FEATURE Image: Sea of Flags, Gamaliel Ramirez, 2004, Humboldt Park, Chicago.
The mural entitled Sea of Flags depicts Fiesta Boricua (De Bandera a Bandera), an annual 3-day music and cultural event in the Humboldt Park neighborhood in Chicago.
Attracting tens of thousands of visitors, the fiesta is held starting in late August or early September. In 2018 the Fiesta Boricua celebrated its 25th anniversary and offered 3 stages booked back to back with scores of musical and cultural performers specializing in the pulsating rhythms of Puerto Rican salsa, reggaeton, bomba, plena, and merengue music, and more.
FAMOUS PEOPLE DEPICTED IN THE MURAL
Some of the famous people depicted in the mural Sea of Flags include Puerto Rican nationalist Lolita Lebrón (1919-2010), Nuyorican (“New York City/Puerto Rican”) poet and playwright Pedro Pietri (1944-2004) and, depicted as a bronze statue on the image’s left side, Don Pedro Albizu Campos (1891-1965), the leading figure in the Puerto Rican independence movement.
An abundance of Puerto Rican flags in the mural is intentional by the artist and his assistants. Since Spain ceded Puerto Rico to the United States in 1898 following the Spanish-American War — and ceded the Philippines and the island of Guam at the same time — Puerto Rico and the U.S. have had a complicated political relationship that is yet to be completely mutually resolved today.
THE ARTIST
Gamaliel Ramirez was born in the Bronx in New York in 1949. He spent most of his career in Chicago teaching and as a working artist. After 35 years in Chicago he retired to Santa Rita, San Juan, Puerto Rico. Following Hurricane Maria in September 2017, Mr. Ramirez was hospitalized for many months and passed away on May 21, 2018. The artist of this colorful mural has left behind for us a legacy of paintings, other murals, photography and poetry.
FEATURE image: July 1984. Marienplatz, Munich, Germany. 7.91mb 91%
Opened in 1967, the Berkeley Library building is at Trinity College, Ireland’s oldest university founded in 1592 by Queen Elizabeth I (1533-1603), in the heart of Dublin, Ireland. The library building is an example of modern Brutalist architecture — exposed unpainted concrete, monochrome palette, steel, timber, and glass – a style that emerged in the United Kingdom in the 1950s as an alternative to nostalgic architecture. The library was named for George Berkeley (1685-1753), an 18th century scholar whose philosophical and scientific ideas on perception and reality presage the work of Albert Einstein (1879-1955). In 2023 Berkeley’s name was removed from the library by Trinity’s governing board because Berkeley had been a slave owner who actively defended slavery. Berkeley had been a Trinity fellow and, apt for the library building. its former librarian. George Berkeley is also the namesake of the University of California, Berkeley, and Berkeley College at Yale University in New Haven, Connecticut. – see https://www.insidehighered.com/news/quick-takes/2023/05/09/berkeley-name-dropped-trinity-college-library – retrieved October 5, 2023. In 1979 I was researching Irish History (13th to 16th centuries) at Trinity College and utilized the Berkeley and Old Library begun in 1712 as well as the National Library of Ireland (1877) around the corner on Kildare Street.
In 1895 M. Morin, an executive at Le Bon Marché, looked to give his wife a gift. Since the 1860s, Japanese art and its influences and practices (known as “japonisme”) had a profound impact on France’s own fine and popular arts, and this craze became even more popular by the 1890s. It was only natural for M. Morin to build a real pagoda as a lavish and fashionable statement next door to the couple’s house in Paris. Pieces were shipped from Asia and reassembled in Paris under the design and direction of Alexandre Marcel (1860-1928) at 57 bis, rue de Babylone on the corner with rue Monsieur in the 7th arrondissement. Built in the middle of a residential neighborhood it boasted all things Japanese including stone figures of dragons, lions, buddhas and birds as well as distinctive Asian-style rooflines. In 1930 it became a 400-seat cinema movie theatre that became an art-house cinema in the 1970s and, after 85 years of operation, closed its doors in 2015. SOURCE: 1000 Buildings of Paris, Kathy Borrus, Black Dog & Leventhal Publishers, New York, 2003, p. 275 and http://cinematreasures.org/theaters/6906 – retrieved January 4, 2023.
A fruit and vegetable market on the Katschhof square (above) in Aachen, Germany, in March 1992 was held the day before Ash Wednesday. The historic square has Aachen Cathedral on one side and the town hall on the other side and is brought to life during its numerous festivals, markets, and events. In Carolingian history, the Katschhof represented the connection between Charlemagne’s palace hall and his St. Mary’s Church with his throne and tomb. In 2014 it was announced by a team of scientists who started to study the tomb’s bones and bone fragments in 1988 that if they are those of Charlemagne (747-814), the 66-year-old Holy Roman Emperor was tall and thin. See- https://www.archaeology.org/news/1782-140131-charlemagne-bones-sarcophagus – retrieved October 6, 2023.
Dating from the late 1100s, these houses in Belgium are among the oldest surviving domiciles in Europe.
A 10-minute walk from the city center, the Rubens House (Rubenshuis in Dutch) is an older Flemish house transformed into an Italian palazzo by the artist, Peter Paul Rubens (1577-1640) in 1610. Married that year to his first wife Isabella Brandt (1591-1626), Rubens purchased and renovated the house on today’s Wapper street whose layout included the couple’s home, the artist’s studio, a monumental portico and interior courtyard (pictured above). The courtyard also opens into the Baroque garden designed by Rubens. Isabella and Peter Paul Rubens had three children together when Isabella died of the plague at 34 years old. Centuries later, in 1937, Antwerp bought the house and opened it to the public in 1946.