FEATURED IMAGE (left to right): David Adler, floor plan, 1912 (WORKS OF DAVID ADLER, CHICAGO ARCHITECT); Pierre-Auguste Renoir, The Swing, 1876, oil on canvas, Musée d’Orsay (THE “TRICKY BUSINESS” OF THE CAILLLEBOTTE BEQUEST); Marcus Gheeraerts the Younger, Captain Thomas Lee in Irish Dress, oil on canvas, 1594, Tate Britain (COMPLETE ART WORKS OF MARCUS GHEERAERTS THE YOUNGER); Henri de Toulouse-Lautrec, Jane Avril, color lithograph in 5 colors, 1893 (TOULOUSE-LAUTREC’S COMPLETE MASS PRODUCED COLOR POSTERS).
FEATURE image: Jean Fouquet (1420-1480), Melun Diptych, right panel: The Virgin and Child Jesus, c. 1450. Antwerp, Museum of Fine Arts. Retable de Saint Denis, (above), was completed in 1416 for the church of the Charterhouse of Champmol that is adjacent to Dijon. The artwork’s attribution has long been debated between Bellechose and Jean Malouel (1370-1415). […]
FEATURE image: The Satyr at the Farmer’s (“Der Satyr beim Bauern”), Jacob Jordaens (Flemish, 1593-1678), c.1620. Housing much of the city’s most famous artwork, this museum’s collection includes renowned international works from the 14th through the 18th centuries. The painting is impressively large. The captivating faces express concern, joy, hope, even confusion. “The Four Holy […]
Edvard Munch (1863-1944): Norway’s Symbolist Artist Made THE SCREAM and First Expressed the Individual’s Anguish In Modern Society. Paintings/Graphic Art.
FEATURE image: Edvard Munch, The Scream, 1895, pastel on cardboard, private collection. By John P. Walsh Edvard Munch (1863-1944) was a Symbolist and Expressionist artist from Norway. In the 1890s, anti-naturalism mainly took the form of Symbolism – that is, the fascination with many types of literature and the inclination to draw upon these sources […]
FEATURE image: Memorial Portrait of Hiroshige, 1858, Utagawa Kunisada (1786-1865), Museum of Fine Arts Boston. Hiroshige is best known for his horizontal-format landscape series The Fifty-Three Stations of the Tōkaidō and his vertical format landscape series One Hundred Views of Edo. His subjects are an expansion of the ukiyo-e genre, adding to its usual focus […]
ORIGINS OF GERMAN EXPRESSIONIST PAINTING: THE EARLY MODERN ART CAREER OF ALEXEI VON JAWLENSKY (1864-1941), RUSSIAN-ÉMIGRÉ PAINTER, FROM 1889 TO THE BLUE RIDER IN MUNICH IN 1911.
FEATURE Image: Jawlensky, Hügel (Hills), 1912, oil on hardboard, Museum am Ostwall, Dortmund. Alexei von Jawlensky (1864-1941), Russian-émigré German Expressionist painter. SUMMARY: Alexei von Jawlensky (1864-1941), a young Russian-émigré artist to Germany beginning in the mid 1890’s, became one of the most progressive avant-garde modernist artists of his generation. His international search—from Russia to France, […]
FEATURE image: Dosso Dossi (c. 1489–1542), Melissa, 1520s. 69.25 x 68.5 inches, Borghese Gallery, Rome. Dosso Dossi (c. 1489-1542)– whose actual name was Giovanni de Lutero–was an Italian Renaissance painter who belonged to the School of Ferrara. Among scores of artists who painted mainly in the Venetian style influenced by Giorgione (c. 1477-1510), Dosso Dossi […]
On the 500th Anniversary of Leonardo da Vinci’s death, a look at a masterpiece, the Battle of Anghiari, and its Fabled Competition with Michelangelo for the Laurel of Greatest High Renaissance Artist in Sixteenth-Century Italy.
FEATURE image: Peter Paul Rubens, Copy of Leonardo’s Battle of the Standard (from the Battle of Anghiari), 1603, Louvre. On May 2, 2019, the world remembered the day 500 years ago when Leonardo da Vinci (1452-1519), Italian Renaissance artist and polymath, died. The 67-year-old applied the spheres of the human brain to its many branches of […]
Lee Miller (1907-1977), Photographer, Surrealist, and Aesthete, Part 1: the Poughkeepsie years, 1907-1925.
FEATURE image: The Millers in 1920. Lee, Erik, Theodore, Florence and John. The Millers, Theodore, Elizabeth Lee, Erik, John and Florence, in 1923. By John P. Walsh In the first decades of the twentieth century it became increasingly common practice for established American families to reflect and display their personal lives as well as social […]
Photographic Portraits of French Cultural Figures by Nadar (1820-1910) in 19th-Century Paris: History, Commentary and Criticism.
