Tag Archives: Houses

Architecture & Design Photography: RIVERSIDE, Illinois. (53 Photos & Illustrations).

FEATURE Image: 124 Scottswood Road, Riverside, Illinois, 1871, by William LeBaron Jenney (1832-1907). There is a full description of this house in the post below.

Text & photographs by John P. Walsh.

INTRODUCTION.

The location of today’s Riverside, Illinois, has been an active and important historical area since before the 17th century. It was part of an active trading route and the center for Native American Indian settlements – The Green Bay, Barry Point, Portage Trails, and numerous smaller Indian trails, all passed through the area. It was only a couple of miles from the so-called Chicago Portage which connected Lake Michigan to the Mississippi River centuries prior to the building of the I&M Canal before 1850. French explorers Jacques Marquette and Louis Jolliet passed by Riverside in 1673 when they were shown the portage by Native Americans. The Chicago Portage is a National Historic Site because it opened the western continent to trade and settlement as well as became the key to the founding and development of Chicago, just 11 miles away.

Riverside was originally inhabited by the Illinois and Miami Indians. In the late 18th and early 19th centuries the Potawatomi became the dominant tribe together with the Chippewa and Ottawa and formed an alliance called the “Council of Three Fires.” These tribes lived on wild game and roots, but later adapted to farming, with fields of corn, beans, and squash.

During these many centuries, Indian burial grounds and encampments were located in Riverside on grounds besides the Des Plaines River and towards the east to today’s Fairbank Road.

The state of Illinois was founded in 1818. For the next 24 years, the Illinois volunteer army fought local native American tribes and forced them to sign treaties and migrate west of the Mississippi.

After the Indians were first forced off their land by treaty in the early 1800’s, brothers David and Barney Lawton (or Laughton) came to the area from Michigan and established an outpost in Riverside in 1827 or 1828. Into the 1840s Illinois was the edge of the wilderness. These fur traders chose the area for similar reasons that the Native Americans had – its proximity to the Chicago Portage and the convergence of established trails whose traffic made it conducive to a thriving trading business.

The Scout Cabin on the Des Plaines River in Riverside, Illinois, is situated in an historic area of Native American and pioneer settlements.
https://www.riverside.il.us/193/Scout-Cabin-Parks-Rental-information

In July 1832 the U.S. Government sent General Winfield Scott (1786-1866) to help with the Black Hawk War that started in April of that year and ended in August. That short war also involved a young 23-year-old captain from New Salem, Illinois, named Abraham Lincoln. Upon leaving Chicago, Scott and his army camped in Riverside along the Des Plaines River for several days and then marched further west. Scottswood Road, one of Riverside’s primary residential arteries, is named after the general.

In 1831, the first white permanent settlers came to Lawtons’ Tavern in Aux Plaines (the name for Riverside then) and settled in the first houses west of Chicago. Once Gen. Scott’s military campaign was over, he returned to Chicago and dispersed the volunteers. Federal law required the state to have a standing army, so the state legislature passed a law requiring counties to form militia. In 1834, Cook County formed the first militia when Stephen Forbes, Cook County’s first sheriff, called up volunteers to Laughton Tavern. Over 1000 enterprising men assembled in Riverside and elected Jean Baptiste Beaubien (1787-1864) the first colonel of the Cook County Militia.

The first stage of modern transit development was the Southwest Plank Road (later Route 66) completed from Chicago to Riverside in 1849. The road, called Ogden Avenue today, was eventually extended to Naperville, Illinois. It was operated as a toll road whose proceeds went to the private concerns that built it. Toll amounts depended on whether the traveler was a four-horse vehicle or a single horse and rider. Since its installation, the plank road has been a successful endeavor as it was the only road through areas that were often inaccessible.

Commercial enterprises in this period included additional taverns that offered lodging and board for travelers and their horses. There was also a brewery and distillery.

A bend of the Des Plaines River in Riverside, Illinois.

Riverside was mostly wooded tracts and farmland until the Civil War when the Chicago, Burlington & Quincy Railroad built a rail line through the area in 1863. With the rail a group of businessmen in 1869 formed the Riverside Improvement Company and set out to develop “a perfect village in a perfect setting.”

These Riverside businessmen hired landscape architects Frederick Law Olmsted (1822-1903) and Calvert Vaux (1824-1895), who had previously designed Manhattan’s Central Park, to design one of America’s first planned suburban communities. Their innovative plan set a template for suburban community planning such as curvilinear streets and modern amenities. Their vision was to design a mostly rural community with the conveniences of urban life such as utilities and broad streets. Whereas these curvilinear streets were utilized to fit an expansive community into limited open space it was also inspired by the community’s relationship to its natural environment, particularly the curves of the abutting Des Plaines River.

