Monthly Archives: January 2024

My Architecture & Design Photography: LOEBL, SCHLOSSMAN & BENNETT, Chicago Loop Synagogue (1957), 16 N. Clark Street, Chicago, Illinois. (23 Photos).

FEATURE image: Chicago Loop Synagogue with stained glass window, Let There Be Light (1960) by American Expressionist artist Abraham Rattner (1895-1978). The synagogue was built in 1957 with this wall of stained glass. The colorful and semi-abstract artwork contrasts and complements with the architectural minimalism of the rest of the sanctuary. Text and photographs by John P. Walsh unless otherwise noted.

Chicago Loop Synagogue on Clark Street in downtown Chicago,Chicago Loop Synagogue” by _jjph is licensed under CC BY-NC-SA 2.0.

Chicago Loop Synagogue was a midcareer project for a pair of leading Chicago Jewish architects of Modernism — Jerrold Loebl (1899–1978) and Norman Schlossman (1901– 1990). Loeble was a son of Hungarian immigrants and Schlossman was the grandson of immigrants from Germany. Both graduated from the Armour Institute (today’s Illinois Institute of Technology) and became partners in 1925. The third partner changed over the decades and in 2024 the firm is Loebl, Schlossman, & Hackl. Following World War II, the firm was Loebl, Schlossman & Bennett and the team created influential examples of Chicago’s mid-century Modernism. Richard Marsh Bennett (1907-1996) had been chairman of the Yale Architecture Department and stayed with the firm until 1974 when he returned to teach at the Harvard Graduate School of Design. The architectural firm’s designs included Weiss Memorial Hospital (4646 N Marine Drive) and The Darien (3100 N. Lake Shore Drive ) also built in the 1950s.

Hands of Peace | Chicago Loop Synagogue” by _jjph is licensed under CC BY-NC-SA 2.0.
Glass doors with wooden handles define the main entrance into Loop Synagogue off busy Clark Street. Chicago Loop Synagogue” by _jjph is licensed under CC BY-NC-SA 2.0
Ten Commandments. 9/2015 4.73 mb

The Ten Commandments meet the visitors in the foyer upon entering synagogue. For the Jews, the Ten Commandments (found in the Bible in Exodus 20:2-17 and Deuteronomy 5: 6-21) are a special set of spiritual laws that the LORD Himself wrote on two stone tablets (luchot) that Moses brought down from Mount Sinai. In the Scriptures these laws are called the “Aseret Ha Devarim,” the “ten words” or “ten utterances.” In rabbinical writings, they are usually referred to as “Aseret Ha Dibrot,” and in Christian theological writings they are called the Decalogue which is derived from the Greek name “dekalogos” (“ten statements”) found in the Septuagint (Exodus 34:28 and Deuteronomy 10:4), which is the Greek translation of the Hebrew name. To the Jews the Torah has a total of 613 commandments which includes the ten from the Decalogue. See – https://www.the-ten-commandments.org/the-ten-commandments.html – retrieved December 4, 2023).

Chicago Loop Synagogue.
Chicago Loop Synagogue” by _jjph is licensed under CC BY-NC-SA 2.0.
The limestone blocks of the North wall are cut at an angle to evoke the Western Wall of the Temple in Jerusalem.
The Holy Ark is made by Israeli sculptor and ceramicist Henri Azaz (1923-2008). Jutting into the prayer space from the far-left corner of the window, Rattner incorporated the ark that would house the Torah scrolls. He surrounded it with flames – integrated into the glass – leaping up and out, drawing attention to the presence of God in the very heart of the sanctuary.Chicago Loop Synagogue” by _jjph is licensed under CC BY-NC-SA 2.0.
The House of Worship is 3 floors, 450 seats, 6 Torahs, and a 40-foot-tall stained-glass window that fills the Eastern façade and the congregation with filtered sunlight.
The Chicago Loop Synagogue was founded in 1929 to serve the religious needs of those whose business activities brought them downtown.
Chicago Loop Synagogue” by _jjph is licensed under CC BY-NC-SA 2.0.
Visitors to the Chicago Loop Synagogue are guided by one of its members.

