Monthly Archives: March 2025

BLOG PAGE: JOHN FITZGERALD KENNEDY (May 29, 1917–November 22, 1963), 35th U.S. PRESIDENT.

FEATURE image: Portrait of President John F. Kennedy. “President John F. Kennedy” by U.S. Embassy New Delhi is licensed under CC BY-ND 2.0.

January 3, 1960 — Kennedy Confronts Charges of “Divided Loyalties” on Meet the Press:

(20) Looking back at JFK discussing his faith 60 years after his assassination – YouTube – retrieved June 2, 2026.

January 3, 1960 — Announcement: One day after launching his campaign for the Democratic nomination, Kennedy immediately confronted a revived national anxiety: whether a Roman Catholic could serve as president without divided loyalties. As the first Catholic with a viable path to the White House, he faced sharp questioning over whether allegiance to the Pope might compromise his constitutional duties.

Religious Controversy: Kennedy moved quickly to defuse the issue. Kennedy, who happened to be Catholic, argued that religion should neither qualify nor disqualify a candidate. His position was deliberately universal. Though he made no excuses for his Catholic faith, he insisted that the presidency belongs to individuals, not categories. The controversy did not end there. In September 1960, before the Greater Houston Ministerial Association, he faced it down again, declaring that he was not the Catholic candidate for president, but the Democratic Party’s candidate who happened to be Catholic. The speech became the campaign’s clearest statement that personal identity must not become a political litmus test. He pledged to carry out the responsibilities of the presidency independent of any outside religious authority, rejecting both criticism and instruction. He argued for an uncompromising separation of church and state, stating that he would oppose a national church even if “99 percent” of Americans shared his faith.

Electoral Strategy: Beyond addressing religion, Kennedy used the NBC broadcast to outline his broader campaign logic. He rejected identity‑based ticket balancing, insisting that a major party’s presidential ticket should be shaped by geography and political experience rather than religious background.

Vice‑Presidential Speculation: He also dismissed rumors that he might accept the vice‑presidential slot, stating bluntly that he had no interest in “waiting for the president to die.” The unusually candid remark signaled his determination to run on his own terms and set the tone for the rest of his campaign.

September 13, 1962 — News conference:

I think – and I am sure this is the view of the people and the states- the right to vote is very basic. If we are going to neglect that right, then all of our talk about freedom is hollow. And therefore we shall give every protection that we can to anybody who is seeking the vote.

October 26, 1963Remarks at Amherst College:

The men who create power make an indispensible contribution to the nation’s greatness. But the men who question power make a contribution just as indispensible for they determine whether we use power or power uses us.

September 13, 1960 Kennedy-Johnson Joint Campaign Appearance, Grand Prairie, Texas:

(starts @ 28 seconds) Grand Prairie, Texas, in September 1960. https://youtu.be/iJHrgw8-QEc?si=NMUyZjDxJZXTy1bi – retrieved November 2, 2025.

Above: One of the rare joint appearances of Senators John F. Kennedy and Lyndon B. Johnson—the Democratic presidential ticket—in the 1960 campaign, which ultimately defeated the Republican ticket of Nixon–Lodge. During the second day of their Texas tour, the two men spoke to nearly 6,000 people in the parking lot of the Chance Vought Aircraft factory. It was at this stop that Kennedy was famously presented with a western cowboy hat, joking that he “didn’t have the guts to wear it” immediately. They also rode in a motorcade through the intersection of Main and Center streets in downtown Grand Prairie. Neither man was a natural campaigner: Kennedy’s hands often shook beneath a table or podium as he spoke, his voice growing hoarse, while Johnson, uneasy in crowds, frequently pushed himself into sick exhaustion on the trail.

Campaign Dynamics: Although both candidates wanted more joint appearances, their aides agreed such events mostly hurt the ticket’s image—especially Kennedy’s. Johnson was only nine years older, and both were the first U.S. presidents born in the 20th century, yet aides felt that when they stood together Kennedy looked almost like LBJ’s son. Still, the press and Johnson complained for weeks that the two men should campaign together more often, given the offices they sought.

Press Pressure: When reporters began hinting at a rift between the candidates as the reason for their limited joint schedule, the campaign arranged another appearance in November 1960, five days before Election Day. For that final joint even at the Biltmore in Los Angeles, Johnson flew out specifically to join Kennedy. The appearance received strong national print and television coverage, and on that Thursday before Americans went to the polls, both campaigns regarded it as a major success.

February 18, 1958 Speech at Loyola College Alumni Banquet, Baltimore, Maryland:

Let us not seek the Republican answer or the Democratic answer, but the right answer. Let us not seek to fix the blame for the past. Let us accept our own responsibility for the future.

The Cuban Missile Crisis lasted from October 16 to October 28, 1962. Critical Milestones:

October 16: Kennedy was first shown U‑2 photographs revealing Soviet nuclear missile installations in Cuba.

October 22: Kennedy announced a naval “quarantine” of Cuba in a televised address to the nation.

October 24: Soviet ships approached the blockade line but stopped or turned back to avoid confrontation.

October 27 — “Black Saturday”: A U‑2 was shot down over Cuba, and a Soviet submarine was forced to surface by U.S. Navy signaling, marking the peak of the crisis.

October 28: Premier Nikita Khrushchev announced that the Soviet Union would dismantle and remove the missiles, ending the 13‑day standoff.

FROM 13 DAYS (2000). JFK: BOB, IS THERE ANY WAY TO AVOID STOPPING THE SUBMARINE FIRST? MCNAMARA: I’M AFRAID NOT MR. PRESIDENT. https://www.youtube.com/watch?v=gol-iCLcroY – retrieved April 20, 2026

In response to the rapid buildup of Soviet nuclear missiles in Cuba, President John F. Kennedy announced that the United States would impose a naval blockade—officially termed a “quarantine”—around the island. It went into effect on the morning of October 24, 1962, when American warships and aircraft tightened a ring around Cuba with orders to intercept any vessel suspected of carrying offensive military equipment.