Portrait of Frederick Law Olmsted (1822-1903). Public Domain.
Calvert Vaux (1824-1895). Public Domain.

The design of Riverside included important public spaces including a central square and park system that contained several large parks and scores of small triangular parks scattered through the village.

General Plan of Riverside · Olmsted, Vaux & Co. Landscape Architects 1869. Public Domain.

By 1871, Riverside had several larger homes, the water tower, and one of the country’s first multi-shop arcade buildings. There was a church, train depot, and grand hotel. Following the Chicago Fire in October 1871 there was a time of regional financial panic accompanied by frenzied renewed building. In the wake of Riverside Improvement Company going out of business, local Riverside residents came together to see Olmsted and Vaux’s design plan completed and built upon.

The Wesencraft residence is Riverside’s oldest home. It is located at 78 Pine Avenue on the north side of the railroad tracks. Public Domain.

Riverside grew slowly in its first decades but by the 1920s and 1930s had doubled and tripled its population of mostly middle class and upper middle Chicago commuters. This bedroom community grew steadily until its peak in 1970 (10,357 residents). Since then, Riverside’s population has dropped slightly and leveled off to a lower growth number so that by 2020 there were nearly 9,300 residents. (See – https://www.census.gov/programs-surveys/decennial-census.html – retrieved 3.3.23)

Since its incorporation as a village in 1875, Riverside also attracted increasing numbers of eminent architects to contribute to the diversity of Riverside’s historic architecture. These include Frank Lloyd Wright (1867-1959), William Le Baron Jenney (1832-1907), Charles Frederick Whittlesey (1867-1941), Joseph Lyman Silsbee (1848-1913), R. Harold Zook (1889-1949), Frederick Clarke Withers (1828-1901), Howard Van Doren Shaw (1869-1926), and William Eugene Drummond (1876-1948). Much of their work remains today evident in scores of historic landmark structures in Riverside.

Frank Lloyd Wright in 1903, likely a self-portrait. Public Domain.
William Le Baron Jenney (1832-1907). Public Domain.
Charles Frederick Whittlesey (1867-1941). Public Domain.
Joseph Lyman Silsbee (1848-1913). Public Domain.

R. Harold Zook (1889-1949). For image, go to – http://www.zookhomeandstudio.org/r-harold-zook.html

Frederick Clarke Withers (1828-1901). Public Domain.
William Eugene Drummond (1876-1948). Public Domain.
Howard Van Doren Shaw (1869-1926). Public Domain.
OLD WATER TOWER, 1869, 10 Pine Avenue. Designed and built by William Le Baron Jenney of Jenney, Schermerhor & Bogart, Architects and Engineers.

The original Water Tower had a Gothic Revival wooden tank. The tower is accompanied by two round stone well houses built in 1898 and designed by George William Ashby. When the original tank was destroyed by fire in 1913, a steel tank was installed and the tower was raised 20 feet. It was topped by a canopy designed by William Mann.

Riverside Railroad Depot, c. 1901, 90 Bloomingbank Road and 15 Pine Avenue. Designed and built by the Chicago, Burlington and Quincy Railroad.

A railroad through Riverside came in 1863, 6 years before the Olmsted/Vaux plan and 12 years before the village’s incorporation. William Le Baron Jenney designed the first depot in 1871. This main depot with open covered extensions on the south side of the tracks was connected by a tunnel to the north platform.

The view above shows the expansive tile roof-covered main entrance. The two large columns with variegated brick gives columns design and texture. There are many windows to allow natural light from its south exposure and a view of the tracks to the north.

Looking east, the orange-brick-colored main depot has open covered extensions for commuters to be protected from the elements during their wait outdoors for a train connection.

Looking west, a view of the train depot with one of its open covered extensions and peaked snow-covered tile roof. The northern platform is visible across the railroad tracks on the right. Author’s photograph taken in February 2023.

The same view as above over 100 years ago. Riverside Train Depot, 1919. Public Domain.
Interior, Riverside Train Depot, c. 1901, includes a waiting room and, at right, ticket agent window. The ceiling has wainscotting and there are period light fixtures to accent the natural light pouring in from the series of encased large rectangular windows.
On the brick-paved platform, another of the train depot’s open covered extensions.
The Lake House, a 2006 fantasy romance film from Warner Brothers, was shot in Riverside, Illinois. A doctor (Sandra Bullock) who occupied a lakeside home exchanges letters with its newest resident, an architect (Keanu Reeves). When they discover that they’re actually living two years apart, they must try to unravel the mystery behind their romance before it’s lost in the midst of time.
Riverside Town Hall, 27 Riverside Road, Riverside, Illinois, 1895, designed by George Ashby.