Abraham Rattner, the Expressionist artist of the wall-filling colorful stained-glass window was born in Poughkeepsie, New York to a Russian-Jewish father and a Romanian-Jewish mother. Rattner studied to be architect, but turned to painting studying at the Corcoran School of Art in Washington D.C. and the Pennsylvania Academy of the Fine Arts in Philadelphia. Rattner served as a camouflage artist in France during World War I and, after the war, joined many of “the Lost Generation” that writer and critic Gertrude Stein spoke about when referencing the post- war Ernest Hemingway and many others who lived in Europe, mainly Paris, in the 1920s. Rattner lived in Paris for 20 years, from 1920 until late 1939 where, during that extensive time period, he met Claude Monet (1840-1926). To avoid the coming Nazi invasion of France, Rattner and his wife Bettina Bedwell (1889-1947), a journalist and fashion illustrator from Nebraska who studied at the School of the Art Institute of Chicago and who married in 1924, returned to  America, where they lived in New York City. Rattner was known for his rich use of color and abstraction in his artwork and whose subject matter often had to do with religion. In the post-World War II era he taught at several schools, including New York’s The New School (1947–55) and at Yale University (1952-1953). In 1949 Rattner married Esther Gentle (1899 – 1991), an artist and art dealer, and was a friend of writer Henry Miller (1891-1980) who wrote about their friendship in 1968 in A Word About Abraham Rattner.

10/2015 7.77 mb 91%.

The colors and design elements of this 31 x 40-foot glass artwork signify God’s relationship with the cosmos, humanity, and the Jewish people. After two years working on conceptual and design schemes, the artist Abraham Rattner spent a year fabricating the window – a presentation of cool blues and warm red and yellows studded with purples that take on shapes of planets, trees, Hebrew letters and the Israelite tribes. It was made in Paris’s 15th arrondissement at Atelier Barillet, the house and workshop of master glassmaker Louis Barillet (1880-1948). The artwork was the subject of a 1976 exhibition at the Smithsonian American Art Museum and a 1978 exhibit at the Skirball Cultural Center in Los Angeles. The window was made to fit inside the prayer space for which it was created. To create the stained glass work, Rattner drew inspiration from the opening passages of Genesis, honing in on the hidden meanings of the words “And there was light” to channel cosmic creative energies of the Divine.

The Tree of Life (above) is also visaged as the Menorah and is identified with the light of innermost perception – the spirit; thought; ideas; life; and of knowledge. This Primal Light, God’s light, radiates outward, extending and expanding throughout the universe.

The Menorah (above) poetically conceived as a tree of life and of light. The Menorah is the classic symbol of Judaism.

The Star of David (above right) and the palm branch used on the Succot harvest festival.

The shofur or ram’s horn (above) is an ancient instrument used on High Holidays to call the people to repentance. In close proximity to the shofur is the etrog which is a fruit of the Holy Land which expresses earth’s bounty as well as the overflowing love of a human being’s heart for God.

A view of the sanctuary from its balcony. The near perfect beauty of the Chicago Loop Synagogue is self-evident.
The prayer room on the first floor is used for daily prayer and other gatherings.

SOURCES:

https://www.jbachrach.com/blog/2018/1/30/chicagos-jewish-architects-a-legacy-of-modernism – retrieved January 18, 2024.

https://americanart.si.edu/artist/abraham-rattner-3946 – retrieved January 18, 2024.

https://www.preservationchicago.org/threatened-chicago-loop-synagogue-faces-uncertain-future/ – retrieved January 18, 2024.

https://en.wikipedia.org/wiki/Loebl_Schlossman_%26_Hackl – retrieved January 18, 2024.

https://www.chiloopsyn.org/ – retrieved January 18, 2024.

Chicago Churches and Synagogues: An Architectural Pilgrimage, George Lane, S.J., and Algimantas Kezys, Loyola University Press, Chicago, 1981,pp. 202-203.

