FEATURE image: Aeolian Skinner organ, sanctuary, 10/2015 6.27mb. Text and Photographs by John P. Walsh.
Daniel Hudson Burnham, c. 1890. The First Presbyterian of Evanston church building was designed in 1895 by architect Daniel Burnham (1846-1912) who lived in Evanston.The sanctuary seats over 1,000 worshippers. It has a vaulted roof with Nordic-style timber trusses for support instead of major columns that might obstruct views as well as retains an inclusive worship space. “PA02.2018 – 101” by Presbytery of Chicago is licensed under CC BY-NC-SA 2.0.Music is enhanced by First Presbyterian Church of Evanston’s Aeolian Skinner organ, portions of which date to the 1890s, and is one of Chicago’s finest organs. Wall-filling arched stained-glass windows tell Old and New Testament stories. 10/2015 6.81mbFirst Presbyterian Church, 1427 Chicago Ave, Evanston, IL One of the historic church’s dramatic wall-filling stained-glass windows.10/2015 7.79mb 80%Creation of Adam; Fall of Adam and Eve; Expulsion from the Garden; Priest Aaron and brother of Moses; three angelic visitors to Abraham; the story of Moses. 10/ 2015 7.87mb 90%Burt J. Denman, born in Toledo, Ohio, was an engineering graduate of the University of Michigan who was vice president and general manager of the United Light Power Company. Denman was for a while a leading Methodist layman and trustee of Northwestern University. 10/2015 2.76mbFrom Raymond Park, stained glass window and limestone walls. 10/2015 5.35 mbKing Solomon. 10/2015 7.81mb 98%Adjacent to Raymond Park, the 1895 Gothic Renaissance building is made of Lemont limestone with a tile roof and 120-foot-tall bell tower with open belfry. Raymond Park, which is part of the Evanston parks system, is named for Rev. Dr. Miner Raymond (1811-1897). Rev. Miner Raymond was born in New York City and began his career as a cobbler. Following his matriculation at Methodist Wesleyan Academy in Wilbraham, Massachusetts, Raymond became a teacher at the school starting in 1833 and its principal from 1848 to 1864. In 1837 he married Elizabeth Henderson in Webster, Massachusetts, and they had 8 children together. In 1864 Rev. Miner Raymond with his family relocated to Illinois where he became professor of systematic theology at Garrett Biblical Institute in Chicago. In 1884 he received his LL.D. from Northwestern University. Mrs. Raymond died in 1877 and the widower married Isabella (Hill) Binney in 1879 though she died after 1880. Dr. Rev. Miner Raymond died in 1897 and is buried in historic Rosehill Cemetery. “First Presbyterian Church of Evanston” by Marit & Toomas Hinnosaar is licensed under CC BY 2.0.
FEATURE Image: Alice Millar Chapel, 1962, Northwestern University, Evanston, IL.
Text & Photographs John P. Walsh.
The Purpose of the Alice Millar Chapel
Breaking ground on Easter, April 21, 1962, the Alice Millar Chapel is on the campus of Northwestern University in Evanston, Illinois. The large chapel structure displaced 5 houses for the site’s four buildings on the school`s Evanston campus. It is intended as a space for prayer and reflection based in individual and communal tranquility, solitude, and celebration. At the chapel’s dedication its donor said, “[It is] a place where the soul may find quiet and repose—may be stimulated—or may just meditate. One’s character and personality cannot be fully developed unless his soul finds a purpose.” The chapel can seat over 700 people on the main floor.1
Northwestern University was founded by Methodists in 1851. At the beginning, there was no specific denominational affiliation that the university had. Alice Millar became a formal congregation in May 1971, identifying as “the church in the chapel.”2
The buildings complex (there are 4 buildings total) was designed by Edward Grey Halstead (1909-1992) who was senior partner in the Chicago architectural firm of Jensen, McClurg & Halstead. Mr. Halstead, who lived in Riverside and Wheaton, Illinois, joined the firm in 1952. The builder was Gerhardt F. Meyne Company in Chicago. Mr. Halstead was a third-generation architect born in Minnesota who studied at the University of Minnesota and University of Michigan. Though Halstead thought of himself as a hospital architect – his design projects include Elmhurst Memorial Hospital, Berwyn Community Hospital, Oak Park Hospital and Edward Hospital in Naperville – his largest project was the Alice Millar Chapel.3
Foster G. McGaw, noted philanthropist and founder of a major medical supply company based in Evanston, established the chapel in honor of his mother. Fair Use.