In 1891, the Village of Riverside and Riverside Township reached an agreement so that the village donated the land for a town hall and the township paid for its construction.

In 1893 the township authorized $15,000 for construction (about $500,000 today) and this picturesque and stately building, designed by George Ashby, was completed in 1895. The clock was added to the main tower in 1941.

The building is Richardsonian Romanesque at a time when that style, very popular in the 1880’s, had begun to wane among contemporary architects in preference for the Beaux-Arts.

There is a steeply pitched hipped roof with brick for the top floor and rough faced stone for the ground floor. The turret is polygonal and the windows are of various sizes on all three floors. There are many delicate design elements such as copper cornices, colonettes, stringcourses and dressed stone.

Arcade Building, 1 Riverside Road, Designed and built c. 1871, Frederick C. Withers.

The Arcade Building is the first commercial building built in Riverside following Olmsted and Vaux’s plan and is associated with the village’s original developers, the Riverside Improvement Company.

The Arcade Building  – a multi-color brick and limestone building with pointed arches and projecting cornices and stringcourses – is High Victorian Gothic. It was designed by architect Fredrick C. Withers, an associate of Olmsted and Vaux. With its mansard windows between tower pavilions, the simple building references the elaborate and decorative Second Empire architecture.

Riverside Presbyterian Church, 116 Barrypoint, 1872, Frederick C. Withers.

The church building was designed by Fredrick C. Withers who designed the Arcade Building at around the same time. Like that early commercial building the church is an amalgam of styles and forms, including Gothic Revival and Italianate.

The stone building has a series of pitched gable roofs that cover and form the transepts and chancel. The corner tower rises to a timber belfry with moldings and pointed arch openings whose original manual pull bell as well as modern chimes still mark the hours. Extensions to the left and right are mid-20th century additions done in harmony with the original design.

100 Fairbank Road, 1869, by Calvert Vaux.

This clapboard Carpenter Gothic style house was designed as a model home for the Riverside Plan by that plan’s designer, Calvert Vaux. It is an example of East Coast architecture transplanted into the heart of the Midwest. The ground floor is higher than the second floor. The low-pitched roof is punctuated by a projecting porch with Gothic Revival carpentry supported by struts and a gabled roof.

Two other second floor porches are on the short sides of the building extending across that width above a ground-floor projecting bay. The clapboard sheathings are meticulously and variedly cut for decorative effects throughout the building’s exterior.

Curved sidewalks do not always follow the streets but their own direction along and across a mostly wooded landscape.
107 Bloomingbank Road and 111 Bloomingbank Road, both c. 1890.

This neighboring pair of Queen Anne style homes are variations of the same building design. The buildings’ design shares a porch across the entire front, arched enclosed second floor porch, and front-facing attic windows. Both share the same kind of clapboard and shingle sheathing.

Houses on Bloomingbank Road face the Des Plaines River.
Des Plaines RIver.
143 Bloomingbank Road, c. 1869.

This house is set back from the road and built in 1869 which was the year that Olmsted and Vaux were commissioned to design the suburb. The Italianate-style house has tall windows and large brackets with feet and shoulders for their jambs and segmental points. The second-floor windows are met by a first-floor transomed window. A steeped pitched roof and complex massing is Gothic Revival. A subdued color palette blends into the natural surroundings. The porch veranda is original.

201 Bloomingbank Road at Scottswood, c. 1870.

The above 1870 house is a T-shaped Gothic revival with the stem of the “T” facing the street. The stem is surrounded by a veranda whose porch columns are Italianate with Gothic style “carpenter” capitals. The tall windows and lintels are Italianate. The façade’s windows are under a hood molding and the attic has a small window with a pointed lintel. The T-stem’s pitched roof in the Gothic Revival style is slightly lower than the T-cross’s pitched roof behind it.

213 Bloomingbank Road, c. 1905.

A frame clapboard and shingled 4-square cube from 1905. There is a front porch held up by four huge piers with ornamental moldings that cover expansive first-floor polygonal bay windows. Below the hipped roof are two center windows with round heads. The painted dark green and yellow mix is stately and blends into the nature setting.

253 Bloomingbank Road, c.1890.

The Queen Anne house from 1890 has a lot of windows. It is a basic cube with a gambrel roof with a wing that also has a gambrel roof. The front porch is covered on one side with a flared roof and on the other side with a pitched gable roof. The second floor has an open porch that looks over the Des Plaines River. The original clapboard and shingles have been covered on the first floor by later stucco.

Bloomingbank Road, Riverside, Illinois.
Riverside, Illinois.

Avery Coonley Estate, 1909, Frank Lloyd Wright.

