Tag Archives: Milton H. Greene

Marilyn Monroe in Photographs: Celebrity (1946-1962). Rising Star.

Marilyn Monroe (1926-1962) is one of the great celebrities of all time. This collection of images catalogs some of the glamorous and dramatic highlights in her public life as well as private moments. For more photographs of film’s most iconic sex symbol and star, see my blog posts “Marilyn Monroe in Photographs: The Films (1947-1962)” (July 2019) and “Marilyn Monroe in Photographs: The Modeling Years (1946-1962)” (October 2019). This post, “Rising Star,” follows Marilyn from the beginning of her career to around 1954.

Rising Star.

Marilyn Monroe on February 8, 1952 at the Del Mar Club on 1910 Ocean Front Avenue in Santa Monica. She was just awarded the Henrietta Award for “The Best Young Box Office Personality” given by the Foreign Press Association of Hollywood.

Marilyn appeared on The Jack Benny Show on Sunday night, September 13, 1953. Since her Fox contract prohibited Marilyn from earning money outside her work for the studio, she accepted a new model Cadillac convertible as her fee.

Marilyn in her 1952 Cadillac 62 Series convertible. In May 1954, with new husband Joe DiMaggio in the passenger seat, Marilyn drove the car into the back of a little MG. The couple was sued for $6000 (the case was settled out of court for $500).

By 1952 Marilyn was receiving 5,000 fan letters each week.

Norma Jeane, 1945. Photograph by Andre de Dienes.

Norma Jeane, 1945. Andre de Dienes.

Norma Jeane, 1946. Photograph by Andre de Dienes.

Norma Jeane (Marilyn), 1946. Photograph by Andre De Dienes.

Norma Jeane, 1947. Photograph by Earl Thiesen.

Norma Jeane, 1947. Photograph by Earl Thiesen.

Marilyn on the telephone as producer Jerry Wald looks on. During the filming of Clash by Night (1951) Marilyn was loaned out by Fox to RKO to play a young cannery worker. Although she received plenty of attention during the production — and to the vocal consternation of one of the film’s stars (Paul Douglas) — her unexpected absences received an unsympathetic hearing from Fritz Lang, the 1952 film noir’s director. Photograph by Bob Landry.

Marilyn in Banff in summer 1953.

Marilyn at home, 1953. Photograph by Alfred Eisenstaedt.

Marilyn, 1953. Alfred Eisenstaedt.

Marilyn, 1953. Alfred Eisenstaedt.

Marilyn, 1953. Alfred Eisenstaedt.

Because of the mountain of positive attention Marilyn gained by her small but memorable role in All About Eve (1950), Marilyn Monroe was made a presenter at the 23rd Academy Awards Ceremony on March 29, 1951 at the Pantages Theatre, 6233 Hollywood Boulevard. She presented the Oscar for Sound Recording to the 20th Century-Fox Studio Sound Department and Thomas T. Moulton, its Sound Director for All About Eve. That year All About Eve received 14 Oscar nominations, breaking the record for the most Oscar nominations that was held by Gone With The Wind with 13 nominations since 1939.

Marilyn is photographed wearing a low-cut mull dress which she selected from the Fox wardrobe for the 23rd Academy Awards on March 29, 1951.

Marilyn presents Oscar, March 29, 1951. 23rd Academy Awards.

Marilyn is a presenter at the 23rd Academy Awards.

Marilyn attends the Hollywood Foreign Correspondents Annual dinner at Ciro’s on February 21, 1951.

February 21, 1951.

Marilyn in a swimsuit on August 4, 1951 at the Farmer’s Market in Hollywood. Wearing a chef hat, she cuts into a layer cake.

Marilyn at the Hollywood Farmer’s Market, August 4, 1951.

Marilyn in 1951.

Marilyn Monroe, 1951. Photograph by Phil Burchman.

Phil Burchman.

Phil Burchman.

Phil Burchman.

Marilyn, 1956. Photograph by Phil Burchman.