The contemporary Gothic landmark was built as a gift of Mr. & Mrs. Foster McGaw. Foster G. McGaw (1897–1986) was a noted philanthropist who founded the American Hospital Supply Corporation in Chicago in 1922. In 1985 McGaw’s company was acquired by Baxter Travenol Laboratories for $3.8 billion – about $11 billion in today’s dollars. Based in Evanston, at its peak, AHSC was the largest medical supplier in the world and employed thousands of Evanstonians.4 In 1953 Foster G. McGaw donated to the construction of McGaw Memorial Hall (today’s Welsh-Ryan Arena) in tribute to his father, Francis A. McGaw. At the time of construction, it was one of the largest auditoriums in Chicago. At its opening it was used in August 1954 for the Second Assembly of World Council of Churches founded in 1948 which showcased the convocation address by newly-elected President Dwight D. Eisenhower.5
Foster McGaw’s vision for the chapel was to establish a house of prayer whose space inspired the visitor to pursue a spiritual quest. Music concerts regularly appear on the chapel schedule with the chapel choir performing with in-house and guest musical ensembles and symphony orchestras. There are regular organ concerts on the 5,000-pipe organ. The Choir welcomes members from all different religious backgrounds and Sunday services to which all are welcome are given in a Protestant tradition. More interfaith activities at Millar Chapel include various faith traditions, including Muslims, Buddhists and Hindus, who pray and study at the chapel. Inspired by the interfaith witness of Rev. Dr. Martin Luther King, Jr. (1929-1968), there is a candlelight ceremony each year to honor the slain Civil Rights leader.
Who is Alice Millar?
Alice Millar for whom the chapel is named. Public Domain.
The chapel is dedicated to McGaw’s mother, Mrs. Alice Millar McGaw (1859-1910). Millar was born in Alnwick in the north of England. She studied music and notably performed a piano recital for Queen Victoria. She moved to the U.S. with her father, a medical doctor, and met and married Reverend Francis A. McGaw at McCormick Theological Seminary in September 1888. All four of her children were present at the dedication ceremony for the chapel in 1962. Alice Millar had died over 50 years earlier at Augustana Hospital (Swedish Evangelical) in Chicago’s Old Town.6
CHAPEL’S MOST STRIKING FEATURE ARE THE STAINED-GLASS WINDOWS.
The wall-filling windows of abstract and modern design allow light and color to stream into the sanctuary from every side of the chapel building. The modern-designed windows bestow to the chapel a literally awesome ambiance. These magnificent works of art include the east windows that face the sunrise of Lake Michigan (representing healing, law, discovery, literature and the arts) and the west windows that face the sunset of the prairie (representing commerce, space, communication, the State, and the human race). These side windows are in dialogue with the single chancel window with its theological themes.
Across the breezeway and part of the chapel complex is the Jeanne Vail Meditation Chapel. Dedicated in 1963 it is a more traditional English style space built in memory of Mrs. Mary Vail McGaw’s daughter, Jeanne, who died in 1949 at 23 years old. The young woman died from complications of polio after having just given birth to a baby girl. Both the Alice Millar and Jeanne Vail Meditation Chapel are open daily and are very popular for weddings especially for Northwestern University alumni. The Vail Chapel seats 125 people. There is another adjacent building, Parkes Hall, that houses classrooms and the chaplain’s office and completes the complex.