281 Bloomingbank Road, 1909.
Avery Coonley House, 300 Scottswood Road, 281 Bloomingbank Road, Riverside (Cook County, Illinois), 1910. Public Domain.
281 Bloomingbank Road, 1909. From the street.

What became the nationally-recognized Avery Coonley School was founded in 1906 to promote the progressive education theories of John Dewey (1859-1952). It was founded as The Cottage School by Queene Ferry Coonley (1874-1958) on her estate in Riverside, Illinois, for her 4-year-old daughter.

The school, which continues to thrive today, has occupied several structures in its history. This included a literal small cottage on the Coonley Estate in Riverside to larger buildings designed by Frank Lloyd Wright in 1909. The school moved to Downers Grove in 1916 and, on a 11-acre campus there designed by landscape architect Jens Jensen (1860-1951), became the Avery Coonley School in 1929.

This section of Wright’s 1909 design is set back well off the street and mostly hidden by trees. Behind an iron fence, it is difficult for the public to perceive the full extent of the estate. Wright’s design begins at the street with a low stone urn.

On June 11, 1978, the courtyard’s swimming pool heater exploded and started a fire. The fire destroyed the main house’s living room and a bedroom. The exterior was later meticulously restored to its original appearance which included the school’s stucco walls, simple board trim and multi-color tile façade, all beneath a broad, tiled, hipped roof. At the time of the restoration the swimming pool was re-converted to its original function as a lily pond.

Lily Pond. “20131110 10 Coonley House, Riverside, Illinois” by davidwilson1949 is licensed under CC BY 2.0.
336 Coonley Road, 1909, is another major section of the Coonley estate.
290 Scottswood Road, after 1909.

A free-standing L-shaped domestic structure with a broad hipped roof, the house was added sometime after 1909. Within its setting in the highly-designed suburb of Riverside, this Prairie style house sets a template and direction for much of what would be 20th century suburban development across the country.

300 Scottswood Road, 1909.

This is the main block of the Avery Coonley estate. The house is the epitome of the Prairie School style of broad horizontals, here using stucco boards, tile and glass beneath a low hipped roof. Wright’s design starts at the street with the low stone urn.

Avery Coonley Playhouse, 350 Fairbank Road, Riverside, Illinois, 1909, by Frank Lloyd Wright.
Avery Coonley Playhouse, 350 Fairbank Road, 1909, by F. L. Wright in winter.

The basic plan of the playhouse is a T-shaped building with the higher T-stem to the street. A simple stucco structure, the playhouse’s flat roof and lower wings provide the broad horizontality of the Prairie style. The flat roof of the T-stem extends over three elongated windows while the lower wings have clerestory windows.

William E. Drummond (1876–1948).
308 Fairbank Road, Riverside, Illinois, c. 1910, Guenzel and Drummond.

Designed by close associates of Frank Lloyd Wright,  Louis Guenzel (1860–1956) and William E. Drummond (1876–1948) were prolific early 20th century architects with commissions in Riverside, Oak Park (Second Presbyterian Church on Washington Blvd. – http://oprfmuseum.org/people/william-drummond), River Forest (River Forest Women’s Club (1913) 526 Ashland Avenue https://www.flickr.com/photos/chicagogeek/4643500319,), and Wilmette (Ralph S. Baker House, 1226 Ashland Avenue, https://www.loc.gov/item/il0259/).

Drummond began his career working for architect Louis Sullivan (1856-1924). Later, working for Frank Lloyd Wright, Drummond became the chief draftsman for many of Wright’s well-known commissions. In 1912 Drummond went into partnership with Louis Guenzel who had been a draftsman for Dankmar Adler (1844-1900) and Louis Sullivan (1856-1924).

The house is a one story hipped roofed cube or block with a broad brow of stucco soffits with eaves. The original casement windows include three in the front for the living room with geometric Prairie patterns. The lower portion of the façade is board siding and the top section is stucco.

314 Scottswood Road, Riverside, Illinois.
322 Scottswood Road, 1897.

The simple stone house in an English country cottage style was built in 1897. It has diamond-patterned casement windows and a single half-timbered gable poking out of a gambrel roof. The timber entrance porch that abuts stone achieves an overall craftsman effect.

144 Scottswood Road, c. 1870, William LeBaron Jenney.

Attributed to William LeBaron Jenney, the house is an early building in Riverside. It is a fusion of two styles – the Stick Style and Gothic Revival. The carpentry is solidly masterful. The roof has a low pitch and is punctuated with a massive chimney, dormers and gables with filets, spars and kingposts. The spurs or brackets supporting the overhanging eaves rest on boards intersecting with the clapboard. There is a broad veranda with turned posts supporting a lintel that supports small pointed arches with struts. The porch railing has tightly aligned balusters extending to a below-porch skirt with complementary cut-out patterns. The veranda roof extends over the angled main entrance to become a porte-cochère for the driveway.

