Category Archives: My Photography

Maui Hawaii, May 1988: Photographs I Forgot I Had, USA.

Ka’anapali Beach, Maui, Hawaii, May 13, 1988.

Road to Hana, Maui, Hawaii, May 13, 1988.

Cockatoo, Hyatt Regency Maui, Maui, Hawaii, May 13, 1988.

Bronze Buddha, Thailand, 19th Century, Maui, Hawaii, May 13, 1988.

Bodhisattva,Hyatt Regency Maui, Maui, Hawaii, May 13, 1988.

Main Pool, Hyatt Regency Maui, Maui, Hawaii, May 13, 1988.

Footpath, Maui, Hawaii, May 13, 1988.

Free Form Pool, Hyatt Regency Maui, Maui, Hawaii, May 13, 1988.

Lahina Roads, Maui, Hawaii, May 13, 1988.

Road to Hana, Maui, Hawaii, May 13, 1988.

Hookipa Beach, Wind Surfing, Maui, Hawaii, May 13, 1988.

Kaʻahumanu Church (1876), Wailuku, Maui, Hawaii, May 13, 1988.

Sugar Cane, Maui, Hawaii, May 13, 1988.

West Maui Mountains, Maui, Hawaii, May 13, 1988.

Iao Needle, Iao Valley State Park Monument, Maui, Hawaii, May 13, 1988.

Self Portrait, Wailuku, Maui, Maui, Hawaii, May 13, 1988

West Maui Mountains, Maui, Hawaii, May 13, 1988.

Cambodian Buddha, Maui, Hawaii, May 13, 1988.

Evening, Maui, Hawaii, May 12, 1988.

Gargoyles of Notre Dame de Paris.

PHOTOS I FORGOT I HAD: INTERNATIONAL.

CSS-Gargoyle Notre Dame Paris July 1979Gargouille (Gargoyle), Cathédrale Notre Dame de Paris, photographed Thursday, July 12, 1979.

Tourists can visit the “gargoyles” on the façade of Notre-Dame in Paris by reaching the passageway to the outdoor balustrade of the tower base. There is a second balustrade at the very top of the tower but it is not open to the general public.

The exuberant Gothic design of the Cathedral, a stone structure that dominates the Île de la Cité in this most ancient part of Paris, was built in stages. A project instigated by the Bishop of Paris, Maurice de Sully (in office, 1160-1196), commenced with the construction of the choir in 1163. The front portals followed around 1200. The next stage included the towers which began their ascent into the Paris skyline in the 1240’s.

Facade Notre Dame de ParisFaçade, Notre Dame de Paris.

From the ground level upwards to the top of the cathedral every detail of the building is meticulously construed. One of its world famous and popular attractions is the various gargoyles: birds, humanoids, chimeras, etc., that dot the medieval building. With changing artistic taste, the Gothic period architecture was mostly reviled in Paris after about the year 1400. Accompanying political and cultural events in the nineteenth century–especially the crowning of Napoléon I (1769-1821) as Emperor of France in Notre Dame de Paris in 1804 and the publication of the French Romantic Gothic novel The Hunchback of Notre Dame by Victor Hugo in 1831–public interest in Gothic design and Notre Dame in particular (which had fallen into great disrepair) was revived. Under French architects Eugène Viollet-le-Duc (1814-1879) and Jean-Baptiste-Antoine Lassus (1807-1857) most of Notre Dame was overhauled in the 1840’s. As with many of its medieval-style treasures, the cathedral’s many gargoyles also underwent some reconstitution but the question remains as to how many precisely were reconstituted and to what specific extent.

s- CHIMERA ND Paris Jul 1979 -
Gargouille (Gargoyle), Cathédrale Notre Dame de Paris, photographed Thursday, July 12, 1979.

 

ND de Paris

©John P. Walsh. All rights reserved. No part of this material may be reproduced or transmitted in any form or by any means, electronic or mechanical, which includes but is not limited to facsimile transmission, photocopying, recording, rekeying, or using any information storage or retrieval system.

 

EXPO Chicago 2017, September 13-17. Sixth Annual International Exposition of Contemporary & Modern Art. (34 photos).

Expo Chicago/2017 is the 6th annual exhibition of international contemporary and modern art held in Chicago at Navy Pier’s Festival Hall. It took place September 13-17, 2017. Expo Chicago/2017 presented 135 galleries representing 25 countries and 58 cities from around the world.

This post’s 34 photographs are of that event.

Expo Chicago 2017
Expo Chicago 2017.

Brian Calvin, Momentary Monument, 2017
Brian Calvin, Momentary Monument, 2017, acrylic on canvas, Anton Kern Gallery, New York. Expo Chicago 2017.