Marilyn in December 1951. Photograph by Larry Barbier, Jr.

Marilyn, 1952. Philippe Halsman.

Marilyn, 1952. Philippe Halsman.

The Los Angeles Press Club selected Marilyn Monroe as their first Miss Press Club in 1953.

Miss Press Club, 1953.

Marilyn Monroe in 1953. Photograph by Frank Powolny.

Marilyn, 1952. Photo by Frank Powolny.

Marilyn, 1952. Frank Powolny.

Marilyn, 1952. Frank Powolny.

Marilyn, 1952. Photograph by Frank Powolny.

Marilyn, headshot, 1952. Photograph by Frank Powolny.

Children’s benefit, December 4, 1953. Photograph by Phil Stern.

Children’s benefit, December 4, 1953. Photograph by Phil Stern.

Marilyn in the early 1950’s.


The year is 1951. In March Marilyn makes publicity photographs with Chicago White Sox professional baseball players Gus Zernial and Joe Dobson. In June Marilyn does a photo shoot with Nick Savano, Craig Hill and Mala Powers for the September 1951 issue of Modern Screen.

Marilyn at a party at Ciro’s, June 1951.

Marilyn in 1954 at the St. Regis hotel in New York City.

Marilyn, 1952. Ernest Bacharach.

Marilyn in 1952. Photograph by Bob Sandberg.

Marilyn in 1952 looks at a drawing of herself between two flower arrangements. Photograph by Nickolas Muray.

Photograph by Nickolas Muray, 1952.

Nickolas Muray, 1952.

Marilyn posing on a mattress cot. Early 1950’s.

Marilyn at Ciro’s at 8433 Sunset Boulevard in West Hollywood in 1953. Marilyn is between movie columnist/radio commentator Walter Winchell (1897-1972) and film executive Joseph Schenck (1876-1961). This was right after Gentleman Prefer Blondes was made that had the whole movie-going world fall in love with Marilyn Monroe.

On May 13, 1953, Marilyn and Sheilah Graham at the party given by Walter Winchell in movie columnist Louella Parsons’ honor, at Ciro’s. 

At Ciro’s, May 13, 1953, with nationally-syndicated movie columnist Sheilah Graham.

Marilyn poses at the bottom of an imaginary ascending staircase.

On the runway.

Marilyn in New York, 1954.

Marilyn Monroe at Romanoff’s in Beverly Hills, 1954.

Marilyn, 1954. Photography by Ted Baron.

Marilyn Monroe and Mitzi Gaynor at the reception on March 5, 1953 for nationally-syndicated American movie columnist Sheilah Graham’s wedding that had been held on February 14, 1953.

March 5, 1953.

At Sheilah Graham’s wedding reception, March 5, 1953.

Marilyn with Sheilah Graham, March 5, 1953.

Sheilah Graham’s wedding reception, March 5, 1953.

Marilyn attended Sheilah Graham’s wedding reception on March 5, 1953 with movie columnist Sidney Skolsky.

Marilyn, 1952. Photograph by Philippe Halsman.

Marilyn, 1952. Philippe Halsman.

Marilyn, 1952. Philippe Halsman.

Marilyn, 1954. Photograph by Philippe Halsman.

Marilyn Monroe and Betty Grable at the premiere of How To Marry a Millionaire in November 1953. Made by 20th Century Fox, the American romantic comedy starred Lauren Bacall along with Monroe and Grable as three resourceful gold diggers in New York City. It was the first film ever to be filmed in the new CinemaScope widescreen process, although released shortly after The Robe that was also filmed in CinemaScope. These two films were the top earners for the studio that year and in the top ten of highest-grossing films of 1953. The premiere Of How to Marry a Millionaire was on November 4, 1953 at the historic art-deco Fox Wilshire Theatre in Beverly Hills, California. The Los Angeles landmark was renamed the Saban Theatre in 2009.