124 Scottswood Road, 1871, William LeBaron Jenney.

In the Gothic Revival style, the design and board-and-batten construction of the house is grand and appealing. With steeply pitched roofs, there are several gabled wings of varying distances and directional faces from the building’s core. Windows include long tabernacle windows and others with more elaborate extending jerkinhead roofs that are supported by boards incised with decorative cuts. There are pointed head windows on the second floor over the main entrance while the veranda stretches across two sides of the house supported by slope cut square posts with milled brackets. These and other rare trim and other details, including two massive chimneys, have survived in this house that is today over 150 years old.

118 Scottswood Road, 1880s.
112 Scottswood Road, 1870s.

SOURCES:

A Guide to Chicago’s Historic Suburbs on Wheels and on Foot, Ira J. Bach, Swallow Press/Ohio University Press, 1981, pp. 664-679.

https://unm-digital-futures.github.io/digital-history-review/essays/whittlesey-house.html

https://www.architectour.net/opere/opera.php?id_opera=4623&nome_opera=Town%20Hall&architetto=George%20Ashby

https://www.census.gov/programs-surveys/decennial-census.html – retrieved 3.3.23)

https://www.riverside.il.us/193/Scout-Cabin-Parks-Rental-information

https://www.quincystreetdistillery.com/bourbon-spring-2/

https://www.averycoonley.org/our-school/at-a-glance

https://en.wikipedia.org/wiki/Avery_Coonley_School

https://igrewupinriversideillinois.blogspot.com/2019/06/a-bit-of-history-regarding-riversides.html

Architecture & Design Photography: RIVER FOREST, Illinois. (17 Photos).

FEATURE image: 562 Keystone Avenue, River Forest, Illinois, is a house designed by Frank Lloyd Wright in 1909. It is an excellent example of Wright’s mature Prairie style including its original Prairie-style glass.

River Forest, Illinois is a suburb of Chicago in Cook County. River Forest is perhaps best known for its diversity of 19th and early 20th century American residential architecture. House designs and styles include those by Frank Lloyd Wright (1867-1959) and others in the Prairie School. Nestled near the Des Plaines River to the west, along heritage lands of the Menominee, Chippewa and, later, Potowatomi Native American tribes, today River Forest is an affluent residential suburb closely tied to its adjacent neighbor to the east, the suburb of Oak Park, Illinois. These communities share several affinities including its high school, namely, Oak Park and River Forest High School that is in Oak Park and was founded in 1871. River Forest’s population today approaches 12,000 residents and the suburb is home of two universities, including Dominican University founded in 1848 and Concordia University Chicago founded in 1864. River Forest’s train station is on Metra’s Union Pacific/West Line with service into nearby downtown Chicago, about 12 miles away.

These are my photographs of some of the residential architectural highlights to be seen in River Forest and were taken in June 2022.

603 Edgewood Place, River Forest, Illinois, 1908, Frank Lloyd Wright. Known as the Isabel Roberts House, it was remodeled in the 1950s. 69% 7.99 mb
Frank Lloyd Wright in 1903, likely a self-portrait. Public Domain.
559 Edgewood Place, River Forest, Illinois, 1911, William Drummond (1876-1948). Drummond began his career working for architect Louis Sullivan (1856-1924). Working for Frank Lloyd Wright, Drummond became the chief draftsman for many of Wright’s well-known commissions. 89% 7.92mb
559 Edgewood Place, River Forest, Illinois, 1911, William Drummond.
560 Edgewood Place, River Forest, Illinois, 1910, William Drummond. 98% 7.89 mb
William Drummond about 1901. Drummond was born in New Jersey into a family in the building trades. He moved to Chicago as a boy and later studied architecture at the University of Illinois but didn’t finish. At 23 years old he joined Frank Lloyd Wright’s studio and became his chief draftsman. Drummond obtained his architect’s license in 1901 and, while working part time for Wright, worked full time for Richard E. Schmidt (1865-1958) in 1901 and 1902 and for Daniel H. Burnham (1846-1912) in 1903 to 1905. In 1905 Drummond returned to working full-time for Wright until 1909 when Drummond went into private practice. Public Domain.
 