Tension spiked almost immediately. Roughly 25 Soviet ships, some believed to be transporting nuclear missile components, continued steaming toward the quarantine line. U.S. commanders had standing instructions: any vessel refusing inspection could be stopped, diverted, and, if necessary, sunk. At 10:00 a.m., as the quarantine became active, Kennedy convened ExComm to assess the situation when new intelligence came in that made the situation immediately more precarious. Reports were that the approaching Soviet ships were joined by a Soviet sub armed with nuclear weapons, raising the risk of an existential, catastrophic confrontation. At the same time, aerial reconnaissance showed Soviet crews working feverishly in western Cuba to complete missile sites armed with nuclear warheads pointed at the U.S.—further evidence that the threat to U.S. national security, already considered imminent by the Kennedy Administration, was growing by the minute.

On the diplomatic front, the crisis was unresolved as it was debated by delegates at the U.N. whether Kennedy’s blockade was even legal under international law. Soviet leaders accused the United States of issuing an ultimatum and warned that force would be met with force. Meanwhile protests were organized on each side across the globe as political maneuvering accelerated.

By the end of October 24, 1962, the first signs of restraint appeared: several Soviet ships slowed or halted before reaching the quarantine line, suggesting Moscow might be reconsidering its next move. Even so, the world understood, some for the first time, that it stood on the precipice of nuclear war. The day ended with both superpowers locked in the most dangerous equilibrium of the crisis so far – both armed, alert, and waiting for the next move – with no one knowing whether diplomacy or confrontation would ultimately prevail.

October 31, 1962 — Three Days After the Cuban Missile Crisis, JFK Meets the Archbishop of Canterbury at the White House:

Above: Rev. Dr. Michael Ramsey (1904–1988), Archbishop of Canterbury, meets with President John F. Kennedy on Halloween, 1962—just three days after the Cuban Missile Crisis ended. The world was still exhaling in relief: armed confrontation between the superpowers had been narrowly avoided, and October 27 had been the crisis’s most perilous day. A U‑2 reconnaissance plane was shot down by Soviet‑supplied SAM missiles, killing the USAF pilot. Kennedy’s ExComm urged immediate military retaliation, but he resisted. That same night, Robert Kennedy met secretly with Soviet Ambassador Anatoly Dobrynin in Washington, where they reached a tentative understanding pending Moscow’s approval. By the next morning, October 28, Radio Moscow announced acceptance of Kennedy’s proposal, ending the 13‑day standoff.

Michael Ramsey had been appointed Archbishop of Canterbury on May 31, 1961, and installed the following month, serving until 1974. In 1962 he was also president of the World Council of Churches (1961–1968). During his archbishopric, the first woman Anglican priest—Chicago‑born high‑altitude balloonist Jeannette Piccard—was ordained in the United States in 1974.

Massachusetts: John F. Kennedy Library, Columbia Point, Boston (June 1989):

July 1989 — The author at the John F. Kennedy Library, Columbia Point, Boston.

Standing near JFK’s iconic sailboat, 1989 marked the Library’s tenth anniversary, a moment when the institution shifted from a young presidential repository into a fully established center of civic education, political legacy, and architectural study. Its most enduring milestone of 1989 was the formal creation of the Profile in Courage Award by members of the Kennedy family. Just five weeks before this photograph, Columbia Point hosted a major family gathering on May 25, 1989, attended by Jacqueline Kennedy Onassis, Senator Ted Kennedy, Caroline Kennedy, and John F. Kennedy Jr., underscoring the Library’s growing national prominence a decade after its opening

John F. Kennedy Family House (1957), 3307 N StreetGeorgetown, Washington, D.C. (October 2003):

Author’s photograph.

June 1957 — A Georgetown Purchase In June 1957, Massachusetts Senator John F. Kennedy bought this three‑story Federal‑style house as a gift for his wife, Jacqueline Kennedy after the birth of their daughter, Caroline. Their son, John Jr., was also born while the family lived here.

Campaign Life at 3307 N Street During JFK’s 1958 Senate re‑election and the 1960 presidential campaign, Jackie hosted teas in the home’s double living room. The front entrance became nationally recognizable when President‑elect Kennedy stepped outside to announce major appointments — including naming his younger brother and campaign manager, Robert F. Kennedy as U.S. Attorney General.

President-Elect John F. Kennedy and Chester Bowles emerge from a breakfast conference at Kennedy’s Georgetown home in Washington, on Nov. 29, 1960. Bowles was appointed Under Secretary of State and later was Kennedy and Johnson’s ambassador to India.

January 20, 1961 — Departure for History On the morning of January 20, 1961, Kennedy famously left from this doorstep to travel to the U.S. Capitol for his swearing‑in as the 35th President of the United States. The house was sold later that year when the family moved into the White House.

Early 19th‑Century Origins Beyond its presidential associations, the home was originally built in 1811–12 for William Marbury (1762–1835), the financier and plaintiff in the landmark 1803 Supreme Court case Marbury v. Madison — the decision that established the foundational principle of judicial review.

The Garden Refuge The Kennedys used the brick‑walled garden at 3307 N Street as a quiet refuge, especially during the 1960 campaign. With JFK traveling constantly, he rarely found time for his painting hobby, though he did spend occasional Sunday afternoons in the garden with Jackie and Caroline, away from the public spotlight.