Chancel window and side windows are in conversation with its subjects and themes. 6.78mb 10/2015. The Chancel Window behind the altar is a theological window exploring themes of Creation, Redemption, and Triumph using abstract motifs. The colors of these windows are spectacular and with sunlight penetrating make the space sparkle jewel-like yet airy. 7.71mb 10/2015
EAST SIDE WINDOWS: LAW
LAW: Images of a dove. a sword and scales, human figures refer to law and justice. All the windows while presenting various thematic iconography maintain a similar color scheme throughout. 7.53mb 10/2015
EAST SIDE WINDOWS: HEALING
HEALING: Honoring the physician among recognizable tools of the profession – microscope, test tubes, the caduceus (staff with intertwined serpents), among others as the viewer looks up at the long window. 6.07mb 10/2015
EAST SIDE WINDOWS: DISCOVERY
DISCOVERY: Human discovery of the natural world. A central figure is surrounded by elements of air, earth, fire and water. There is bird, balloon, fish, deep-sea submersible (bathysphere), orbits. Again, the window’s height coupled with its colors and design is impressive. 99% 7.93mb 10/2015
EAST SIDE WINDOWS: LITERATURE
LITERATURE: Dove at the top represents the Holy Spirit who guides the hand of the Bible writer. Recognizable images are a cross; skull; human figures carrying grapes. 6.37mb 10/2015
COMMUNICATIONS: Railroad crossing; filmstrip; the 5 senses; a telephone. THE STATE: Eagle with thunderbolts and olive branch; capitol dome; family; owl; cross, etc. RACES OF HUMANITY: lamb carrying cross; 5 hands; olive branch. 7.78mb 10/2015
WEST SIDE WINDOWS: COMMERCE
COMMERCE: Among abstracted symbols of commerce, wheat stack. 4.13mb 10/2015
WEST SIDE WINDOWS: SPACE
SPACE: Sun at top, planets, stars, constellations, a bull, astronaut. 4.59mb 10/2015
FEATURE Image: 1432 Forest Avenue, Evanston, IL, 1885. Stylish single family home, nearly 5,000 square feet, has 6 bedrooms and 3.5 bathrooms. Author’s photograph. 6/2022 7.7.mb 53%
Text & Photographs John P. Walsh.
1032 and 1034 Michigan Avenue, 1899. Double house designed by Myron Hunt (1868-1952) shortly before he relocated his practice to Los Angeles, CA. Each shingled dwelling is given a distinctive design. The northern side has a projecting porch and two-story polygonal bay. The southern side has a recessed porch. The house is tied together by a single gable with a quartet of double-hung windows and a cornice part of which is integrated to the polygonal bay. 6/2022. 7.84mb 70%Myron Hunt (1868-1952) in February 1905. The American architect did numerous projects which are noted landmarks in Southern California and Evanston, Illinois. Born in Massachusetts he moved to Chicago and attended Northwestern University and later MIT where he graduated in 1893. Traveling and studying in Europe, he returned to Evanston where he worked as a draftsman in the local office of the Boston firm of Shepley, Rutan and Coolidge. In 1903 Hunt moved to Los Angeles, where he entered into a partnership with architect Elmer Grey (1871–1963). Opening an office in Pasadena, the firm of Hunt and Grey built houses for the wealthy. These included the summer ranch house for cereal magnate Will Keith Kellogg (1860-1951) in Pomona, CA, nearby to Los Angeles. Hunt and Grey also built hospitals, schools, churches and hotels. Public Domain.1026 Michigan Avenue, 1915. Prairie style house designed by John Van Bergen (1885-1969) in 1915. The Oak Park, IL-born American architect did numerous such stylish house projects from DeKalb, IL, to Winnetka, IL in the 1910’s. 6/2022 7.78mb 79%Architect John Van Bergen (above in c. 1927) was born and grew up in Oak Park, IL. He began his career as an apprentice draftsman working with Walter Burley Griffin (1867-1937) and for Frank Lloyd Wright (1867-1959) at his Oak Park Studio. Van Bergen’s early projects, mostly in Oak Park, were predominantly residential and largely in the Prairie School style, which he learned in Griffin’s and Wright’s studios. See- https://highlandparkhistory.com/highland-park-legends-program/john-van-bergen/ – retrieved December 5, 2023. Public Domain.1049 Michigan Avenue, 1910. The Prairie-style house was designed and built by C.H. Thompson, a local developer. It is a basic block with a hipped roof, albeit on a grand scale and with dormers and porch projects that emphasize horizontality along with typical Prairie hoods. There is stucco façade with brick detailing of varying geometric design patterns. 6/2022 7.95 mb 88%1010 Michigan Avenue, 1911. The Tudor style brick mansion was designed by Ernest Mayo (1864-1946). Once sitting on an even more expansive corner lot, Mayo designed the house and garden together. 6/2022. 