AIA Guide to Chicago, 2nd Edition, Alice Sinkevitch, Harcourt, Inc., Orlando, 2004, p. 74.

https://fr.wikipedia.org/wiki/Louis_Barillet – retrieved January 18, 2024.

Chicago Loop Synagogue. ”In the beginning God created…”
Chicago Loop Synagogue. Author & wife.

My Architecture & Design Photography: DANIEL H. BURNHAM (1846-1912), First Presbyterian Church of Evanston (1895), 1427 Chicago Avenue, Evanston, Illinois. (11 Photos & Illustrations).

FEATURE image: Aeolian Skinner organ, sanctuary, 10/2015 6.27mb. Text and Photographs by John P. Walsh.

Daniel Hudson Burnham, c. 1890. The First Presbyterian of Evanston church building was designed in 1895 by architect Daniel Burnham (1846-1912) who lived in Evanston.
The sanctuary seats over 1,000 worshippers. It has a vaulted roof with Nordic-style timber trusses for support instead of major columns that might obstruct views as well as retains an inclusive worship space. PA02.2018 – 101” by Presbytery of Chicago is licensed under CC BY-NC-SA 2.0.
Music is enhanced by First Presbyterian Church of Evanston’s Aeolian Skinner organ, portions of which date to the 1890s, and is one of Chicago’s finest organs.
Wall-filling arched stained-glass windows tell Old and New Testament stories. 10/2015 6.81mb
First Presbyterian Church, 1427 Chicago Ave, Evanston, IL One of the historic church’s dramatic wall-filling stained-glass windows. 10/2015 7.79mb 80%
Creation of Adam; Fall of Adam and Eve; Expulsion from the Garden; Priest Aaron and brother of Moses; three angelic visitors to Abraham; the story of Moses. 10/ 2015 7.87mb 90%
Burt J. Denman, born in Toledo, Ohio, was an engineering graduate of the University of Michigan who was vice president and general manager of the United Light Power Company. Denman was for a while a leading Methodist layman and trustee of Northwestern University. 10/2015 2.76mb
From Raymond Park, stained glass window and limestone walls. 10/2015 5.35 mb
King Solomon. 10/2015 7.81mb 98%
Adjacent to Raymond Park, the 1895 Gothic Renaissance building is made of Lemont limestone with a tile roof and 120-foot-tall bell tower with open belfry. Raymond Park, which is part of the Evanston parks system, is named for Rev. Dr. Miner Raymond (1811-1897). Rev. Miner Raymond was born in New York City and began his career as a cobbler. Following his matriculation at Methodist Wesleyan Academy in Wilbraham, Massachusetts, Raymond became a teacher at the school starting in 1833 and its principal from 1848 to 1864. In 1837 he married Elizabeth Henderson in Webster, Massachusetts, and they had 8 children together. In 1864 Rev. Miner Raymond with his family relocated to Illinois where he became professor of systematic theology at Garrett Biblical Institute in Chicago. In 1884 he received his LL.D. from Northwestern University. Mrs. Raymond died in 1877 and the widower married Isabella (Hill) Binney in 1879 though she died after 1880.  Dr. Rev. Miner Raymond died in 1897 and is buried in historic Rosehill Cemetery.  First Presbyterian Church of Evanston” by Marit & Toomas Hinnosaar is licensed under CC BY 2.0.

SOURCES:

https://firstpresevanston.org/connections/worship/– retrieved January 9, 2024.

https://openhousechicago.org/sites/site/first-presbyterian-church-of-evanston/ – retrieved January 9, 2024.

https://www.garrett.edu/about/our-history/ – retrieved January 10, 2024.

http://www.famousamericans.net/minerraymond/ – retrieved January 10, 2024.

https://www.findagrave.com/memorial/110905407/elizabeth-raymond – retrieved January 10, 2024.

https://www.findagrave.com/memorial/167076695/miner-raymond – retrieved January 10, 2024.

https://timesmachine.nytimes.com/timesmachine/1938/06/26/99547469.html?pageNumber=27 – retrieved January 10, 2024.

Christ Ruler of the Universe. 10/2015 5.55mb