Aesthetic Balance Inside the home, Jackie’s classical European taste was balanced with historical maritime art and paintings of naval vessels — a nod to Kennedy’s U.S. Navy service and lifelong passion for the sea.

Massachusetts: The John Fitzgerald Kennedy National Historic Site (Birthplace, 1917), Brookline, Massachusetts (July 1989) (August 2005):

July 1989 — The John Fitzgerald Kennedy National Historic Site at 83 Beals Street preserves the birthplace and early childhood home of the 35th president. The house, built in 1909 by local architect‑builder Robert M. Goode, is a two‑and‑a‑half‑story Colonial Revival structure with a green‑shingled exterior, an asymmetric cross‑gabled roof, prominent dormers, and a front porch topped by an upper balustrade deck. It stands in Brookline’s Coolidge Corner neighborhood, a dense early‑20th‑century streetcar suburb of tree‑lined residential blocks bordering Boston.

Three Kennedy children were born in the second‑floor master bedroom: John F. Kennedy on May 29, 1917; Rosemary Kennedy on September 13, 1918; and Kathleen Kennedy on February 20, 1920. Their older brother, Joseph P. Kennedy Jr., was born in Hull, and the later five siblings — including Bobby and Ted — were born around the corner in the larger family home on Abbottsford Road.

August 2005 — The John Fitzgerald Kennedy National Historic Site in Brookline, Massachusetts. Author’s photograph.

JFK’s birthplace and childhood home—stands on Beals Street in the Boston suburbs. Joseph Patrick Kennedy purchased the house in August 1914, just ahead of his October marriage to Rose Elizabeth Fitzgerald. A driven, opportunistic young bank president and businessman, he began building his fortune during World War I through shipbuilding contracts in the Quincy yards. In Brookline, Joe Kennedy was an affectionate father who fostered a spirited sense of competition among the Kennedy children, shaping the family ethos that would define their later public lives.

August 2005 — The John Fitzgerald Kennedy National Historic Site in Brookline, Massachusetts. Author’s photograph.

John F. Kennedy was born in this upstairs master bedroom of this Beals Street home in the mid-afternoon (3 p.m.) on Tuesday, May 29, 1917, an unseasonably cold (44 degrees), overcast, and rainy day. The family lived on Beals Street until 1920, then moved a short walk away to a larger house on Abbottsford Road, where they remained until 1927 before relocating to New York. Rose Fitzgerald—daughter of Boston’s first American‑born Irish mayor—had seven of her nine children in Brookline and was reluctant to leave. John F. Kennedy was her second child and son.

In Brookline, Joe Kennedy, son of a local pol and saloonkeeper, instilled a competitive spirit in his children, while Rose, who had studied in Europe, taught them an appreciation for the arts and history. A devout Catholic, Rose took her children on weekday walks to market and then to church, reinforcing their faith as part of daily life, not just Sundays.

After Joseph P. Kennedy sold the Beals Street house to family friend Edward Moore, the property passed through several owners over the next four decades. Following JFK’s assassination in 1963, thousands of mourners visited the home, turning it into an impromptu pilgrimage site. In 1966, the current owners agreed to sell the house back to the Kennedy family so it could be preserved as a permanent memorial.

Rose Fitzgerald Kennedy then led a full restoration of the interior, working from her own memories and period décor to recreate the exact appearance of the home as it looked on the day John F. Kennedy was born in 1917. When the project was complete, the Kennedy family donated the property to the National Park Service in 1969, establishing what is now the John Fitzgerald Kennedy National Historic Site. Rose Kennedy said she gave the house to the American people so that “future generations will be able to visit it and see how people lived in 1917 and thus get a better appreciation of the history of this wonderful country.” see – https://www.nps.gov/jofi/index.htm – retrieved May 29, 2025.

February 26, 1962 Voice of America speech:

(56 seconds). “We are not afraid to entrust the American people with unpleasant facts, foreign ideas, alien philosophies, and competitive values. For a nation that is afraid to let its people judge the truth and falsehood in an open market is a nation that is afraid of its people.” -John F. Kennedy, Voice of America speech, February 26, 1962.

In a 1962 address to the Voice of America, President John F. Kennedy defined the organization’s mission as a duty to champion truth, transparency, and the free flow of information, even when revealing internal “blemishes and warts.” He emphasized that a free nation must not fear truth and that the “burden of truth” serves the cause of freedom.

SPEAKING OF FREEDOM OF INFORMATION IN A FREE COUNTRY TO THE ENTIRE WORLD: “The Voice of America speaks. Today America has been at war for 79 days. Daily at this time we shall speak to you about America and the war, and the news may be good or bad. We shall tell you the truth”…
…We seek a free flow of information across national boundaries and oceans, across iron curtains and stone walls. We are not afraid to entrust the American people with unpleasant facts, foreign ideas, alien philosophies, and competitive values. For a nation that is afraid to let its people judge the truth and falsehood in an open market is a nation that is afraid of its people.
The Voice of America thus carries a heavy responsibility. Its burden of truth is not easy to bear. …And as you tell it, it spreads. And as it spreads, not only is the security of the United States assisted, but the cause of freedom.”
See – https://www.presidency.ucsb.edu/documents/remarks-the-20th-anniversary-the-voice-america – retrieved May 29, 2025.

November 22, 1963 — Fort Worth Remarks Before the Texas Hotel:

November 22, 1963 – President John F. Kennedy’s remarks in front of the Texas Hotel, Fort Worth, TX. – retrieved November 23, 2025. (3.18 minutes).

On a rainy morning in front of the Texas Hotel in Fort Worth, President John F. Kennedy delivered brief remarks at a citizen’s rally. He outlined three pillars of national security: military strength, economic prosperity, and superiority in space exploration, noting that Fort Worth would again “play its proper part.”