7.91mb 65%Another view of 1010 Michigan Avenue. Built in 1911, it is one of Evanston’s most formal examples of the popular Tudor Revival style whose design takes inspiration from Elizabeth I manor houses and is imposing. It is a symmetrical and complex design of porches, bows, gables, chimneys and window groupings. Architect Ernest Mayo was born in Birmingham, England in 1864 and began his career in South Africa. Mayo immigrated to Chicago in 1891 where he established the firm of Mayo and Curry. The Chicago firm designed factories, hotels, and office buildings, and Mayo worked on administrative buildings for the 1893 World’s Columbian Exposition. Mayo split with Curry and worked independently until he partnered with his 24-year-old son Peter Mayo in 1919 to form Mayo and Mayo. While Ernest Mayo received his architectural apprentice training in England, Peter received his degree from Yale University and further design education at The Art Institute of Chicago. See – https://www.winnetkahistory.org/gazette/140-sheridan-road-2/ and https://prabook.com/web/ernest.mayo/1717173 – retrieved December 5, 2023. 6/2022. 7.63mb 66%Interior room, Dawes Mansion, 225 Greenwood Street, 1894. Designed by New York architect Henry Edwards Ficken (1852-1929), the house sits on a large lot overlooking Lake Michigan. The basic square block building is met by round tourelles on each corner with conical roofs that meet the same height of the main block’s hipped roof. The Châteauesque-style house was bought by Charles Gates Dawes (1865-1951) who was vice-president under Calvin Coolidge and, with its stunning cherry paneling, is furnished much as it was during Dawes’ residency. 10/2015 4.20mb“Charles Gates Dawes House, Evanston, Illinois” by StevenM_61 is licensed under CC BY-NC-ND 2.0.1037 Michigan Ave, Evanston, IL, 1895. 6/2022 7.52mb 99%940-950 Michigan Avenue, 1927. Michigan-Lee apartment building was erected by N.J Lareau and associates and sits on a 20,000 square foot lot on the southwest corner of Michigan and Lee. Georgian Colonial is the style of architecture for the new structure which is made of red brick and Bedford stone. The structure was built to house 24 total apartments: three 7-room, three 6-room, fifteen 5-room, and three 4-room apartments. https://www.archinform.net/arch/202206.htm and http://www.michiganleecondoassociation.com/history.html – retrieved November 28, 2023. The swanky apartment complex was designed by Frank William Cauley (1898-1984) architect and lawyer. 6/2022. 7.68mb 66% Frank Cauley, architect of the Michigan-Lee building (above) in 1927, graduated from the Armour Institute of Technology in 1922. Before he received his license to practice architecture, he designed the $2,000,000 three-hundred room (each with its own bath) Orrington Hotel in 1923 in Evanston, Illinois, for local developer Victor Ca[r]landrie Carlson. Carlson built the Carlson Building on Church Street in downtown Evanston as well as two landmark hotels, including The Library Plaza Hotel in 1922. Cauley went into business on his own, practicing until the 1929 crash. In the depression years he went to law school in Chicago and received his L.L.B. in 1938. In April 1969, the Illinois Institute of Technology awarded him a J.D. https://undereverytombstone.blogspot.com/2015/10/he-left-his-mark-on-downtown-evanston.html – retrieved November 28, 2023“The Hotel Orrington” by Mark Blevis is licensed under CC BY-NC-SA 2.0.Evanston front porches. 6/2022 7.80mb 79%1210 Michigan Avenue, 1880. Started as a simple clapboard farmhouse one block from Lake Michigan. there have been several expansive additions since that time The front exterior is marked by a simple veranda with grouped struts in the lintel which is supported by turned posts.6/2022 7.68mb 75%1332 Forest Avenue Evanston, IL, 1894, is a stylish home with several additions on an expansive corner lot. 6/2022 7.32mn 90%1005 Michigan Avenue, 1913. The light-colored brick house is Colonial Revival with modifications is by Howard Van Doren Shaw (1869-1926). The façade’s symmetry is prominently displayed in its 5 equal openings for its two main floors and topped by a shortened pitched roof with three flat-roofed dormers. A chimney protrudes at the roof line to the north. For the main mass there are aligned windows with a middle opening for both the first and second floor symmetrically displaying diverse residential functionality: a broad-arched porchway and genteel fanlight above a double door entry on the first floor and, at the second level. a wrought iron balcony providing a small, mainly decorative step landing. The great house is situated on the northeast corner lot of a leafy yet trafficked suburban residential intersection, with the main building’s symmetry broken to the south by the then-popular sun porch extension. It is a low, two-story flat-roofed projection with an enclosed porch on the first floor and an open porch originally on the upper level. 6/2022. 