. Many in his own Democratic party wouldn’t support him because they had convinced themselves he wasn’t a serious political leader.

In 2017 the defeat of 33-year-old Kim Jong-un’s nuclear threat short of war will not be simply a victory for the status quo but a step forward in terms of American leadership in that part of the world. An actual war, unless it could be completely nonnuclear, contained, and successful – which is improbable – cannot be in any civilized people’s self-interest. Of course if Kim started a nuclear war, which is hopefully very remote but possible, war will come, as Trump said plainly on August 8, 2017, with “fire and fury.” In October 1962 Kennedy’s speech to the nation on the Cuban Missile Crisis included this “fiery” rhetoric: “Third: It shall be the policy of this nation to regard any nuclear missile launched from Cuba against any nation in the Western Hemisphere as an attack on the United States, requiring a full retaliatory response upon the Soviet Union.” JFK concluded with the overall purpose of his actions: “Our goal is not the victory of might, but the vindication of right – not peace at the expense of freedom, but both peace and freedom, here in this hemisphere, and we hope, around the world. God willing, that goal will be achieved.” In 2017 we may look for a resolution to the North Korea crisis where history repeats itself.

All through the Cold War Kennedy looked into the face of strategic MAD (Mutually Assured Destruction) without blinking and then chose to evoke the better angels of our nature. At the United Nations in his first year as president (September 25, 1961) Kennedy exhorted the world’s representatives: “Together we shall save our planet – or together we shall perish in its flames. Save it we can.  Save it we must. Then shall we earn the eternal thanks of mankind and, as peacemakers, the eternal blessing of God.” President Trump would do well to aspire to the same.

NOTES:

Nine nuclear nations – http://www.independent.co.uk/news/world/nine-nations-have-nuclear-weapons-here-is-how-many-each-country-has-a6827916.html

about 20 warheads – http://www.express.co.uk/news/world/791436/north-korea-nuclear-weapons-kim-jong-un-how-many

Last Cuba warheads removed – http://nsarchive.gwu.edu/NSAEBB/NSAEBB449/

Iran and North Korea – http://thediplomat.com/2016/04/the-iran-north-korea-connection/

fire and fury – https://www.nytimes.com/2017/08/09/world/asia/north-korea-trump-threat-fire-and-fury.html?_r=0

United Nations speech – https://www.jfklibrary.org/Research/Research-Aids/JFK-Speeches/United-Nations_19610925.aspx

EXPO Chicago 2016, Festival Hall, Navy Pier. Fifth International Exposition of Contemporary & Modern Art, September 22-25, 2016. (43 Photos).

Photographs ©John P. Walsh

Expo Chicago/2016 is the 5th annual exhibition of international contemporary and modern art held in Chicago at Navy Pier’s Festival Hall. It took place from September 22-25, 2016. Expo Chicago/2016 presents 145 galleries representing 22 countries and 53 cities from around the world. This post’s photographs are of that event.

Jeff Koons' 17th Art Car.

Jeff Koons, BMW M3 GT2, Expo Chicago/2016.

Alfredo Jaar, Be Afraid of the Enormity of the Possible, 2015 neon edition GALERIE THOMAS SCHULTE DSC_0742 (1)

Alfredo Jaar, Be Afraid of the Enormity of the Possible, 2015, neon, edition 3/3 + 3AP, Galerie Thomas Schulte, Berlin, Germany. Expo Chicago/2016.

At Dittrich & Schlechtriem, Berlin (resized).

At Dittrich & Schlechtriem, Berlin, Germany includes artwork by Klaus Jörres and Julian Charrière. Expo Chicago/2016.

At Cernuda Arte Coral Gables FL. (resize)

At Cernuda Arte Coral Gables, FL. Manuel Mendive (foreground) Este Lugar Sagrado/This Sacred Place, 2009, acrylic on canvas. Expo Chicago/2016.

Art+Language Made in Zurich 1965-1972, London.

Paintings I, Art+Language, Made in Zurich 1965-1972, London. Expo Chicago/2016.

Michael Baldwin and Mel Ramsden.

The Art + Language group’s Michael Baldwin and Mel Ramsden in Chicago. Founded in the mid1960s in the United Kingdom by Terry Atkinson (b. 1939), David Bainbridge (b. 1941), Michael Baldwin (b. 1945) and Harold Hurrell (b. 1940), artist Mel Ramsden joined in 1970. Throughout the 1970s Art + Language dealt with questions about art production and attempted a shift from conventional forms of art, such as painting and sculpture, to theoretically linguistic (text)-based artwork. Art + Language remains active today in several collaborative projects. 

At Galerie Thomas Schulte (resize).

Jonathan Lasker, The Handicapper’s Faith, 2011, Galerie Thomas Schulte, Berlin, Germany. Expo Chicago/2016.

Gallery MOMO, South Africa (resize).

At Gallery MOMO Cape Town/Johannesburg, South Africa. Artwork by Mary Sibande. Expo Chicago/2016.

Dialogues.

Expo Chicago/2016.

Andrew Moore, Mirador, Gibara, Cuba, 2008Andrew Moore, Mirador, Gibara, Cuba, 2008, 46 x 58 inch archival pigment print, Yancey Richardson Gallery, New York. 

Margot Bergman, Agnes, 2016.

Margot Bergman, Agnes, acrylic on canvas, 2016, Corbett vs. Dempsey. Expo Chicago/2016.

Shannon Finley, Googol, 2015.

Shannon Finley, Googol, 2015, acrylic on linen, 4 panels 95 x 189 in., Carrie Secrist Gallery, Chicago. Expo Chicago/2016.