KENNEDY: “What we are trying to do in this country and what we are trying to do around the world, I believe, is quite simple: and that is to build a military structure which will defend the vital interests of the United States. And in that great cause, Fort Worth, as it did in World War II, as it did in developing the best bomber system in the world, the B‑58, and as it will now do in developing the best fighter system in the world, the TFX, Fort Worth will play its proper part. And that is why we have placed so much emphasis in the last 3 years in building a defense system second to none, until now the United States is stronger than it has ever been in its history. And secondly, we believe that the new environment, space, the new sea, is also an area where the United States should be second to none.”

August 2005. National Portrait Gallery, Washington, D.C. Jacqueline Kennedy, the King of Hearts – Stop Action Reaction, 1997, by Tian Mion (b. 1960). see – https://www.si.edu/object/jacqueline-kennedy-king-hearts-stop-action-reaction:npg_S_NPG.2007.6 – retrieved May 29, 2025.

November 22, 1963 — The Johnsons Telephone Their Condolences to Rose Kennedy in the Immediate Aftermath of the Assassination:

November 22, 1963 — Rose and Joe Kennedy at Hyannis Port

On a clear “bluebird” morning at the Hyannis Port compound, Rose Kennedy followed her usual routine, attending morning Mass before returning home for lunch with Joe, who remained severely impaired from his 1961 stroke. After a short drive together, Rose received a call from her son, Attorney General Robert Kennedy: the President—her son Jack—had been shot in Dallas. A second call soon followed, confirming he was dead.

Rose withdrew to grieve in solitude, walking the beach and sitting quietly in her room, later reflecting that she asked God how decades of preparing her children for service could be undone in seconds. At approximately 4:15 p.m., she took a call from the new president, Lyndon Johnson, speaking from Air Force One shortly after being sworn in and as he returned to Washington with President Kennedy’s body. Composed, Rose addressed him as “Mr. President.”

June 11, 1963 — Oval Office Report to the American People on Civil Rights:

This nation was founded on the principle that all men are created equal, and that the rights of every man are diminished when the rights of one man are threatened.

May 27, 1963 — Supreme Court Signals an End to Evasion of Brown v. Board

On May 27, 1963, the Supreme Court declared that it would no longer tolerate evasions of its 1954 Brown v. Board of Education ruling. The statement came in another desegregation case involving public parks. When the Court issued Brown in 1954, it could not have foreseen the years of delay and resistance that followed.

June 5–10, 1963 — Federal Orders and Kennedy’s Warning to Wallace

On June 5, a federal court enjoined Alabama Governor George Wallace from obstructing the admission of two qualified Black students to the University of Alabama. President John F. Kennedy reinforced the order on June 10, writing to Wallace and urging him not to interfere.

June 11, 1963 — Wallace “Stands in the Schoolhouse Door”

On June 11, Wallace carried out his pledge to “stand in the schoolhouse door,” physically blocking the students from enrolling. When he refused to yield to federal marshals, Kennedy nationalized the Alabama National Guard. Guard troops arrived, Wallace stepped aside, and the students entered and registered for classes.

https://www.youtube.com/watch?v=PTHowggASwY

June 11, 1963 — Kennedy’s Civil Rights Address from the Oval Office

That evening, Kennedy delivered his “Report to the American People on Civil Rights” from the Oval Office. In a 13‑minute address, he set out the moral and legal issues surrounding civil rights and previewed legislation that would become the Civil Rights Act of 1964. After two cautious years, the speech marked a decisive shift: Kennedy gave a full‑throated endorsement of civil rights and federal action to secure them.

June 12–13, 1963 — The Murder of Medgar Evers and Local Repression

In the early hours of June 12, civil rights leader Medgar Evers, who had listened to Kennedy’s remarks, was assassinated outside his home in Jackson, Mississippi. On June 13, Jackson police arrested 82 Black marchers protesting Evers’s murder. Within a week, a white suspect was arrested and charged.

June 19, 1963 — Kennedy Sends His Civil Rights Bill to Congress

On June 19, Kennedy asked Congress to introduce his civil rights bill, seeking desegregation of public facilities, federal action to end job discrimination, and authority for the Attorney General to initiate desegregation suits.

Summer 1963 — Civil Rights Leaders Reject a Pause in Demonstrations

As Congressional debate and filibuster began, Kennedy asked civil rights leaders to suspend protests and marches. They refused. Instead, they announced a March for Jobs and Freedom in Washington, D.C., to take place in August 1963.

See- Kennedy and the Press, edit. Harold W. Chase and Allen H. Lerman, introduction by Pierre Salinger, Thomas Y. Crowell Company, New York, 1965, p. 452.

June 26, 1963 Berlin speech at Rudolph Wilde Platz
November 21, 1963 —Texas motorcade & remarks at the dedication of the Aerospace Medical Health Center, San Antonio
August 1, 1963color recording of remarks for “Seas Around Us”
September 12, 1962 Moon speech, Rice University, Houston, Texas

(27 seconds).

April 27, 1961Address before the American Newspaper Publishers Association, Waldorf-Astoria Hotel, New York City:

https://youtu.be/cgHGg8PiAqo?si=aSZpzJKa_NEeHsP4 – retrieved November 1, 2025. For transcript of speech SEE – The President and the Press: Address before the American Newspaper Publishers Association, April 27, 1961 | JFK Library

On April 27, 1961, President John F. Kennedy delivered his 2400-word+ major speech known as “President and the Press” before the American Newspaper Publishers Association at the Waldorf-Astoria Hotel in New York City. In the speech delivered just days after the failed Bay of Pigs Invasion the new president made a plea for responsible journalism in the face of Cold War threats. The remarks remain relevant today on the topics of press freedom, misinformation, and national security.

