“Only avoid the fulsome”: the pedagogical magic of the terrible Miss Dove.

Movie poster for

Movie poster for “Good Morning, Miss Dove!” from 1955 starring Jennifer Jones.

By John P. Walsh

Good Morning, Miss Dove! is Frances Gray Patton’s tale of a middle-aged spinster elementary school geography teacher who is suddenly taken ill and the entire small town of Liberty Hill rallies to her. While a mythical period piece from the mid 1950’s of an unchanging town with students who obey a beloved teacher and directed by Henry Koster in a stagy way, it had progressive casting depicting a newly-integrated American public school classroom and all of it in grand Cinemascope and De Luxe color. Film-going audiences in 1955 loved it. Awaiting a risky operation, Miss Dove thinks back on her life and those of her prized grown-up former students which included Robert Stack (a surgeon), Chuck Connors (a policeman),  and Jerry Paris (a playwright). All of these students overcame difficult childhoods and found worldly achievement with the help of Miss Dove. Patton’s novel had already enjoyed success in 1954 as a Book of the Month Club and Reader’s Digest selection and its release as a major motion picture by 20th Century Fox continued the heroine’s popularity. It is the same year in which she starred in the classic soap opera Love is a Many-Splendored Thing that Academy-Award winner Jennifer Jones stars as Miss Dove, a type of mid-20th century suburban American Mary Poppins nine years before Walt Disney’s proper English nanny. In the mid 1950’s as America settled into the Eisenhower years Good Morning, Miss Dove! allowed for an ever more staunch lead character – the “terrible” Miss Dove,  unflinching disciplinarian – who became a popular nostalgic icon in American culture at a time when public education was undergoing copious change.

A young Miss Dove (Jennifer Jones) with her father (Leslie Bradley).

A young Miss Dove (Jennifer Jones) with her father (Leslie Bradley).

Jennifer Jones was 35 years old when by the magic of make-up was transformed into the strict, stern elderly Miss Dove.

Jennifer Jones was a 35- year-old beauty when through the magic of Hollywood make-up the actress was transformed into a stern elderly Miss Dove for “Good Morning, Miss Dove!”

The audience meets the elder Miss Dove at the movie’s start—make-up artist Ben Nye transformed the 35-year-old Jennifer Jones into the 55-year-old Miss Dove—and by flashbacks the film dramatizes her youth as she is about to marry, but doesn’t because her father dies suddenly and she learns he has debts. To pay them back, she steels herself to remain single and take a teaching post. Her chilly veneer is part of her honor to do the proper thing along with the sober accommodation to life’s necessary sacrifices. While those who did not know Miss Dove mocked her behind her back and said she couldn’t have had much of a life—never married, no family, no kids, never went anywhere—her army of students judged her differently. Beyond any possibly wider cultural meaning, the film presents a unique person who by the logic of her experience (or, the experience of her logic) enters into a series of social interactions that are both amusing and honest including a penultimate scene on her sick bed where Miss Dove tells her pastor blankly: “Life, whatever others may think, has been for me…I have been happy. I have made many mistakes. Perhaps even sinned. I admit my human limitations but I do not in all honesty find the burden of my sins intolerable. Nor have I strayed like a sheep. I have never been AWOL. I have never spoken hypocrisy to my Maker and now is scarcely a propitious moment to begin.” While her conscientious thoughts may be read from various sides of the political or cultural spectrum they are easily enjoined to an expression of one woman’s life perfectly dedicated to her students. Stay for the end that starts around 1:39:00. Accompanied by the tuneful strains of Leigh Harline’s memorable soundtrack, it is a sentimental tribute to Miss Dove whose life transcends to many based on nothing other than good character.  (1:47:16).






©John P. Walsh. All rights reserved. No part of this material may be reproduced or transmitted in any form or by an means, electronic or mechanical, which includes but is not limited to facsimile transmission, photocopying, recording, rekeying, or using any information storage or retrieval system.

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