511 Edgewood Place, River Forest, Illinois, 1858, architect unknown. This early Italianate house was moved to its present location in1880 from a few blocks away. 77% 7.86 mb
515 Auvergne Place, River Forest, Illinois, 1893, Frank Lloyd Wright. Known as the William H. Winslow House, this residence for an important industrialist is one of Wright’s earliest mature expressions of the Prairie style. 66% 7.90 mb
344 Keystone Avenue, River Forest, Illinois, 1870, architect unknown. Fine and grandiose example of the Italianate style. 95% 7.85 mb
517 Keystone Avenue, River Forest, Illinois, 1915, William Drummond. A simplified version of the expansive basic square house with a pitched roof and elaborated in the Prairie style.
530 Keystone Avenue, River Forest, Illinois, 1915, Robert Spencer (1864-1953). Robert Spencer was born in Milwaukee, studied engineering at the University of Wisconsin and architecture at M.I.T. He practiced in Boston, married, and studied in Europe. At his return he relocated to Chicago through Shepley, Rutan & Coolidge. In 1895 Spencer established his own firm and located in the Schiller Building next to Frank Lloyd Wright. In 1905 Spencer partnered with Chicagoan Horace S. Powers, who studied at today’s I.I.T. The partnership built this house in River Forest which is a fine brick example of the Prairie School within a traditional framework. 97% 7.85 mb
Robert Spencer (1864-1953). Unlike his slightly younger competitor, Frank Lloyd Wright, Spencer was a trained mechanical engineer and architect. Public Domain.

INTERLUDE: OTHER PERIOD HOMES in RIVER FOREST, ILLINOIS.

306 Keystone Avenue, River Forest, Illinois. A smaller second floor porch is fitted above the main ground entrance. 70% 7.90 mb.
236 Keystone Avenue, River Forest, Illinois. Corner tower, multi-level wrap-around front porch. 73% 7.92 mb
Row of late 19th/early 20th century houses, River Forest, Illinois. 78% 7.78 mb
136 Keystone Avenue, River Forest, Illinois. The facade’s design elements are complex with intricate details. 90% 7.80 mb
146 Keystone Avenue, River Forest, Illinois. Two big chimneys and a front porch swing makes for a timeless scene on a nice day. 90% 7.83 mb
558 Keystone Avenue, River Forest, Illinois, 1860, architect unknown, This is an excellent example of a large Victorian Gothic cottage. 82% 7.62 mb
Frank Lloyd Wright. Public Domain.
562 Keystone Avenue, River Forest, Illinois, 1909, Frank Lloyd Wright. The house’s projecting second-floor balcony and Prairie glass in a stucco surface is in evidence. 83% 7.93 mb.
562 Keystone Avenue, River Forest, Illinois, 1909, Frank Lloyd Wright. The house’s prominent hipped roof with its simple fascia and stuccoed soffits are evident. Wright’s house design is characterized by the early, mature restraint and discipline of the Prairie School. 75% 7.91 mb.

SOURCES:

A Guide to Chicago’s Historic Suburbs on Wheels and on Foot, Ira J. Bach, Swallow Press/Ohio University Press, 1981, pp. 605-622.

http://www.prairiestyles.com/spencer.htm – retrieved February 1, 2023.

http://www.prairiestyles.com/drummond.htm – retrieved February 1, 2023

Architecture & Design Photography: PLAINFIELD, Illinois. (1 Photo).

FEATURE image: Flanders House (1841), 24044 Main Street, Plainfield, Illinois. See a fuller description below.

Jason and Lucy Flanders House, 1841, Plainfield, Illinois.

Jason and Lucy Flanders House, 1841, 24044 Main Street, Plainfield, Illinois. Author’s photograph (August 11, 2013).

Plainfield was settled at the end of the 1820’s when James Walker constructed a sawmill on the DuPage River. The mill attracted settlers to the region and created Will County’s first permanent community. Located about halfway on the Chicago-Ottawa stagecoach line, Plainfield developed commercially, including a booming lumber trade. Jason and Lucy Flanders married in Lowell, Massachusetts, in 1833 (they were both 23 years old). Jason Flanders, born in Vermont, had worked in Boston, Massachusetts since 1830. Lucy Ann Clark Flanders was born in New Hampshire. The Flanders arrived into Will County in 1833 and after seven years of farming, moved to Plainfield in 1840. The Flanders had six children.

Built in 1841, Flanders House exhibits characteristics of both the Federal and Greek revival styles. This includes symmetrically arranged windows and a central entrance overlaid by a porch of the 1920’s. Also known as Mapleview Farm and Bragaw-Klomhaus House, The Flanders’ Place has had only a handful of owners in its 180-year history. There is no record of the house ever being used for any non-residential purpose though it may have served in a commercial capacity, perhaps serving travelers on the Dr. Temple Stage Line Chicago-Ottawa route.