Two shots from Marilyn Monroe’s first photo session with 31-year-old photographer Milton H. Greene in September 1953. Greene had come to Los Angeles to photograph Marilyn who had been working on River of No Return, a Technicolor American Western, directed by Otto Preminger and co-starring Robert Mitchum. The 20th Century Fox film was the first CinemaScope picture made in Canada though upon its release in April 1954 critics were divided as to whether it was the Jasper and Banff National Parks or Marilyn Monroe that nature had more munificently blessed.

Top: Marilyn on crutches in August 1953 following her leg injury during filming on location for River of No Return.

Above: Marilyn returned to California to shoot indoor/raft scenes for River of No Return in September 1953 from Alberta, Canada. She still had a damaged leg.

To be Continued…

Marilyn Monroe in Photographs: The Films (1947-1962).

Marilyn Monroe breaking the ice in this promotional color photograph on the train for Some Like It Hot. She plays Sugar “Kane” Kowalczyk, the ukulele player and singer in an all-women’s traveling band. Upon its release in the spring of 1959, the Billy Wilder black-and-white film became an immediate smash hit with audiences and critics alike and remains one of the all-time great comedy film classics.


Grace Kelly in Photographs: Philadelphia, New York and Hollywood.

Text by John P. Walsh.

Here are some famous and rarely seen photographs of Philadelphia-born Grace Kelly (1929-1982) before and during her short but dazzling film career in Hollywood. Called the “Greatest Screen Presence in Film,”1 passionate and dramatically talented Grace Kelly was Alfred Hitchcock’s favorite actress when she starred in three of his classic films of the 1950’s: Dial M For Murder (1954), Rear Window (1954) and To Catch a Thief (1955).  After Grace was discovered in 1951 by Gary Cooper who said that she was “different from all these actresses we’ve been seeing so much of”2—and subsequently cast in High Noon (1951) as Cooper’s movie wife—Grace Kelly’s incomparable charm and allure swiftly impressed Hollywood and the world. From September 1951 to March 1956 Grace Kelly’s star blazed in eleven major motion pictures for five different Hollywood studios. Following High Noon for United Artists, her performance for M-G-M on John Ford’s Mogambo (1953) led to Grace’s first Academy Award nomination as Best Supporting Actress. Grace began work in July 1953 on Dial M For Murder for Warner Brothers where she met Alfred Hitchcock who became a cinematic mentor. Soon after, The Bridges at Toko-Ri (1954) at Paramount Pictures began Grace’s ground-breaking multi-film collaboration with Academy-Award winning costume designer Edith Head. Grace refused other lucrative film offers to work again with Hitchcock, this time at Paramount Pictures, on Rear Window co-starring Jimmy Stewart. In this landmark film which came out in summer 1954, one of Hitchcock’s dramatic emphases for Grace Kelly’s film persona was to display her natural elegance and sex appeal—he was amused by her public image as an “Ice Queen”3—by having her costumed in an array of fabulous Edith-Head-designed lingerie, dresses, and pants. Growing up in Philadelphia Grace Kelly as an adolescent and teenager had modeled in local fashion shows but, by the middle 1950’s in her mid-twenties, she became an international fashion and style icon. Following these first phenomenal film credits, what happened for Grace Kelly next was perhaps surprising but not unexpected, and a clear and certain capstone to, and beacon for, her professional acting career that was barely five years old. Never just a pretty face, Grace Kelly insisted in her studio contract that she be allowed regular breaks to be able to act in live theater.4 Grace admired the art of the live stage and welcomed demanding theater and film roles that challenged and exhibited her acting range and abilities. This was part of her motivation to go after the hardly glamorous but dramatically impressive role of Georgie Elgin in George Seaton’s The Country Girl (1954) for Paramount Pictures. With co-stars Bing Crosby and William Holden, the film featured Grace playing the long-suffering wife of an alcoholic actor struggling to resume his career (played by Crosby). At its release, the film was a hit and nominated for seven Academy Awards. On Wednesday, March 30, 1955, at the telecast of the 27th annual Academy Awards held at RKO Pantages Theatre,5 The Country Girl won two Oscars, including one for Grace Kelly for Best Actress. At just 25 years old Grace Kelly—of the ambitious and hugely competitive Philadelphia Kellys—had reached the highest echelons of the cinematic arts by way of her profession’s gold-plated statuette. Always looking ahead, Grace’s film career had already turned international. She did Mogambo for a host of reasons not least of which was being able to see Africa with “all expenses paid.”6 In early 1954 she had flown to South America to make Green Fire (1954) for M-G-M with Stewart Granger and then in May 1954 she was at the French Riviera to make her third film with Alfred Hitchcock: To Catch a Thief (1955) co-starring Cary Grant for Paramount Pictures.  Grace liked the Riviera enough to travel there one year later, in April 1955, this time for the 8th annual Cannes Film Festival. To what degree Grace could imagine in advance how that particular journey to that most beautiful part of the world would impact her film career as well as future life as wife and mother was beyond her. It was during that early spring 1955 Mediterranean trip that Grace Kelly was first introduced to Prince Rainier III of Monaco.