Expo Chicago 2017Admissions, Expo Chicago 2017.

Expo Chicago 2017
Information desk, Expo Chicago 2017.

Lara Schnitger, Suffragette City, 2015-2017.Lara Schnitger, Suffragette City, 2015-2017, Cotton, and linen, quilted and bleached, Anton Kern Gallery, New York. Expo Chicago 2017.

The War We Won, Roger Brown, 1991
The War We Won, Roger Brown, oil on canvas, 80 x 120 in., Kavi Gupta Gallery, Chicago. Expo Chicago 2017.

Doug Argue, Dream Song 12, 2017
Doug Argue, Dream Song 12, 2017, oil on paper, 40,x,60 in., Marc Straus, New York. Expo Chicago 2017.

CarrerasMugica Contemporary Art Gallery, Bilbao
CarrerasMugica Contemporary Art Gallery, Bilbao. Expo Chicago 2017.

Galerie Gmurzynska, Zurich, SwitzerlandGalerie Gmurzynska, Zurich, Switzerland, with booth design by Antonio Manfreda. Expo Chicago 2017.

Matthew Monahan, Hurricane Nickel, 2016 and Aquarius Gemini, 2016.
Matthew Monahan, Hurricane Nickel, 2016, and Aquarius Gemini, 2016, Anton Kern Gallery, New York. Expo Chicago 2017.

Anton Kern Gallery, New YorkAnton Kern Gallery, New York. Expo Chicago 2017.

Rita McBride, Halicarnassus and Pantheon 2.
Rita McBride, Halicarnassus, 2010, bronze and grey limestone, and Pantheon 2, bronze and markina marble, CarrerasMugica Contemporary Art Gallery, Bibao. Expo Chicago 2017.

Wardell Milan
Wardell Milan, The New Sun Will Warm our Proud and Naked Bodies, 2016, charcoal, oil, oil pastel, pastel, gesso, acrylic, color pencil, cut paper on paper, David Nolan Gallery, New York. Expo Chicago 2017.

Meleko Mokgosi
Meleko Mokgosi, Honor Fraser Gallery, Los Angeles. Expo Chicago 2017.

John SealJohn A. Seal, König Galerie, Berlin. Expo Chicago 2017.

Alan Stone Projects, New YorkAlfred Leslie, Oval Collage, 1959, Diana Moore, White Head, 1988  and Willem de Kooning, 1965, charcoal on paper, Alan Stone Projects, New York. Expo Chicago 2017.

Expo Chicago 2017Thinks I, To Myself. Expo Chicago 2017.

Expo Chicago 2017.
Expo Chicago 2017.

Expo Chicago 2017
Expo Chicago 2017.

Rhona Hoffman Gallery Expo Chicago 2017Jackie Saccoccio, Portrait (Bomba), 2017, and Faheem Majeed, Hopscotch I,  2011, and Pause, 2010, Rhona Hoffman Gallery Chicago. Expo Chicago 2017.

Expo Chicago 2017
Expo Chicago 2017.

Garth Greenan Gallery New York
Garth Greenan Gallery, New York. Expo Chicago 2017.

Iva Gueorguieva, Listen, 2017
Iva Gueorguieva, Listen, 2017, acrylic oil collage on canvas, Miles McEnery Gallery, New York. Expo Chicago 2017.

Hayal Pozanti
Hayal Pozanti, 70 (million m.p.h that the earth orbit around the sun), 2017, acrylic on canvas, 60 x 132 in., Jessica Silverman Gallery, San Francisco, California. Expo Chicago 2017.

Lavar Munroe, Instinctual, 2017
Lavar Munroe, Instinctual, 2017, acrylic on canvas, 48 x 42 in., Jenkins Johnson Gallery, San Francisco. Expo Chicago 2017.

Expo Chicago 2017
Expo Chicago 2017.

Peres Projects Berlin
Peres Projects Berlin. Expo Chicago 2017.

Ransome Stanley, Untitled, 2017
Ransome Stanley, Untitled, 2017, oil on canvas, 59 x 78 in., Gallery MOMO, South Africa. Expo Chicago 2017.

Expo Chicago 2017
Booth 839, Expo Chicago 2017.

Caroline WalkerCaroline Walker, Grimm Gallery Amsterdam New York. Expo Chicago 2017.

Expo Chicago 2017
Expo Chicago 2017.

Nicolas Africano
Nicolas Africano, Untitled, 2017, cast glass, Weinstein Gallery Minneapolis. Expo Chicago 2017.

Paul Kasmin Gallery New YorkPaul Kasmin Gallery New York. Expo Chicago 2017.

Miro 1925Artist’s Signature (Miró). Expo Chicago 2017.