The two-story, side gabled rectangular building is approximately 30 x 40 feet in dimension and with later additions. Jason Flanders built the house with hewn logs and sided it with walnut, its original siding hidden by later exterior finishes. The house was finished on the inside also with walnut. Walnut was abundant in the Plainfield area which may explain partly why the Flanders did not hesitate to whitewash the house exterior.

Jason Flanders was the town constable (Plainfield’s first) and at his death had amassed many hundreds of acres of land. The Flanders and their descendants retained control of the property until 1974. While it is recorded that Jason Flanders was a Methodist, his late-20th-century descendant sold the house to a Lutheran church for use as a parsonage. It was sold again in the early 1990s and restored to emulate its original appearance. Flanders House remains one the oldest extant houses in Plainfield, Illinois, today.

SOURCES: https://www.plainfield-il.org/pages/historicpreservationhttp://gis.hpa.state.il.us/PDFs/200822.pdf

Architecture & Design Photography: ANONYMOUS/UNKNOWN. Row Houses (1873), 802-812 N. Dearborn Street, Chicago, Illinois.

Row Houses, c. 1873, 802-812 N. Dearborn Street, Chicago, IL 6/2014

These early row houses were developed in Chicago’s Gold Coast/River North neighborhood in the early 1870s immediately following the Great Chicago Fire.

That conflagration began south of the city’s downtown area at 137 DeKoven Street (around 1100 South) and blew its destruction north through Downtown and upwards into today’s Gold Coast area. The fire petered out two days later to the north of Fullerton Avenue (2400 North) on October 10, 1871. The area of devastation was over a swath of ⁠four miles (see map below).

The fire’s aftermath sparked an intense period of rebuilding, especially in Downtown Chicago, less than one mile to the south of these row houses. This flurry of building activity, particularly of needed housing, may be partly why the architect is unknown for these three- and four-story Italianate buildings, all of which are well preserved.

The three-story row houses to the south have neo-Grec ornament which was in vogue by 1872. It included incised carved detail on window ledges and door frames.

The four-story row houses to the north (partially pictured) have more lavish Second Empire exterior decoration.

Like the Italianate style, the Neo-Grec–style row houses have a smooth brownstone front with a pronounced deep cornice, heavy entryway and window details. The contrast was in their ornamentation: Neo-Grec’s simple, precise lines and geometric Greek influence varied from Italianate ornamentation of curved and organic lines and forms.

Italianate curved window and door frames are replaced by Neo-Grec’s right-angles. Lintels are replaced by rectangular blocks. Entryway steps had baluster cast-iron railings that ended in squared-off linear and geometric incised ornament.

Vintage map of Chicago Great Fire (detail).

CHICAGO POPULATION GROWTH 1860-1980

Chicago was growing exponentially by 1870. In 1860 the city had a little over 112,000 residents and ranked 9th on the list of largest U.S. cities. By the time of the Great Fire in 1871, Chicago had grown to nearly 300,000 and ranked 5th on the largest U.S. cities list. Equally significant is that the city’s size also doubled in those same ten years from 17,492 square miles in 1860 to 35,172 square miles in 1870. Busy with rebuilding, the city did not expand again in square miles until the 1880’s, though its population continued to soar. When these Italianate row houses were built, Chicago was growing towards becoming the 4th largest U.S. city with a population of over 500,000. In the early 1870’s with rebuilding and augmenting population density the demand for housing was high. Chicago’s population would continue to grow with each decade until 1980.

OCCUPANTS TODAY INCLUDE A CONTEMPORARY ART GALLERY AND THE ALLIANCE FRANÇAISE DE CHICAGO FOUNDED IN 1897

Today, at 806 N. Dearborn is Alan Koppel Gallery which has, for over two decades, introduced contemporary international artists to Chicago audiences.

At 810 N. Dearborn is the main entrance to the Alliance Française de Chicago. Founded in Paris in 1883. the Alliance Française de Chicago is part of an international network of over 1,100 Alliances around the world which promotes French language and francophone culture. Chicago’s Alliance Française was founded in 1897. Offering French language classes and a full range of cultural events, the Alliance Française de Chicago is the second oldest Alliance in the U.S. and the second largest in the U.S. after the French Institute Alliance Française in New York City. The Alliance Française de Chicago is headquartered in two renovated architecturally historic buildings, including the 1870’s row house on Dearborn Street and, connected by an interior garden, a building on Chicago Avenue.

SOURCES:

Alice Sinkevitch, AIA Guide to Chicago, 2nd Edition, Harcourt, Inc., Orlando, 2004, p. 134.

Frank A. Randall, History of the Development of Building Construction in Chicago, Second Edition, Chicago and Urbana: University of Illinois Press, 1999, p. 5.

