Expo Chicago/2014 is the 3rd annual exhibition of international contemporary and modern art held in Chicago at Navy Pier’s Festival Hall on September 18 – 21, 2014. All photographs by John P. Walsh.
Featured Image is Jessica Stockholder (American, b. 1959), Once Upon A Time, 2014, plastic, paint, mirrors, stools, carpet, chain, cables, staircase, resin, cords, light, bowls, lamp shade. Kavi Gupta Chicago/Berlin.
Rosalyn Drexler (American, b.1926), Marilyn Pursued by Death, 1963, Garth Greenan Gallery New York and Fredericks & Freiser New York. This transformative work is based on a photograph of Marilyn dated June 29, 1956. It was taken in Roxbury, Connecticut. In the photograph Marilyn is surrounded by more than a dozen press people as she rushes to Arthur Miller’s home to whom she was engaged to soon be married. The actress was ashen faced and shaking after witnessing a car accident in which two other press people who were chasing her and Miller were involved. One of the correspondents, for Paris Match, later died from her injuries sustained in the accident. (see Marilyn in the Flash: Her Love Affair with the Press, 1945-1962, David Wills, Dey St., 2015.)
Ramiro Gomez (American, b. 1986), American Gardeners, 2014, acrylic on canvas, 84 x 120 in., Charlie James Gallery, Los Angeles.
Nicholas Krushenick (1929-1999), Grill, 1977, Garth Greenan Gallery New York and Fredericks & Freiser New York.
Rene Portocarrero (1912-1985), Ornamental Figure in Brown Background, 1968, mixed media on paper laid down on board, 28 3/8 x 20 in., Cernuda Arte, Coral Gables, Florida.
Lynn Chadwick (1914-2003), Rad Lad IV, 1962, ed. 2 of 8; Beast XX, 1956, ed. 6 of 9; Boy and Girl III, 1959, ed. 2 of 9. Bronze. BlainSouthern.
John Wesley (American, b. 1928), Untitled, 2012 and Nicholas Krushenick (American,1929-1999), Wire Mill Road, 1972. Garth Greenan Gallery New York and Fredericks & Freiser New York.
Alex Katz, Ena and Roberto, 1988, oil on linen, 41 x 62 in., Richard Gray Gallery, Chicago.
Sandro Miller (b. 1958), Andy Warhol/Green Marilyn (1962), 2014, 29 x 29 in., Edelman Gallery, Chicago.
Leonardo Drew (American, b. 1961), Number 34S, 2014, 31 x 41 x 11 inches, wood, Anthony Meier, San Francisco.
Minako Abe, Scene 29, 2011, oil on canvas, 35.8 x 92 in., Base Gallery, Tokyo.
David Hockney, Montcalm Pool, LA, 1980, oil on canvas, 12 x 16 in., Richard Gray Gallery Chicago .
Simon Edmondson, The Reader, oil on paper, 48 x 59 9 inches.
Philip Pearlstein (b. 1924), Two models with four geese decoys, 1993, watercolor on paper, Hill Gallery, Birmingham, Michigan.
Manolo Valdés (Spanish, b. 1942, works New York City), Hojas II, 2014, Marlborough.
Fuck It (detail), Michael Bouchet, 2013, Marlborough Chelsea.
Jina Park, Automatic Door Follow Me, 2014, oil on canvas, 100 x 130 cm, One and J. Gallery, Seoul.
Expo Chicago/2013 is the 2nd annual exhibition of international contemporary and modern art held in Chicago at Navy Pier’s Festival Hall on September 19 – 22, 2013. The following 16 photographs are of that event.
1-EXPO CHICAGO 2013- Michele Pred, TARGETED, 2012, Vintage hat bag, birth control pills, 24 x 1 x 6 inches. Nancy Hoffman Gallery, New York. Pred incorporates aspects of contemporary culture and politics in her art.
2-EXPO CHICAGO 2013- Robert Natkin (American, 1930-2010), UNTITLED, 1957, McCormick Gallery Chicago & Vallarino Fine Art New York.
3-EXPO CHICAGO 2013- Hung Liu (American, Chinese b.1948), DA FA CHE II, 2013, mixed media, 82 x 82 in., Nancy Hoffman Gallery, NY.
4-EXPO CHICAGO 2013- William T. Kennedy, WARHOL HOLDING MARILYN ACETATE 1, executed 1964, 2010. When Warhol was not yet famous but at the center in a shift in the culture of the art world.