Grace Kelly stood five foot seven inches tall and weighed 118 pounds. Her dress size was two.7 She was born on November 12, 1929 into the Kelly family of Philadelphia. Grace Patricia Kelly was the third of four children and one of that Irish-German family’s three girls. Elder sister Peggy and younger sister Lizanne were athletic and shared their mother Margaret’s model looks. Margaret was also the family disciplinarian who the Kelly children liked to call “the Prussian General.”8 As a child Grace was dreamy and shy while her siblings were outgoing and athletic. Yet Grace too inherited a keen awareness of her body using her arms and legs to be dramatically expressive in an actress’s rather than athlete’s way.9 By the time she was 18 years old Grace’s beautiful rectangle-shaped face with soft pear-shape dimensions displayed thick blond hair, almond-shaped blue eyes, a small high-bridge nose and ruby lips. Each member of the Philadelphia Kelly family was an exuberant competitor in areas of American life such as athletics, business, politics, or high society.  As an adult one of Grace’s major strengths in addition to her incredible beauty was her ability to focus on whatever goal she decided to pursue whether professionally or personally until that goal was achieved. When Grace won the Academy Award for Best Actress in 1955 it was also a brick in the Kelly wall of ambition for success.  Before she was a teenager Grace performed in plays so that in her teenage years a desire to be an actress grew. Since Grace was situated within a protective and affluent family as well as educated in Philadelphia Catholic and private schools she sought theater work in New York City instead of Hollywood which Grace, even after she achieved film success, considered a pitiless machine of cinematic production.10

It was Aristotle Onassis who suggested to Prince Rainier that he marry a beautiful American movie star to bring the glitterati back to Monaco. Onassis’s list at the time did not include Grace Kelly.11 Invited to the 1955 Cannes Film Festival after she had won the Academy Award for Best Actress for The Country Girl one month before, Grace was curious enough about the prince to be introduced to him in Monaco on Friday, May 6, 1955. What is memorable from the photographs of their meeting at the palace is that the Prince looks chic and handsome and Grace is at her most beautiful in a black silk floral print dress with her blond hair pulled back into a German-style bun. That evening she returned to Cannes for the festival’s screening of The Country Girl helping to conclude a day that Grace herself called “pretty wild.”12 But Grace’s career in Hollywood wasn’t over—nor her life half begun. She was back in Paris before the festival’s winners were announced (she had won nothing there),13 and soon returned to Hollywood to make what turned out to be her final two Hollywood movies – The Swan and High Society.