7.58mb 73% Howard Van Doren Shaw (1869-1926). Public Domain.Evanston fashion, c. 1918. Most Evanstonians used local dressmakers and tailors to have their clothes made. The white cotton summer dress with embroidery and lace insertions and natural waistline was typical for the era. 10.2015 4.24mb“Northwestern University Gate” by AcidFlask is licensed under CC BY-NC-SA 2.0.Chicago Avenue at Clark Street. Evanston is home to Northwestern University. 6/2022 7.84mb 87%“Fortress Northwestern: University Library and Norris University Center, June 1977” by A.Davey is licensed under CC BY 2.0. Divvy bike (with basket!) to get around campus and the neighborhood. 6/2022 7.77mb 83%The longtime Chicago-Main Newsstand at 860 Chicago Avenue in Evanston is open 7 days a week from 7:00a.m. – 10:00p.m. 6/2022 7.74mb 85%Left: 1730 Chicago Ave, Evanston, IL Built in 1865, it was the home of Frances Willard (1839-1898) and her family and was the headquarters of the Woman’s Christian Temperance Union. 6/2022 7.73mb 88%Grosse Point Lighthouse, 1873, is a tapering column to a catwalk supported by Italianate brackets built by the U.S. Government. The lighthouse marks the approach into Chicago. The promontory on which it stands was named Grosse Point in the 17th century by French explorers and the area was mapped in 1673 by Louis Jolliet and Father Jacques Marquette, a Jesuit missionary. The lighthouse is topped by a polygonal glass lantern containing the light and lens. See – http://www.grossepointlighthouse.net/history.html – retrieved December 5, 2023.6/2014 4.03mb
Sources:
A Guide to Chicago’s Historic Suburbs on Wheels and on Foot, Ira J. Bach, Swallow Press/Ohio University Press, 1981, pp. 499-530.
Bridal Party Dresses, 1924. Charles Gates Dawes House, Evanston, Illinois. 10/2015 500 kb
On Saturday, June 7, 1924, Ruth M. Anderson was married in this sleeveless wedding dress (left) to William Noling in Evanston, Illinois. The dress is now on display in the Charles Gates Dawes House in Evanston. Dawes was Vice President of the United States from 1925 to 1929 under President Calvin Coolidge.
The Noling-Anderson wedding was held in the house of the bride and her parents, Isak and Jennie (née Johnson) Anderson, at 1035 Ridge Avenue in Evanston. Built in 1914, the house still stands as it did 100 years ago.
The dress is made of silk satin in an egg shell color. It is accented by an oval medallion with bands also made of silk satin. The medallion is embroidered with faux pearl and other glass beads.
While the wedding dress was very fashionable for the mid1920’s – sleeveless tops of all shapes and sizes were the rage in 1924 – it probably was not allowed in one of Evanston’s houses of worship. The fact that it was sleeveless and au courant would be deemed by many as risqué for showing too much bare skin inspired by a thoroughly modern flapper style. It was only in 1924, for instance, that the Methodist Episcopal General Conference first lifted its ban on going to the theater as well as dancing though dance music was the radio’s most popular programming.
The bridesmaid dress (right) was the height of women’s style in 1924 – a mainly straight, knee-length skirt gathered slightly or cut with front pleats. Short sleeve and sleeveless tops were the rage in 1924 reflected in Hollywood by the Mack Sennett girls who starred in movies where they pranced on the beach in a chorus line in not much more than bathing caps and short swim suits.
The fashionable bride and her court likely sported the latest style of facial make-up which is hinted at in the 2015 display– masklike with garish, even orange, lipstick and heavy red rouge on the cheeks. Popular fashion accessories from 1924 are also evident – pearls knotted at the neck and simple, though elegant, arm bracelets.
The bride’s father, Isak Anderson, was born in Sweden and came to the United States at 20 years old in 1890. In 1891 he married Jennie Johnson and they had Ruth and another child. Ruth’s father was a bank director and partner in a local tailoring business in downtown Evanston at 608 Davis that today is a noodle shop.
With Prohibition starting in 1920, guests at the wedding may have been served the latest popular highball whose recipe called for fruit juice and raw eggs. Their morning could have started with a bowl of Wheaties at breakfast, since the cereal of champions made its first appearance in 1924.
Ruth Anderson married William Noling in this house in Evanston, Illinois, in June 1924. Fair Use.
SOURCES: Dawes House, Evanston Illinois; The Swedish Element in Illinois: Survey of the Past Seven Decades, Ernst Wilhelm Olson, p. 586; American Chronicle, Lois Gordon & Alan Gordon, Yale University Press, New Haven & London,1999, pp. 230-238; Chicago: The Glamour Years (1919-1941), Thomas G. Aylesworth & Virginia Aylesworth, Gallery Books, NY, 1986, p.14.
