Clodion, The See-Saw, 1775, terracotta. Toledo Museum of Art.
Frédéric Bazille, Self-portrait, 1865-66. The Art Institute of Chicago.
Heads, Female Diety; Bodhisattva; Buddha, stucco, Afghanistan/Pakistan, before 500 C.E. The Art Institute of Chicago.
(From left) Gabriele Münter, Kirche von Reidhausen, 1908, oil on canvas board; G. Münter, Girl with Doll, 1908-09, oil on cardboard; August Macke, Geraniums Before Blue Mountain, 1911, oil on canvas. Milwaukee Art Museum.
Bill Reid, Birth of the World, Museum of Anthropology, UBC, Vancouver, British Columbia.
Mikazuki (male deity) Noh Mask, Japan, 16th century, cypress wood, colors, brass. The Art Institute of Chicago.
Aristide Maillol, Enchained Action, bronze, 1905.
Charles Collins, Still Life with Game, 1741. Private collection.
Roman Venus, Asia Minor, marble, c.165 CE. Toledo Museum of Art.
Michel Anguier, Amphitrite, 1684. Toledo Museum of Art.
The Dressing Table, William Glackens, c.1922, oil on canvas. Private collection.
Paul Manship, Dancer and Gazelles, 1916, bronze. The Art Institute of Chicago.
Charles Ray, Young Man, 2012, Solid Stainless Steel.
James C. Timbrell, Carolan the Irish Bard, c. 1844, oil on canvas. Private collection.
Gabriele Münter, Portrait Young Woman, 1909, oil on canvas; Keesvan Dongen,Quai, Venice, 1921 and Woman with Cat, 1908. Milwaukee Art Museum.
Oil jar, Greece (Athens), terracotta, 450 B.C. The Art Institute of Chicago.
Lorado Taft, Fountain of the Great Lakes, or Spirit of the Great Lakes Fountain, 1913. The Art Institute of Chicago (South Garden).
Henry Moore, Large Interior Form, bronze, 1982. The Art Institute of Chicago (North Stanley McCormick Memorial Court). Henry Moore’s 16-foot sculpture was made when the 84-year-old British artist was concerned with the construction of three-dimensional space, internal forms within solid volumes, and placing his work in a natural setting. Moore had worked primarily in stone but once these formal concerns emerged shifted to modeling and bronze casting. Large Interior Form explores mass and void as well as gravity and growth within a nature-inspired artist-created form.
Berthe Morisot, Woman in a Garden, 1882-83, The Art Institute of Chicago, September 2013.
Auguste Rodin (1840-1917), Adam, 1881. Bronze. The Art Institute of Chicago, May 2014.
Contemporary Art After 1960, The Art Institute of Chicago, June 2014.