FEATURE image: Nadar, Jean-Charles Deburau (1829-1873) as Pierrot series, c. 1855. By John P. Walsh. This presentation is excerpted from content of university course I taught whose research project is ongoing. Nadar was born on April 6, 1820 to 26-year-old Thérèse Maillet and 49-year-old Victor Tournachon at 195 rue Saint-Honoré in Paris. His parents […]
FEATURE image: Eugène Atget, Place Saint-Médard, 1889-99. Eugène Atget, Photographer’s Studio, c. 1910. Atget was born in 1857 near Bordeaux (Libourne) and after his parents died in 1862, the 5-year-old boy was brought up by his grandparents in Bordeaux. Atget received a solid education and, similar to Paul Gauguin, eventually went to sea in the […]
FEATURE image: Henri de Toulouse-Lautrec (1864-1901), La Revue Blanche, 1895, Paris. Lithograph in four colors. By John P. Walsh The nineteenth century in France brought about a radical transformation of the role of the artist. In place of artwork for aristocratic patrons, artists in all media were increasingly left to their own devices and began […]
FEATURE image: Joan of Arc was condemned as a heretic by 37 judges sympathetic to her enemies in England. The next day, May 30, 1431, the 19-year-old French visionary and soldier was taken to be burned at the stake in the market place of Rouen, France. Illustration by Octave Denis Victor Guillonnet (1872-1967). Public Domain. […]
Featured Image: Self-Portrait, Hans Holbein the Younger, 1542/3, black and colored chalks, 23 x 18 cm, Florence, Galleria degli Uffizi. This is the only confirmed self portrait by Holbein. Self-portrait Hans Holbein The Younger, Oil on paper, mounted on oak, 16.5 x 14 cm, inscribed on the left and right of the head: H H; on the […]
Complete signed, dated, documented and inscribed art works (33 paintings) of Marcus Gheeraerts the Younger (c. 1562-1636). Featuring his Captain Thomas Lee in Irish Dress, oil on canvas, 1594, in Tate Britain.
FEATURE image: Detail, Queen Elizabeth I. Ditchley portrait. Marcus Gheeraerts the Younger, 1592. Marcus Gheeraerts the Younger, Captain Thomas Lee in Irish Dress, oil on canvas, 1594 (purchased 1980), Tate Britain. Captain Thomas Lee (c.1551-1601) had his portrait painted by 33-year-old Marcus Gheeraerts the Younger (Bruges, 1561-1636) in London in 1594. Captain Lee was 43 years old […]
FEATURE image: Margaret Stuyvesant Rutherfurd White (Mrs. Henry White), 1883, oil on canvas, 225.1 × 143.8 cm (88 5/8 × 56 5/8 in.), National Gallery of Art, Washington, D.C. from Corcoran Collection, 2014. By John P. Walsh The art works by John Singer Sargent (1856-1925) in this post are ones in oil, watercolor, and pastel. […]
Francisco de Goya (1746-1828): First Suites of Tapestry Cartoons for the Princes of Asturias in Madrid, 1775 to 1778.
FEATURED image: Francisco de Goya (1746-1828), The Kite (detail), 1777/78. Oil on canvas, 269 x 285 cm. These are a selection of the first two suites of decorative tapestry cartoons (or designs) completed for El Escorial in 1775 and El Palacio Real del Pardo between 1776 and 1778 by Spanish artist Francisco de Goya (1746-1828) . Both […]
FEATURE image: Staff members of The Charles A. Stonehill Estate on the beach, c. 1912. By John P. Walsh David Adler (January 3, 1882 – September 27, 1949) was an American architect who made major contributions in domestic architecture for mostly affluent clients in and around Chicago. Different than German-American modernist architect Mies van der Rohe (1886-1969) who also practiced […]
FEATURE image: Van Gogh Museum, Amsterdam. “Netherlands-4024 – Van Gogh Gallery” by archer10 (Dennis) is marked with CC BY-SA 2.0. The photograph above depicts the three versions of Van Gogh’s “Bedroom” in Arles, France, in this blockbuster exhibition’s penultimate gallery. From the collections (left to right) of the Musée d’Orsay, Paris (1889), The Art Institute of Chicago (1889), and […]
Symbolist artist Paul Gauguin (1848-1903) and his creation of the mysterious she-wolf figure of “Oviri (Savage)” exhibited in Paris in 1895.