  1. It was actually my brother Kevin, now deceased, who when he was working in the Chicago Film Office wrote to me this apt description of Grace Kelly (and Rear Window as the greatest film ever).
  2. Quoted in Roberts, Paul G., Style Icons Vol 4 Sirens, Fashion Industry Broadcast, p. 74.
  3. Dherbier, Yann-Brice and Verlhac, Pierre-Henry, Grace Kelly A Life in Pictures, Pavilion, 2006, p. 11.
  4. Edith-Head-designed apparel for Rear Window – Haugland, H. Kristina, Grace Kelly: Icon of style to Royal bride (Philadelphia Museum of Art), Yale University Press, 2006, p. 956; so she could act in live theater – TBA
  5. Date and place of 1955 Oscars- see https://www.oscars.org/oscars/ceremonies/1955 – retrieved April 26, 2017.
  6. did Mogambo for an all-expense paid visit to Kenya – TBA
  7. height and dress size- http://www.bodymeasurements.org/grace-kelly/ – retrieved April 28, 2017.
  8. Dherbier and Verlhac, p. 9.
  9. Conant, Howell, Grace: An intimate portrait of Princess Grace by her friend and favorite photographer, Random House, 1992, p.18.
  10. Preferred theater to film-TBA
  11. Leigh, Wendy, True Grace: The Life and Times of an American Princess, New York: Thomas Dunne Books, 2007, p.100.
  12. ibid., p. 112.
  13. Dherbier and Verlhac, p. 12.

©John P. Walsh. All rights reserved. No part of this material may be reproduced or transmitted in any form or by an means, electronic  or mechanical, which includes but is not limited to facsimile transmission, photocopying, recording, rekeying, or using any information storage or retrieval system.


Grace Kelly, December 29, 1954.

Grace Kelly portrait from the film “Rear Window” photographed by Virgil Apger, 1954.

Grace Kelly in red by Howell Conant, 1955.

LADY IN RED: Grace Kelly by Howell Conant, 1955. For more than 25 years Conant was Grace Kelly’s friend and favorite photographer.

Grace Kelly MGM portrait

Grace Kelly

1954 philippe halsman

Grace Kelly, 1954 PHILIPPE HALSMAN

Grace Kelly 1954  Photo Cecil Beaton

Grace 1954

Grace 1955

GK naked shoulders

GK 1954 Apger

Grace Kelly by Apger Virgil, c. 1954. In 1929—the year Grace was born—Apger was hired in the portrait gallery at Paramount. In 1931 he went to work at M-G-M doing what he did at Paramount: developing negatives, working with the dryers, and making prints. Apger was an assistant to Clarence Sinclair Bull, but Jean Harlow gave Apger his start as a production still photographer on China Seas in 1935. After that, Apger shot M-G-M publicity stills for the stars.

Grace Kelly in Fourteen Hours (1951).

Grace Kelly The Country Girl

Grace Kelly Headshot for The Country Girl (1954). 

FIXED Mogambo 001

Grace Kelly had many reasons to do John Ford’s Mogambo which started filming in Africa in November 1952. Two of those reasons were to co-star with legendary Clark Gable and sultry Ava Gardner at the height of her fame.

Grace Kelly and Clark Gable Mogambo

publicity still The Bridges at Toko-ri

FIXED GK jamaica HC 1955 001

Photographer Howell Conant observed that every movement of Grace’s body was a telling gesture. Jamaica, 1955.

Grace Kelly and Cary Grant

studio publicity, To catch a thief 1954 001FIXED

Grace Kelly and Cary Grant in To Catch a Thief.

La Victorine studios 1954 Hitch directs GK on To Catch a Thief grace kelly

Grace and Edith Head To Catch A Thief

GK arrives with Edith Head to the 1955 academy awards in the Ed 001

Grace Kelly arrives with Edith Head at the 1955 Academy Awards wearing the ice blue gown that Edith designed for her.

gk with oscar

Grace Kelly backstage after the 27th annual Academy Awards on March 25, 1955 when she won the Oscar for Best Actress for her role in The Country Girl.

1955 Academy Award

Grace Kelly with her Oscar for Best Actress in hand backstage at the 1955 Academy Awards.

27th Annual Academy Awards Grace Kelly and Bob Hope

27th Annual Academy Awards Bette Davis presenter, Marlon Brando and Grace Kelly
The 27th Annual Academy Awards, Bette Davis presenter, Marlon Brando and Grace Kelly, with their Best Actor and Best Actress Oscars. 