5-EXPO CHICAGO 2013- Elizabeth Catlett (American, 1915-2012), STAR GAZER, 1997, black marble, 14.5 x 32 x 11 in., signed. Jonathan Boos LLC. Catlett known for depictions African-American and Latin American working-class women forms simple shapes in wood, stone, bronze or clay.
6-EXPO CHICAGO 2013- at Die Galerie, Frankfurt am Main.
7-EXPO CHICAGO 2013- Aimé Mpane (Congo, born 1968), IC CONT SERIES, 2011-2013, acrylic and mixed media on wood panel, 12.5 x 12 x 2 in., Haines Gallery, San Francisco.
8-EXPO CHICAGO 2013- at Haines Gallery, San Francisco.
9-EXPO CHICAGO 2013- at Die Galerie, Frankfurt am Main.
10-EXPO CHICAGO 2013- Larry Rivers (American, 1923-2002), SMALL DRUGSTORE, 13.5.x.15.25 inches, oil on canvas mounted on board, 1959. Techniques of color-field painting, gestural abstraction, and calligraphy together in an objective and abstract picture.
11-EXPO CHICAGO 2013- Bruce Dorow, BLACK SHAPE SPACE, oil on canvas, 2012-2013. R.S. Johnson Fine Art, Chicago.
12-EXPO CHICAGO 2013- Patrick Strzelec, American sculptor. Garth Greenan Gallery, Chicago.
13-EXPO CHICAGO 2013- Jacob Lawrence (American, 1917-2000), THE LOVERS, gouache on paper, 21.5 x 30 in., signed & dated lower right. Jonathan Boos, LLC, New York.
14-EXPO CHICAGO 2013- at Jonathan Boos, LLC, New York.
15-EXPO CHICAGO 2013- Long–Bin Chen (Taiwan, born 1964), EDVARD GRIEG, 28x29x15 inches. New York-based Long-Bin Chen transforms paper products into sculpture. Books are constructed so that parts fit together seamlessly.
16-EXPO CHICAGO 2013- Siebren Versteeg (American, b. 1971), GOOD TIMES_1081_2003_05_09, 2012, Algorithmically generated archive inkjet output to paper, tape. 92 x 56 inches, Rhona Hoffman Gallery, Chicago. New York-based artist educated at the SAIC and UIC mines digital content presented as painterly abstractions or monitor displays.
Martin Luther King, Jr. and Coretta Scott King installed themselves into a West Side apartment in a low-income Chicago neighborhood on January 26, 1966. From the outset the SCLC (Southern Christian Leadership Conference) and their allies were political outsiders in Chicago and mainly sought an amenable agreement with the established political powers in a city embodied by its mayor since 1955, Richard J. Daley. In the middle of another brutal Chicago winter King humbly began his campaign by stating he was looking to study the city’s social conditions. Yet King wanted to know which nonviolent campaign tactics – whether street marches, voter registration drives, rallies, fund raisers, or something else – would be effective to progress the objectives of job creation, open housing, educational opportunity for African-Americans and, by summer of 1966, slum clean-up and a citizen’s review board for police brutality and misconduct.
“Baby Scratch My Back” written and performed by “swamp blues” singer Slim Harpo (1924-1970) was a number one hit playing on the radio in 1966.
As King spoke about a “closed society” in Chicago, the elected political power structure out of the Mayor’s office maintained an omnipotent grip on city services while a vicious circle of poverty in some black neighborhoods, complicated by those citizens’ inability to live in certain of Daley’s “city of neighborhoods,” was permitted to exist. King’s outsider status – which at first was seen as a useful factor among Chicago’s civil rights activists – also worked to undermine King’s effectiveness in Chicago throughout 1966. Unfamiliar with Chicago’s vast size and crazy-quilt demographics, opposition to King’s efforts didn’t always fall neatly along racial lines. Whether white or black, resentment of the Atlanta-based minister in Chicago usually always came from his being viewed as an interloper and power rival.
Support from Chicago black ministers, a natural political base for King in 1966, was frequently blunted by intimidating reminders from City Hall that a certain church would have its building or fire code inspection forthcoming. Moreover, big cities across the nation, including Chicago, were to receive a huge infusion of funds out of Washington including part of a new $2.3 billion anti-slum program (about 17 billion in 2015 dollars) which was a component of a panoply of programs earmarked for Johnson’s Great Society. King was politely pressured to forego his futile efforts of meetings and trash drives so to allow the Chicago mayor to get down to the serious work of eliminating city slums by, as Daley announced, no later than the end of 1967. Daley’s home-court advantage and enormous financial support from the U.S. president and a Democratic Congress gave Dr. King’s limited civil rights operation among the poor and dispossessed an appearance of meddling, if not outright superfluity. Tactically Daley tried to match King’s organizational efforts on every front often by simply buying off King’s allies. When King filled the International Amphitheatre on Halsted Street on March 12, 1966 with 12,000 black celebrities and supporters, Daley led 70,000 marchers (and 350,000 spectators) in the 1966 St. Patrick’s Day parade on State Street.