I am not asking your newspapers to support the Administration, but I am asking your help in the tremendous task of informing and alerting the American people. For I have complete confidence in the response and dedication of our citizens whenever they are fully informed. see – https://www.jfklibrary.org/archives/other-resources/john-f-kennedy-speeches/american-newspaper-publishers-association-19610427#:~:text=This%20Administration%20intends%20to%20be,out%20when%20we%20miss%20them. – retrieved March 25, 2025.
It was early in the 17th century that Francis Bacon [1561-1626] remarked on three recent inventions already transforming the world: the compass, gunpowder and the printing press. Now the links between the nations, first forged by THE COMPASS have made us all citizens of the world, the hopes and threats of one becoming the hopes and threats of us all. In that one world’s efforts to live together, the evolution of GUNPOWDER to its ultimate limit has warned mankind of the terrible consequences of failure. And, so, it is to the PRINTING PRESS–to the recorder of man’s deeds, the keeper of his conscience, the courier of his news–that we look for strength and assistance, confident that with your help man will be what he was born to be: free and independent.
I not only could not stifle controversy among your readers–I welcome it. This Administration intends to be candid about its errors; for as a wise man once said: “An error does not become a mistake until you refuse to correct it.” We intend to accept full responsibility for our errors; and we expect you to point them out when we miss them.

John F. Kennedy 1960 Campaign Ad For Social Security:

JOHN F. KENNEDY: we do not rely merely on the past we look forward in this country we fight the same battle that he fought we find it easier because he fought it but it is now our battle. so that this country moves ahead. (6) John F. Kennedy [Democratic] 1960 Campaign Ad “Hyde Park – Social Security” – YouTube – retrieved August 14, 2025. (4.41 minutes).

The Origins of Social Security

When Franklin D. Roosevelt signed the Social Security Act on August 14, 1935, he called the new federal retirement program a “cornerstone.” It became one of the central pillars of the New Deal and a defining feature of modern American social policy.

A Personal Reflection from 1998

In 1998, at a Chicago book signing for The Virtues of Aging, I met former President Jimmy Carter and asked whether he believed Social Security was destined to disappear. Carter replied that he did not think so, a view reflecting the long‑standing bipartisan commitment to the program’s survival.

Social Security Under Strain in 2026

By 2026, Social Security faces unprecedented pressure. The aging population has surged: 75 million seniors now receive benefits—three times the number in 1975. Meanwhile, a smaller workforce contributes payroll taxes to support a rapidly growing pool of beneficiaries. Trust‑fund reserves are being depleted, and insolvency is projected for the mid‑2030s.

Kennedy’s 1960 Visit to Hyde Park

During the 1960 presidential campaign, Democratic nominee John F. Kennedy visited Hyde Park, New York, the national shrine home of Franklin D. Roosevelt. The occasion marked the 25th anniversary of the Social Security Act. Kennedy addressed 2,000 senior citizens gathered to honor Roosevelt and hear the young senator outline his vision for strengthening the program.

Kennedy’s Proposals for America’s Aging Population

In his remarks, Kennedy advanced a series of proposals aimed at improving the lives of older Americans and modernizing Social Security. Among them:

  • Federal medical care — a precursor to Medicare, which would be enacted in 1965.
  • Cost‑of‑living adjustments — automatic increases to keep pace with inflation, implemented in 1975.
  • Incentives for continued work — allowing older Americans to earn more without losing benefits.
  • Vocational guidance — support for retirees seeking new roles or training.
  • Adequate housing — expanding federal efforts to provide safe, affordable homes for seniors.
  • Medical research — increased study of diseases associated with aging.
  • Higher survivor benefits — expanded support for spouses caring for under‑age children.

A Continuity of Purpose

Kennedy’s 1960 message echoed Roosevelt’s original vision: Social Security was not merely a retirement program but a national commitment to dignity, security, and opportunity in old age. His proposals anticipated many reforms that would shape the program in the decades to come.

March 29, 1962—News Conference 29:

The Tax Cut Bill Advances in Congress

The press conference occurred the same week the House Ways and Means Committee approved President Kennedy’s tax cut bill. At the same time, Kennedy emphasized the need to close tax loopholes that permitted and encouraged American industries to invest overseas.

(6) John F. Kennedy’s HILARIOUS response to a woman’s question. – YouTube – retrieved July 21, 2025.

Revenue Neutrality as a Central Congressional Concern

Congress was focused on balancing the revenue lost from tax cuts with revenue gained through tax reforms, aiming to produce a revenue‑neutral bill. The effort was conceived as a targeted economic stimulus—not the broad‑brush solution tax cuts later became in national economic debates, nor the inverse approach of sweeping tax hikes.

Balancing Cuts and Reforms in the 1962 Legislation

The 1962 tax bill was modified and passed with this balancing principle in mind. Kennedy proposed significant reductions in tax rates for individuals and corporations, acknowledging that such cuts would initially reduce federal revenue. Broadly pro‑growth, the plan was not a modern‑style tax giveaway; policymakers believed the country could not afford such an approach. Instead, the goal was to offset revenue losses through reforms that generated compensating gains.

Sources of Revenue Gains

Revenue increases for the government came from several reforms, including:

  • Eliminating the dividend credit and exclusion
  • Introducing withholding taxes on dividends and interest
  • Restricting business expense deductions, particularly for entertainment and meals
  • Adjusting tax treatment for cooperatives and financial institutions
  • Revising taxation of gains from the sale of depreciable property

Short‑Term Losses and Long‑Term Contrast

Although the final Revenue Act of 1962 resulted in a short‑term net revenue loss, it still reflected Kennedy’s intent to pair tax cuts with offsetting reforms. Later economic approaches—particularly those associated with Reagan‑era tax policy—introduced large tax cuts skewed toward higher‑income earners without corresponding revenue‑generating reforms, relying exclusively on growth‑driven revenue effects to offset massive revenue losses. Combined with increased federal spending, this produced persistent deficit financing that Kennedy could not have imagined.