FEATURE image: Paul Gauguin, Oviri (Savage),1894, stone, 75 x 19 x 27 cm, Musée d’Orsay, Paris. Public Domain. By John P. Walsh By 1887 French Post-Impressionist artist Paul Gauguin (1848-1903) had created over 50 ceramic sculptures and carved several decorative panels. So it may be expected that during his interlude in Paris between 1893 and 1895 that […]
3 Tahiti-inspired monotypes produced by Symbolist artist Paul Gauguin (1848-1903) in his Paris interlude of 1893-1895 — “Tahitians Fishing,” “Tahitian Landscape,” and “Tahitian Idol-The Goddess Hina.”
FEATURE Image: Paul Gauguin, Tahitian Idol-The Goddess Hina, 1894/95 – woodcut in black ink, over ochre and red, with touches of white and green inks, on tan wove paper, 5.78 x 4.72 inches (147 x 120 mm). The Art Institute of Chicago, Edward McCormick Blair collection. By John P. Walsh To take a look at […]
FEATURE image: Gauguin, Self-Portrait with Palette, winter 1893-94 or 1894-95, 92 x 73 cm (35 7/8 x 28 1/2 in.), private collection. By John P. Walsh In May 1894 during a working visit to Brittany filled with nostalgia, a 45-year-old Paul Gauguin broke his leg above the ankle in a scuffle with sailors in broad daylight. In […]
FEATURE image: Joshua Reynolds, Richard Eliot (1733-1746), 1743-44, 48.2 x 43 cm, Private Collection. See no. 4 below for the painting’s story. Notes by John P. Walsh Reverend Mr. Thomas Smart was Vicar of Maker when, in 1735, 11-year-old Joshua Reynolds painted his portrait. It was the same year the sitter died. This print is […]
The Art of Connoisseurship, or How The Art Institute of Chicago’s Titian Painting was Discovered to be a Work by an “Imitator.”
FEATURE image: Allegory of Venus and Cupid, c. 1600, Imitator of Titian (Tiziano Vecellio, Italian, c. 1485/90-1576), oil on canvas, 51 1/8 x 61 1/8 in. (129.9 x 155.3 cm). Charles H. and Mary F.S. Worcester Collection, 1943.90. By John P. Walsh The pleasant if heavily-restored late 16th century allegorical painting in the collection of […]
FEATURE image: Picasso, Bust of a Woman, late 1909, Watercolor and gouache on cream laid paper, laid down on buff laid paper, 363 x 278 mm overall. Armory Show, International Exhibition of Modern Art. The Cubist room, Gallery 53 (northeast view), Art Institute of Chicago, March 24–April 16, 1913. On the long wall are three […]
French Cartoonist fêted, later revealed as Nazi collaborator during World War II: Chaval (1915-1968) and the purpose of art history and today’s art exhibitions.
FEATURE image: Chaval’s cartoons, mainly wordless, are often derisive, ironic and filled with dark humor. In the 1950s Chaval was mentioned in American publications with cartoonists such as James Thurber, Charles Addams and William Steig. By John P. Walsh The 53-year-old French cartoonist’s suicide in Paris in winter 1968 served as a tragic end to a […]
FEATURE image: Pierre-Auguste Renoir, The Swing, 1876, oil on canvas, 36 1/2 x 28 1/2 inches. Musée d’Orsay, Paris. By John P. Walsh Gustave Caillebotte (1848-1894) and Pierre-Auguste Renoir (1841-1919) exhibited together in the Second Impressionist Exhibition in 1876 and became lifelong friends. Just two years later, in 1878, Caillebotte appointed Renoir to be executor […]
Gustave Caillebotte (1848-1894) and the Fourth (1879), Fifth (1880), Sixth (1881) and Seventh Impressionist (1882) Exhibitions.
FEATURE image: P.A.-Renoir, A Luncheon at Bougival, 1881, The Phillips Collection, Washington, D.C. The Seventh Impressionist Exhibition – 1882. By John P. Walsh In the five years between the “balanced and coherent” Third Impressionist Art Exhibition in April 1877 and the penultimate Seventh Impressionist Art Exhibition in March 1882 which included Gustave Caillebotte’s The Bezique Game, many […]
Gustave Caillebotte (1848-1894) and the Second and Third Impressionist Exhibitions of 1876 and 1877 in Paris.
FEATURE image: Gustave Caillebotte, Paris street; a rainy day (Rue de Paris, Temps de pluie), 1877, The Art Institute of Chicago. Caillebotte submitted his painting to the Third Impressionist Art Exhibition held in Paris in 1877. The first Impressionist exhibition was held in Paris in 1874. Gustave Caillebotte (1848-1894) who had in 1875 divided a […]