After the SCLC took a supra-legal action to seize a dilapidated tenement building, Daley limited his response and left King to deal with the consequent legal and public relations headaches. King was not naïve about his own position, but did not want the Chicago Freedom Movement to become politicized. That Daley had a mayoral primary in February 1967 (he ran unopposed) for a fourth four-year term led some King allies in Chicago to lobby for a candidate to coalesce around the movement and run against him. But King refused the idea. Still, Daley’s ongoing work in 1966 to limit King’s efforts in Chicago tamped down King’s initial hope that this Irish-American big city northern mayor would risk or trade his political power for the 1964 Nobel peace prize winner’s agenda for social justice and civil rights for African-Americans. Daley’s selective embrace of King never offset the mayor’s strategy to restrain the civil rights leader’s efficacy in Chicago and link that individual restraint to curbing broad voter acrimony towards the Daley administration.
Notwithstanding Daley’s defensive efforts, King did not lose sight of his message of improved housing, education and economic development for African-Americans in Chicago. One SCLC initiative that scored quick success was a project started in February 1966 headed by Rev. Jesse Jackson called Operation Breadbasket (later renamed Operation PUSH). Within months there were several hundred new black hires in Chicago-area businesses by way of this action.
King’s prolonged presence in Chicago in 1966 could take credit for prompting Mayor Daley to establish new city programs and hold various “summits” with clergy, labor and business leaders to combat poverty and racism in the city. In August 1966, Daley, with the support of the Chicago Freedom Movement, accepted the departure of public schools Chief Benjamin Willis and appointment of James F. Redmond, a racial progressive even though Daley overlooked two black candidates and considered only white men for the post. One thing Dr. King considered a key effort to improve African-American lives in the ghetto was to transform gang members into nonviolent civil rights activists. But a gunfight at a SCLC meeting in May 1966 between Blackstone Rangers and East Side Disciples seemed to end the official engagement. Meanwhile, Richard J. Daley continued his downtown redevelopment and in March 1966 announced a $200 million package for mass transit making sure the Civic Federation, a good government watchdog group, was there to endorse it. In addition to Loop and North Michigan Avenue redevelopment Daley dedicated in May 1966 the Civic Center, soon to be graced by an iconic Picasso sculpture the very next year. Now the long, hot days of a Chicago summer were at the doorstep and many wondered to what extent Dr. King’s plans in 1966 might add to the heat.
SOURCES: Martin Luther King, Jr. with profiles of Mohandas K. Gandhi and Nelson Mandela, Lori Meek Schuldt, World Book, Inc., 2007; American Pharaoh, Mayor Richard J. Daley: His Battle for Chicago and the Nation, Adam Cohen and Elizabeth Taylor, Little, Brown and Company, 2000.On Hamlin trusteeship -http://www.oxfordaasc.com/public/features/archive/0110/photo_essay.jsp?page=6.
The SCLC’s (Southern Christian Leadership Conference) first nonviolent civil rights campaign in the North started in Chicago on January 5, 1966 – 50 years ago this month. The multi-pronged campaign was Rev. Dr. Martin Luther King Jr.’s first major effort outside the South and the first following the Civil Rights Act of 1964 and Voting Rights Act of 1965. King’s coming to Chicago was greatly influenced by the Watts riots in August 1965 where those deadly six days demonstrated to King and the nation the high cost in human lives and property associated with deep discontentment in the black community over isolating and chronic high unemployment, substandard housing, and inadequate schools. King’s consideration to come to Chicago in 1966 was further energized by national issues activated by a local focus: in this case, King’s broad support for recent Federal complaints brought by the Chicago CCCO (Coordinating Council of Community Organizations) alleging segregation in the Chicago public schools. As there was a huge new Federal aid package for those public schools in the nation which desegregated by the start of the 1965-1966 school year, a charge of segregation in the north and in the nation’s second largest city was unexpected, provocative, and dangerous to the natural progression of the status quo.