Edith head rear window

Edith Head’s wardrobe for Grace Kelly in Rear Window (1954). Chic and modern, Grace’s memorable film entrance is in this black-fitted bodice with off-the-shoulder V-neckline on top of a full bunched and layered chiffron tulle skirt to mid calf marked by a pattern at the hip. Grace’s high fashion is cinched by a thin black patent leather belt and elbow-length white gloves.

wardrobe by Edith Head for Rear Window

In the 1930’s Edith Head leaned liberal in her costume designs. But in the 1950’s her designs became more conservative. Grace Kelly for Rear Window.

FIXED rear window 001

For Rear Window released in the summer of 1954 Grace Kelly received equal billings with co-star Jimmy Stewart and director Alfred Hitchcock.

famous eau de nil suit work in Rear window

Edith Head’s famous eau de nil suit and matching hat for Grace Kelly in Rear Window (1954).

NEW FIXED The Bridges at Toko-Ri is a 1954

In Bridges at Toko-Ri (1955) Grace is radiant in each scene she’s in. She plays Nancy Brubaker, the wife of Navy pilot William Holden who is killed in action in the Korean War. A story of an American family in war-time, the film’s cooperation with the U.S. Navy led to realistic aerial and carrier action scenes that won it the Academy Award for Best Special Effects in 1956.

Paramount Publicity

Grace Kelly was Hitchcock's Muse

Grace Kelly.

1955 portrait during her Hollywood years


Grace Kelly in almost complete profile, 1954.

Kellys 1945

The Kelly siblings in Philadelphia. Grace and Peggy flank Jack with Lizanne on his shoulders, c. 1946.

grace 1947

Grace Kelly (center) with school chums. Grace had already started amateur modeling and acting by this time.

kellys 1935

Kelly family in Philadelphia, 1935. From left: son Jack and father Jack, Lizanne, mother Margaret. Back: Grace and Peggy.

Mrs. Kelly with Grace and sisters Lizanne and Peggy

Grace Kelly Ocean City NJGrace on on a family vacation at Ocean City, New Jersey, c. 1946.

Grace in NYC late 1940sGrace Kelly in New York City as a young model and actress, late 1940’s.

GK 1951

Grace moved to Southern California to be in motion pictures. She appeared in her first film called Fourteen Hours for 20th Century-Fox in 1951 when she was 22 years old.

GK 1950s

Grace takes a comb to her hair, early 1950’s.

Headshot late 1940s

Marcus Blechman 1952 001

Portrait of Grace Kelly by theater and film photographer Marcus Blechman (1922-2010).

Grace Kelly in a promotional photo for High Noon (1952)

Grace and Dorothy Towne High NoonGrace Kelly and her stand-in Dorothy Towne on the set of High Noon.

Lloyd Bridges, Katy Jurado, Gary Cooper, Grace Kelly High NoonLloyd Bridges, Katy Jurado, Gary Cooper, and Grace Kelly in High Noon. Gary Cooper took credit for discovering Grace for the movies. He said about Grace: she was “different from all these actresses we’ve been seeing so much of.”

FINAL jack kelley & grace 1937 001


Grace Kelly in 1954 in Philippe Halsman’s “Jump” series which featured celebrities jumping for the camera.

FIXED 2017-02-06 july 3 1955 Philly cotton candy july 3 1955 Philly cotton candy 001

Grace Kelly eating cotton candy on the 4th of July 1955 in Philadelphia.

warddrobe tests GK The country Girl -

Grace Kelly in wardrobe tests for The Country Girl. Edith Head dressed Grace’s character of Georgie Elgin in brown wool clothes, cardigan sweaters and low-heel Capezio shoes.

FINAL grace country girl 001

At the end of The Country Girl, Georgie Elgin is dressed by Edith Head in a dark dress with a low V-cut neckline and jeweled accent at the waist and in a strand of pearls. It allowed the movie audience to see how lovely Georgie Elgin really was.