Kennedy’s Fiscal Aim in 1962

In 1962, Kennedy sought both a tax cut and a balanced budget, a pairing that underscores how different his fiscal strategy was from later eras of tax policy.


March 7, 1962—News Conference 26:

On February 22, 1962, Soviet Premier Khrushchev proposed that at the upcoming U.N.-sponsored Geneva Disarmament Conference on March 14 that the heads of government meet.

Kennedy rejected the offer, though he was afterwards pressured by European allies to reconsider and probed by the U.S. press if he would possibly attend and so backtrack on his statements. He maintained his firm position against attending the opening of the Geneva Disarmament Conference on March 14, 1962. Instead of traveling to Switzerland himself, Kennedy appointed Arthur H. Dean as the Chairman of the U.S. Delegation and sent Secretary of State Dean Rusk to handle the initial high-level negotiations.

Kennedy later outlined the manner of his going to any sort of summit conference in the near future— 1. to ratify an agreement 2. if there was a serious international crisis or the U.S. was on the brink of war 3. To aid the national interest.

The outcome to that spring’s lengthy Geneva talks was announced by Kennedy about 5 weeks after its opening: that negotiators had reached a broad outline for the objectives and principles, basic provisions and timings of a general treaty on nuclear disarmament.

Six months later the Cuban Missile Crisis took place.

April 30, 1963 — April 30, 1963 — Kennedy’s Remarks to Choate Alumni:

On May 4, 1963, President Kennedy broadcast taped remarks to the alumni of his alma mater, The Choate School, commemorating the unveiling of his official portrait on the campus in Wallingford, Connecticut.

 https://www.youtube.com/watch?v=Zp4alOCiqCo – retrieved February 27, 2026.

A Line That Defined an Inauguration

The phrase most associated with John F. Kennedy’s 1961 Inaugural Address—“Ask not what your country can do for you; ask what you can do for your country”—endured as a defining call to civic action. Delivered by the nation’s first Catholic president, it urged Americans to see national progress as a shared personal duty rather than a service provided by government.

Echoes in Years of Lightning, Day of Drums (1965)

Its resonance appears again in the 1965 documentary Years of Lightning, Day of Drums, one of the earliest films to chronicle Kennedy’s presidency and assassination. Near the conclusion, narrator Gregory Peck reflects, “All this took place in the early 1960s, and someday the early 1960s will be a long time ago.” Hearing that line as a child, I felt its existential reminder: even the most vivid present moments eventually recede into memory and become history.

Possible Origins at Choate

Some historians have suggested that Kennedy’s inaugural exhortation may trace back to his years at Choate, the Connecticut boarding school he entered in 1931 as a ninth‑grade student. In his chapel addresses, headmaster George St. John frequently reminded students: “The youth who loves his alma mater will always ask not ‘what can she do for me?’ but ‘what can I do for her?’” Kennedy would have heard this refrain repeatedly during his formative years.

A Frail Student with a Mischievous Streak

Kennedy arrived at Choate following his older brother, Joe Jr., a standout athlete two years ahead of him. By contrast, Kennedy was frail, thin, and saddled with the nickname “rat face” among classmates. His early years were marked less by distinction than by mischief. He gathered around him a circle of friends he called “The Muckers Club,” a tongue‑in‑cheek embrace of St. John’s term for troublemakers. Their antics were largely harmless—witty pranks and playful irreverence—and the group included Kennedy’s roommate and lifelong friend, Lem Billings.

A Shift in Trajectory

Despite his unremarkable start, Kennedy’s trajectory at Choate changed. By the time he graduated in 1935, he was not valedictorian, but his peers voted him “Most Likely to Succeed,” a judgment that reflected what followed.

JFK, May 4, 1963: First, it is to make sure that our private schools are increasingly representative of the diversity of American life. These schools will not survive if they become the exclusive possession of a single class or creed or color. They will enlarge their influence only as they incorporate within themselves the variety which accounts for so much of the drive and the creativity of the American tradition. The second is to make sure that our private schools prepare young men and women for service to the community and to the Nation. The inheritance of wealth creates responsibilities; so does privilege in education.

May 19, 1962 — Birthday Party for President Kennedy at Madison Square Garden:

Marilyn Monroe Sings Happy Birthday Mr. President to JFK | Netflix https://www.youtube.com/watch?v=mqsikkkyy_s – retrieved May 29, 2024.

On May 19, 1962—ten days before President Kennedy turned 45—more than 15,000 people packed Madison Square Garden for his birthday celebration, a star‑studded night of politicians, entertainers, and Hollywood royalty. The evening became legendary when Marilyn Monroe stepped onto the main stage in a sheer, flesh‑colored gown studded with 2,500 rhinestones and delivered her breathy rendition of “Happy Birthday, Mr. President” as a giant cake was brought out.

Kennedy followed her to the microphone and quipped, “I can now retire from politics after having had Happy Birthday sung to me in such a sweet, wholesome way,” a wink at Monroe’s sultry delivery and famously skintight dress.

Monroe had flown to New York with jazz pianist Hank Jones, leaving the troubled production of Something’s Got to Give to make the cross‑country appearance. The decision cost her: 20th Century‑Fox fired her in June 1962 for violating her contract. Kennedy attended the event alone; Jackie Kennedy skipped the celebration entirely, spending the day at the Loudoun Benefit Horse Show in Virginia with Caroline and John Jr.