Led by former school teacher Albert Raby (on KIng’s left), the CCCO was a coalition of a number of disparate and sometimes contentious groups including the local branches of CORE, the Catholic Interracial Council, and the Urban League, among others. Here, King and Raby meet the Chicago press along with SCLC leader Bayard Rustin (on King’s right).
The status quo in Chicago, at least in terms of its politics, was embodied in one man: Mayor Richard J. Daley. King’s intention to come to Chicago instead of to another big northern city was that he figured to find in Mayor Daley a powerful ally to his civil rights movement. Already Daley vocalized agreement in principle with King’s message of open housing and racial justice, but King’s potential challenge to any aspect of the mayor’s absolute political power never gained Daley’s sympathy or recognition. Many in Chicago’s local civil rights community, however, welcomed Dr. King’s presence in Chicago in 1966. Activists like Dick Gregory had marched on City Hall (and into Bridgeport to Daley’s home) dozens of times but to no avail in terms of tangible policy changes for blacks in a city where blacks constituted 25% of its population. Perhaps the efforts of Dr.King in Chicago could break the deadlock. The U.S. Commission on Civil Rights had recently labeled Chicago “the most residentially segregated city in the nation” but Daley saw it differently. There was no legal segregation in Chicago and Daley believed it was simply a city of neighborhoods. He also felt that if government hand-outs were not mostly un-American that, by 1965, big Federal programs should not be administered from Washington but at the local, indeed, municipal, level.
1920’s flats, Bridgeport, Chicago, 2015.
Chicago slums, 1950.
While Daley’s home rule views appealed to some Chicagoans, other Chicago neighborhoods remained in flux. There had been a longstanding mistrust, for instance, between poor West Side residents – most of whom were black concentrated, by the mid 1960’s, into a vast ghetto – and the largely white Chicago police and fire departments. Yet street riots in West Garfield Park in the summer of 1965 curiously produced the integration of 40 of 132 firehouses where integration had been resisted for over ten years. The City of Chicago’s contrariness to aspects of President Johnson’s Great Society carried into the office of Chicago’s Education chief Benjamin C. Willis who in October 1965 defied federal mandates for the release of requested materials and blocked the use of new national achievement tests in city public schools. This led to Chicago being denied their part of the massive $1.3 billion federal aid to schools program.
President Lyndon B. Johnson (r.) meets with Chicago Mayor Richard J. Daley in the White House, April 21, 1966, in a photograph by Yoichi Okamoto (1915-1985).
Yet the overall strong Mayor Daley-President Johnson alliance in late 1965 saw that money restored within the week – and the federal official who had cited Daley’s public schools for contempt of Federal segregation mandates swiftly demoted. It was into this political hothouse that Dr. King decided to build a civil rights campaign for open housing, jobs, and educational opportunity for African-Americans which in October 1965 Daley announced he welcomed with open arms. At the same time Daley was mobilizing black and other elected officials in Chicago to establish their own community action programs to sideline or co-opt any of King’s anticipated civil rights efforts which came to be called the “Chicago Freedom Movement.”
Tina Allen, Dr. Martin Luther King, Jr., 2004, 1219 West 76th Street, Chicago. Sculptor and painter Tina Allen (1950-2008) created a number of monumental sculptures of prominent blacks, including labor leader A. Philip Randolph (1889-1979), abolitionist Sojourner Truth (d. 1883), author Alex Haley (1921-1992), South African President Nelson Mandela (1918-2013) and life-size sculptures of Dr. Martin Luther King, Jr. at the University of Texas at Austin and in the Martin Luther King Jr. Plaza in North Las Vegas. Allen spent her early years in the West Indies and was a graduate of the School of Visual Arts in New York and the University of South Alabama, and did advanced studies at Pratt Institute and in Venice, Italy. She worked in Los Angeles until her death. Of her sculptures she stated during a 2003 interview, “I’m looking at myself as speaking about the heart and soul of a people, and making sure they’re not forgotten, making sure they don’t feel ignored.”
In January of 1966, Martin Luther KIng, Jr., arrives into the tenement apartment on the West Side to begin the Chicago Campaign. The nine-month campaign gave birth to beginning to bring before the nation its widespread issues of poverty and racial injustice. As King mounted these steps into his cold, rundown set of rooms, he was equally walking into the complex politics, problems and hurdles associated with a big northern city whose Democratic mayor, Richard J. Daley, was also known as The Boss.
Martin Luther King, Jr., Baltimore, Maryland, October 31, 1964.