#12 FINAL COPY FUB BURST DSC_0867

Euan Uglow, Sue Wearing a Blue Swimming Cap, 1978/80, oil on canvas 19.5 x 27.5 in., Browse & Darby London. Expo Chicago/2016.

Deborah Butterfield, Hala, 2016.

Deborah Butterfield, Hala, 2016, cast bronze with patina, Zolla Lieberman Gallery Inc., Chicago. Expo Chicago/2016.

at Álvaro Alcázar Gallery, Madrid (resize).

Juan Garaizabal, Álvaro Alcázar Gallery, Madrid. Expo Chicago/2016.

April Martin, The Sun had not yet Risen, 2016.

April Martin, The Sun had not yet Risen, 2016, copper, thread, glass, vinegar, The School of the Art Institute of Chicago. Expo Chicago/2016.

Hermann Nitsch, Schüttbild (Shaped Image), 2013, Acrylic on Canvas, Marc Straus Gallery, New York City.

Dialogue with Miguel Aguilar and Chris Silva.

Dialogue with Miguel Aguilar and Chris Silva, Conversation Pieces. Expo Chicago/2016.

Louise Bourgeois, Girl with hair, 2007, archival dye on silk, edition of 12, Carolina Nitsch, New York City. Expo Chicago/2016.

Pace Gallery, New York City. (resize)

Pace Gallery, New York City. Expo Chicago/2016.

Carolina Nitsch labels.

Expo Chicago 2016.

Genieve Figgis, Half Gallery, NYC (resize)

Genieve Figgis, Half Gallery, New York City. Genieve Figgis is an artist from Ireland who began her artistic career on social media. Expo Chicago/2016.

Buddha's tight ringlet curls by Qi Yu.

Buddha’s tight ringlet curls by Qi Yu. Ceramic cinnabar mineral mounted on canvas. Expo Chicago/2016.

Qi Yu, Beijing, China.

Artist Qi Yu of Redbrick Art Museum, Beijing, China.

North Cafe.

North Cafe. Expo Chicago/2016.

Art Catalogs. (resize).

Expo Chicago/2016.

Amy Sherald, Monique Meloche Gallery.

Amy Sherald, Listen, you a wonder. you a city of a woman. you got a geography of your own., 54 x 43 in., oil on canvas, 2016, Monique Meloche Gallery, Chicago. Expo Chicago/2016. The artist’s title quotes American poet Lucille Clifton (1936-2010): “listen, you a wonder. you a city of a woman. you got a geography of your own. listen, somebody need a map to understand you. somebody need directions to move around you. listen, woman, you not a noplace anonymous girl; mister with his hands on you he got his hands on some damn body!”

Sandro Miller, American Bikers 1990-1995.

Sandro Miller, American Bikers 1990-1995, Catherine Edleman Gallery, Chicago. Expo Chicago/2016.

Bettina Pousttchi, Rotunda, 2016.

Bettina Pousttchi, Rotunda, 2016, photographic print on textile, 25′ diameter, Buchmann Galerie, Berlin/Lugano. Expo Chicago/2016.

Raffi Kalenderian, Sekula Benner Street, 2016.

Raffi Kalenderian, Sekula Benner Street, 2016, oil on canvas, Buchmann Galerie Berlin/Lugano. Expo Chicago/2016.

Kate Werble  Ernesto Burgos (resize).

Ernesto Burgos, Kate Werble Gallery, New York City. Expo Chicago/2016.

Sims Reed Gallery London (resize)

Sims Reed Gallery London. Expo Chicago/2016.

Ann Agee, Negishi Heights 1957, 2015, (resize)

Ann Agee, Negishi Heights 1957, 2015, acrylic on Thai Mulberry paper, P.P.O.W. Gallery, New York City. Expo Chicago/2016.

At the Expo.

Expo Chicago/2016.

Artistic performance. (resize)

Performance outside Zwirner Gallery, New York City. Background: Raymond Pettibon, No Title (Manhattan rising, advancing—), 2010, ink and acrylic on paper, 59 x 118 inches. Expo Chicago/2016.

Mel Bochner and Aloyson Shotz.

Mel Bochner, Blah Blah Blah, 2016 and Aloyson Shotz, Flow Fold #3, 2015, Carolina Nitsch Gallery, New York City. Expo Chicago/2016.

Alicja Kwade, Hypotheisches  Gebilde, 2016 (resize)

Alicja Kwade, Hypotheisches Gebilde, 2016, König Galerie Berlin, Germany. Expo Chicago/2016.

Bernar Venet, Indeterminate Line, 2013.

Bernar Venet, Indeterminate Line, 2013, rolled steel, 75 1/2 × 80 × 62 in. Paul Kasmin Gallery, New York City. Expo Chicago/2016.

Richard Norton Gallery (resize)

Richard Norton Gallery. Expos Chicago/2016.

Jannis Varelas, New Flags for a New Country, The Breeder, Athens, Greece. Expo Chicago/2016.

Expo's end.

Expo Chicago/2016.

Jenn Smith, Untitled (Snake), oil and acrylic on canvas, 2016, The School of the Art Institute of Chicago. Expo Chicago/2016.

Atelier Van Lieshout, The Beginning of Everything, foam, paint, wood, paverpoll, 2016. Expo Chicago/2016. The molecule represents Glucose (C6H12O6), the primary source of energy for human life.  Without glucose, nothing would function: neither the brain, intelligence, thought, muscles, movement or sports. Without energy, our lives would come to a standstill.