The Madison Square Garden performance would become one of Monroe’s final public appearances before her death that August.

February 26, 1962President John F. Kennedy presented astronaut John Glenn with the NASA Distinguished Service Medal at the White House:

(26) John F. Kennedy presents a medal to Colonel John Herschel Glenn Jr at the White …HD Stock Footage – YouTube – retrieved July 18, 2026.

Astronaut John Glenn, born July 18, 1921, was part of NASA’s first astronaut group and became the first American to orbit Earth three times on February 20, 1962. Six days later, on February 26, 1962, President John F. Kennedy presented him with the NASA Distinguished Service Medal at the White House—a ceremony meant both to honor Glenn and to bolster national confidence during the Space Race.

The color footage (no sound) shows Kennedy awarding the medal with Glenn’s wife, Annie, and their children, John David (16) and Carolyn “Lyn” Glenn (14), standing beside him.

Glenn visited the Kennedy White House at least four times. He returned on May 3, 1962, as JFK welcomed Glenn and Soviet cosmonaut Gherman Titov to the Oval Office to discuss their historic flights and encourage international space cooperation. About six weeks before Dallas, on October 10, 1963, Kennedy presented Glenn, joined by the rest of the Mercury Seven astronauts, with the National Aeronautic Association’s 1962 Robert J. Collier Trophy for pioneering American manned spaceflight.

Glenn retired from NASA in 1964 and became A US Senator from Ohio for a quarter of a century (1974-1999). As a sitting senator, 77-year-old Glenn returned to space in 1999 on shuttle Discovery. John Glenn died on December 8, 2016, at the age of 95

June 23-July 2, 1963 — President Kennedy’s 1963 European Tour:

In June and July 1963, President John F. Kennedy embarked on a historic ten-day European tour, beginning with a four-day visit to West Germany and West Berlin. During a stop in Hanau on June 25, Kennedy stepped out of his motorcade to personally shake hands with the German police motorcycle escort that had guided him through streets lined with dense cheering crowds. The following day, June 26, he traveled to Berlin to deliver his celebrated “Ich bin ein Berliner” address on the steps of Rathbone Schöneberg that was attended by a crowd of 500,000. The trip continued as a triumphal circuit through Western Europe. In Ireland, Kennedy visited his ancestral homestead in Wexford and addressed the Irish Parliament. Moving on to the United Kingdom, he attended Sunday Mass at a small parish church in East Sussex (“Our Lady, Help of Christians”) before meeting with Prime Minister Harold Macmillan. Finally, Kennedy concluded his journey in Italy on July 2 with a private audience with Pope Paul VI—securing a vital diplomatic meeting while carefully avoiding the new Pope’s formal installation ceremony just days prior.

This explanatory article is periodically updated.

Opened and in continuous operation since 1942, Leon’s in Milwaukee, Wisconsin, is still owned by the original family. The Drive-In served as inspiration for Arnold’s in the 1970’s popular TV sitcom “Happy Days.”

FEATURE image: Late afternoon at Leon’s Frozen Custard in Milwaukee, Wisconsin. June 2017. Author’s photograph. (4.53mb, DSC_0728).

Leon’s original sign. By victorgrigas – Own work, CC BY-SA 3.0.

Leon’s is a family-owned drive-in in Milwaukee, Wisconsin, that opened 83 years ago – in 1942. The building was remodeled in the early 50’s and is what is seen today. Leon’s was inspiration for the original Arnold’s Drive-In in the 1970’s ABC television sitcom, Happy Days, that was also set during the 1950’s in Milwaukee, Wisconsin.

The World Famous Leon’s.The World Famous Leon’s” by nixter is licensed under CC BY-NC 2.0.

The Happy Days season 2 intro settles into the warm glow of Arnold’s Drive‑In, where the cast dances, jokes, and moves through the set like regulars in a familiar hangout. The sequence plays over a freshly recorded version of “Rock Around the Clock”, a choice that instantly anchors the show in a 1950s jukebox mood. The season 2 also marks a shift in the show’s rising star power: Henry Winkler’s Arthur “Fonzie” Fonzarelli steps into the opening credits beside Ron Howard, reflecting what would be his iconic popularity with viewers.

Although the tune is the same one Bill Haley & His Comets first cut in 1954, the version heard in Happy Days wasn’t that original hit. The song had begun modestly as the B‑side of a single that only reached No. 23, but everything changed when it blasted through the opening credits of Blackboard Jungle in 1955. Practically overnight, it became a cultural earthquake, soaring to No. 1 that July and helping ignite the rock‑and‑roll era.

Nearly twenty years later, in the fall of 1973, ABC asked the band to re‑record the song specifically for the new TV series. When Happy Days became an instant sensation, viewers went hunting for the version they heard each week—only to discover it wasn’t sold in stores. Their search sent them back to the original 1954 single instead, giving that two‑decades‑old record an unexpected second wind and pushing it back into the Top 40 in 1974, a rare encore for a rock‑and‑roll classic.

Fonzi played by Henry Winkler was a new character for the ABC TV series. He had just 6 lines in the first episode of “Happy Days” whose debut broadcast was January 15, 1974. In the series, Fonzie’s full name was Arthur Fonzarelli and called that by Richie’s mom. The original family name of series’ creator Garry Marshall (1923-2016) was Masciarelli and changed before Garry was born by his father, a man of Italian descent. TV Guide #1189” by trainman74 is licensed under CC BY-NC 2.0.

At the 2024 Emmy Awards on September 15, Ron Howard and Henry Winkler reunited to mark Happy Days’ 50th anniversary. The longtime friends presented the award for Outstanding Directing for a Comedy Series from a lovingly recreated Arnold’s Drive‑In set, complete with a vintage jukebox, red‑leather booths, and classic sports pennants.