©John P. Walsh. All rights reserved. No part of this material may be reproduced or transmitted in any form or by any means, electronic or mechanical, which includes but is not limited to facsimile transmission, photocopying, recording, rekeying, or using any information storage or retrieval system.

Braddock Road: Twelve Springs Camp, Pennsylvania.

National PikeThe Braddock Road, south-central Pennsylvania, March 20, 2010.

The Braddock Road was a military road built in 1755 in what was then British America and is now the United States. It was the first improved road to cross the barrier of the ridge lines of the Appalachians. It was constructed by about 2,500 troops of the Virginia militia and British regulars commanded by General Edward Braddock (1695-1755), part of the expedition to conquer the Ohio Country from the French at the beginning of the French and Indian War (1756-63). George Washington, who was aide-de-camp to Braddock, had pioneered this route a year earlier when he traveled into the Ohio Country and met Native American leader, Tanacharison (1700-1754).  The expedition gave Washington his first field military experience as well as other American military officers whose numbers profited from this military outing later during the American Revolutionary War (1775-1783).

Braddock’s men had to cut a road wide enough to accommodate the wagons and draft animals that accompanied them, as well as the siege artillery that they brought along to use against the new Fort Duquesne established by the French in 1754 at the confluence of the Allegheny and Monongahela rivers.  Progress was painstakingly slow until Braddock split the force into a lead column of about 1,500 men and the rest as a support column to drag artillery and supplies. The flying column made rapid progress, and with each day, the distance between it and the support column increased. This marker is on the (later) National Pike (Route 40) between Elk Park and Farmington, Pennsylvania.

Henry Moore, Large Interior Form, 1982. Art Institute of Chicago.

ART OUT OF DOORS. Photographs ©John P. Walsh.

Henry Moore, Large Interior Form, 1982. North Stanley McCormick Memorial Court, Art Institute of Chicago.
Henry Moore, Large Interior Form, 1982. North Stanley McCormick Memorial Court, Art Institute of Chicago. November 5, 2017.

Large Interior Form (1982) by Henry Moore (British, 1898-1986).

“Henry Moore’s towering 16-foot sculpture Large Interior Form is among his more mature works, made when the artist was concerned with the construction of three-dimensional space, internal forms within solid volumes, and placing his work in a natural setting. Early in his career, Moore worked primarily in stone but shifted to modeling and bronze casting once these formal concerns took hold. Large Interior Form plays with mass and void, gravity and growth…and juxtaposes its natural-looking shape with its man-formed substance.” (see http://www.artic.edu/north-stanley-mccormick-memorial-court – retrieved July 9, 2018).

My Street Photography.

Photographs ©John P. Walsh

Chicago, June 12, 2018.Chicago, June 12, 2018. Posted June 16, 2018.

Chicago, June 2018.
Chicago, June 20, 2018. Posted June 21, 2018.

Lake Wedding Wisconsin
Lake Wedding, Waukesha County, Wisconsin, June 3, 2017. Posted June 25, 2018.

Chinatown (Chicago), 2018.
Chinatown (Chicago), 2018.

Double Vision.
Double Vision (Chicago), August 5, 2017.

All the World's a Stage (Milwaukee, Wisconsin), June 9, 2018.
All the World’s a Stage (Milwaukee, Wisconsin), June 9, 2018.

The Doughboy statue (1921) by sculptor John Paulding in Wheaton, Illinois, memorializes veterans of World War One.

“Over the Top to Victory” is a bronze sculpture that depicts an American infantryman in World War I (known popularly as “doughboys”) that was created by American sculptor John Paulding (1883-1935). The statue was cast in 1921 by the American Art Bronze Foundry in Chicago and stands in Memorial Park in Wheaton, Illinois. Paulding studied sculpture at The School of the Art Institute of Chicago and is best remembered today for his World War I memorials. When the United States entered World War I in April 1917 they fought valiantly until an armistice was signed in November 1918 which ended the over four-year-old conflict in victory for the Allies. Four months before the statue was dedicated in honor of all Wheaton World War I veterans on Armistice Day, November 11, 1929, the Wheaton Illinoian opined: “The statue is a fitting memorial to the soldiers of the community who died fighting for our cause. Let us not forget so easily!”

"Over the Top to Victory" Doughboy Statue

“Over the Top to Victory,” 1921, bronze, John Paulding (American, 1883-1935), Memorial Park, Wheaton, Illinois.

©John P. Walsh. All rights reserved. No part of this material may be reproduced or transmitted in any form or by any means, electronic or mechanical, which includes but is not limited to facsimile transmission, photocopying, recording, rekeying, or using any information storage or retrieval system.