Grace Kelly in 1956.

Grace Kelly, Jamaica, 1955. After making six films in 1954, Grace went on vacation with her sister Peggy and took along Howell Conant to be official photographer. Grace would return to Jamaica for family vacations as Princess of Monaco.

GK 1954 with sister mrs peggy

Grace in 1954 on Corsica with her sister Peggy and Oliver the dog.

GK with MOm

Grace Kelly modeling a fashionable dress for her mother in the mid 1950’s. Look at Grace’s reflection in the mirror.


Grace Kelly in New York City by Milton H. Greene, 1955.

Portrait of Grace Kelly by Alfonso Sharland

GK 1955

Grace Kelly, 1955.

GK 1954 G Lester

Grace Kelly is dressed for St. Patrick’s Day in 1954. She has a copy of the MGM studio news on her lap. Photograph by Gene Lester.


Coffee or tea? Grace Kelly sitting in Cary Grant’s chair and Alfred Hitchcock on the set of To Catch A Thief.

Grace Kelly in Ball Gown To Catch A Thief

FIXED COPY gk and edith head to catch a thief 001

Grace Kelly and Edith Head working on costume designs. The pair had a close working relationship and remained good friends. After Grace left Hollywood, Edith traveled to Monaco many times to visit her.

FIXED May 5 1956 001

26-year-old Grace Kelly and 31-year-old Prince Rainier III at their first meeting at the palace in Monaco, May 6, 1955. They would be engaged to be married by the end of the year. Photograph by Edward Quinn.

FIXED May 6, 1955 b 001

Grace Kelly and Prince Rainier III on May 6, 1955 in Monaco. He told her, “This is Europe, not America. We think differently here, and you will have to get used to it.”

may 6 1955 (1)First Visit: Grace Kelly in Monaco, May 6, 1955.

Grace Kelly Rear Window


Grace Kelly in Rear Window (1954)  slow motion kiss close-up.


James Stewart & Grace in Rear Window

James Stewart and Grace Kelly in Rear Window.

Publicity Rear window

Grace Kelly and Jimmy Stewart in a Paramount publicity photograph for Rear Window. (1954).

Grace on the set of Rear Window

Grace on the set of Rear Window.

Grace Kelly at ParamountGrace at Paramount.

Grace Kelly in Rear window

 Grace Kelly wearing the outfit for the final scene of Rear Window.

Grace Kelly January 1956 High SocietyGrace Kelly in an outfit by Helen Rose for the film High Society in January 1956. 

Grace Kelly MGM publicity photograph

Grace Kelly in a MGM publicity photograph.

Grace Kelly MGM publicity photo The SwanGrace Kelly in a MGM publicity photograph for The Swan.

The Swan Grace KellyGrace Kelly, The Swan.

Grace Kelly by Bud Fraker Grace Kelly in a Paramount publicity photo by Bud Fraker.


Grace Kelly in earrings by Joseff
Grace Kelly in earrings by Joseff.

Grace Kelly make up test High Society 1956

Grace Kelly in a make-up test for the honeymoon scene in High Society.

Grace Kelly High Society 1956Grace Kelly in High Society (1956).

Spring 1956 bridal show in New York CityA spring 1956 bridal show at the Ambassador Hotel in New York City featured a Cartier replica of Grace’s engagement ring on the center model. The other rings replicate Rita Gam’s and Margaret Truman’s. Grace Kelly Rear Window

Grace as Lisa in Rear window.

Oscars 1955, Grace Kelly with Best Actress Academy Award as emcee Bob Hope looks on.

Grace Kelly in a chiffon-draped gown by Edith Head for To Catch a Thief (1955).

Grace Kelly studying the script during filming of George Seaton’s The Country Girl. The 1954 film received 7 Academy Award nominations and won two. One of them was for Grace who won the Oscar for Best Actress.

Next  in CORRIDORS: Grace Kelly, Famous and Rare Photographs. Part II: Hollywood ends, Monaco begins (1956-1982).