Jay Pridmore and George A. Larson, Chicago Architecture and Design, Abrams, New York, 2018, p. 42.

https://www.biggestuscities.com/city/chicago-illinois – retrieved October 30, 2021.

https://www.brownstoner.com/guides/%25guides%25/neo-grec/ – retrieved October 30, 2021.

https://www.af-chicago.org/ – retrieved October 30, 2021.

https://www.alankoppel.com – retrieved October 30, 2021.

https://thevintagemapshop.com/products/1871-mcdonalds-map-of-chicago-great-fire – retrieved October 30, 2021.

Architecture & Design Photography: HOWARD VAN DOREN SHAW (1869-1926). The Mentor Building (1906) in Chicago and 1005 Michigan Avenue House (1913) in Evanston, Illinois. (2 Photos).

Howard Van Doren Shaw (1869-1926), 1906, THE MENTOR BUILDING, 39 S. State Street (6 E. Monroe Street), Chicago, from the southwest. Author’s photograph, July 2015.

A Mentor building has stood on this northeast corner of State and Monroe since 1873 when there had been a 7-story building erected here.1

Howard Van Doren Shaw’s only skyscraper presents an unusual mixture of styles.

There are windows grouped in horizontal bands between a four-level base of large showroom windows. The top is classically inspired with details that are strong and idiosyncratic. The building retains the character of its classical sources though they are used as large-scale motifs.2

Shaw’s 1906 building is 17 stories high with two basements on rock caissons.3

The photograph was taken on July 5, 2015.

1 Frank A. Randall, History of Development of Building Construction in Chicago, Second Edition, Revised and Expanded by John D. Randall, University of Illinois Press, Urbana and Chicago, 1999, p, 196.

2 Alice Sinkevitch, AIA Guide to Chicago, 2nd Edition, Harcourt, Inc., Orlando, 2004, p. 59.

3 Randall, p.265.

Howard Van Doren Shaw (1869-1926), 1913, 1005 MICHIGAN AVENUE, Evanston, Illinois. Author’s photograph, June 2022. 14.96 mb 25%

Seven years after Howard Van Doren Shaw’s sole skyscraper, Chicago Downtown’s Mentor Building (above), was built in 1906, the architect raised this highly sophisticated “great house” design in Evanston, Illinois.

The light-colored brick house is Colonial Revival with modifications. The façade’s symmetry is prominently displayed in its 5 equal openings for its two main floors and topped by a shortened pitched roof with three flat-roofed dormers. A chimney protrudes at the roof line to the north.

For the main mass there are aligned windows with a middle opening for both the first and second floor symmetrically displaying diverse residential functionality: a broad-arched porchway and genteel fanlight above a double door entry on the first floor and, at the second level. a wrought iron balcony providing a small, mainly decorative step landing.

The great house is situated on the northeast corner lot of a leafy yet trafficked suburban residential intersection, with the main building’s symmetry broken to the south by the then-popular sun porch extension. It is a low, two-story flat-roofed projection with an enclosed porch on the first floor and an open porch originally on the upper level.

SOURCE:

A Guide to Chicago’s Historic Suburbs On Wheels & On Foot, Ira J. Bach, Chicago, Athens, Ohio, London: Ohio University Press (Swallow Press), 1981, p. 518.

Architecture & Design Photography: NAPERVILLE, Illinois. (2 Photos).

FEATURE image: 15 S. Sleight Street, 1883, Naperville, Illinois. See its description below.

21 S. Sleight Street, 1884, Naperville, Illinois. 6/2014 Author’s photograph

Frame house, tower, clapboard and shingle patterns. The tower is cut on a bias (on an angle), approaching 45 degrees. This has the tower with less surface area than if cutting it square. The cut also can serve an aesthetic or other construction function such as cost or footprint. The porch has turned posts that gives the late-19th-century house added curb appeal and makes it stand out. A variety of carpentry work further gives interest to the structure and displays the house’s solid craftsmanship.

15 S. Sleight Street, 1883, Naperville, Illinois. 6/2014 Author’s photograph.

Similar to 21 S. Sleight Street (photograph above) which is next door, the frame house at 15 S. Sleight Street is the slightly older of the pair. There is clapboard on the first floor and shingle patterns on the second floor. The house has a hip roof and front-facing gable with eave returns. At the top of the gable there is a full sunburst motif and to either side below it two half sunburst motifs. The porch has square posts with lathed inlets. Like its neighbor, the house originally had a tower that was removed.

SOURCE SLEIGHT STREET HOUSES: A Guide to Chicago’s Historic Suburbs on Wheels and on Foot, Ira J. Bach, Swallow Press/Ohio University Press, 1981, p. 404.