Ordering at Leon’s.World Famous Leon’s Frozen Custard” by Thomas Hawk is licensed under CC BY-NC 2.0.

Leon’s is still owned and operated by the original family. The main focus of the business is, and always has been, to serve the freshest and finest frozen custard available anywhere. The business is open all year round and they have full soda fountain service, a sandwich menu, daily special flavors and take-out service.

Leon’s at night. “Leon’s” by joseph a is licensed under CC BY-NC-SA 2.0.

June 2017. Late afternoon at Leon’s, Milwaukee, Wisconsin. Leon’s was inspiration for Arnold’s on Happy Days, a popular 1970’s TV series set in Milwaukee in the 1950’s. Author’s photograph. 4.53 mb

Arnold’s was the name of the local Milwaukee drive-in hang out for most of the characters in Happy Days. Fair Use.

Ron Howard Signs On (1973)

At just 19 years old, Ron Howard signed a seven‑year contract to star in Happy Days. At the time, he was juggling an unusually heavy load: filming American Graffiti, attending USC, and mapping out an early directing career.

Becoming Richie Cunningham

Cast as Richie Cunningham, Howard earned $3,500 per episode—roughly $25,000 in 2025 dollars. He had already played Richie once before, in the February 1972 Love, American Style segment that inspired the new series, but still had to audition again for the TV version. At the first read‑through, Howard reunited with Anson Williams (“Potsie”) and Marion Ross (Richie’s mother)—both of whom had appeared with him in the Love, American Style pilot. He also met the rest of the soon‑to‑be iconic cast: Tom Bosley (“Richie’s dad”), Donny Most (“Ralph Malph”), and Henry Winkler, a 28‑year‑old Yale School of Drama graduate who would become “Fonzie”

A 1970s TV Powerhouse

Alongside M*A*S*H, All in the Family, The Mary Tyler Moore Show, and The Bob Newhart Show, Happy Days became one of the defining sitcoms of the 1970s. It aired for 11 seasons from January 15, 1974, to July 19, 1984 on the ABC network. There was a total of 255 half-hour episodes.

SOURCES:

Ron Howard & Clint Howard , The Boys A Memoir of Hollywood and Family, William Morrow, 2021, pp. 275-277.

https://leonsfrozencustardmke.com/ – retrieved March 2, 2025.

https://happydays.fandom.com/wiki/Arnold%27s_Drive-In – retrieved March 20, 2025.

ITALY. 550th Anniversary of the Birth of Italian Renaissance Artist Michelangelo Buonarroti (March 6, 1475-1564). 17 Artworks & Illustrations.

FEATURE Image: Portrait of Michelangelo, Marcello Venusti (1510-1579), after 1550. Casa Buonarroti, Florence, Italy. see – https://artsandculture.google.com/asset/ritratto-di-michelangelo/AgFcI66SXt6qGg?hl=it – retrieved March 6, 2025.

Attributed to Michelangelo Buonarotti, 1513, terracotta, Casa Buonarroti, Florence, Italy. The work is a study of a male torso, conceived to be without the head and upper and lower limbs. The work has been identified as a preparatory model for one of the figures of the Prisoners, intended to decorate the tomb of Julius II in Rome. see – https://artsandculture.google.com/asset/torso-virile/zQGx46asE5jBIg?hl=it&ms=%7B%22x%22%3A0.5%2C%22y%22%3A0.5%2C%22z%22%3A9.086882915528859%2C%22size%22%3A%7B%22width%22%3A3.3866676762513332%2C%22height%22%3A1.2375000000000005%7D%7D – retrieved March 6, 2025.
Michelangelo Buonarotti, Madonna della Scala, 1490. Casa Buonarroti, Florence, Italy. Though it is small-sized the relief subject of the Madonna and child presents a monumental scope. The female figure fills the entire space. The meaning of the ladder (“scala”) in the title is ambiguous and may have reference to the children playing and holding a drape behind the Madonna. The date of the relief has been much discussed. However, a placement around 1490, before the Battle of the Centaurs, seems to be confirmed. see – https://artsandculture.google.com/asset/madonna-della-scala/xQF2nwLhAXd26w?hl=it – retrieved March 6, 2025.
Michelangelo Buonarotti, Nude female, 1533, Casa Buonarroti, Florence, Italy. This figure of a female nude is linked to the New Sacristy in Florence to accompany the marble effigy of Giuliano de’ Medici. It has been linked to the figure of the Earth that, together with the Sky, was to be part of Giuliano’s marble effigy. The project of building a proper Medici family mausoleum was conceived in 1520, when Michelangelo began work on the New Sacristy upon the request of Cardinal Giulio de Medici, the future Pope Clement VII, who expressed a desire to erect the mausoleum for some members of his family including Lorenzo the Magnificent and his brother Giuliano assassinated in Florence’s Duomo in 1478. After completing the architectural works in 1524, Michelangelo worked until 1533 on the sculptures and the sarcophagi that were to be featured on the chapel walls. The only ones actually completed were the statues of Lorenzo, the Duke of Urbino; Giuliano, the Duke of Nemours; the four statues of the allegories of Day and Night, and Dawn and Dusk; and the group representing the Madonna and Child. see – https://artsandculture.google.com/asset/nudo-femminile/xgHfNWIKU6r13g?hl=it – retrieved March 6, 2025 and http://www.museumsinflorence.com/musei/Medici_chapels.html#:~:text=The%20project%20of%20building%20a,the%20Magnificent%20and%20his%20brother – retrieved March 6, 2025.  
Michelangelo, crucifix, 1493, wood, Santo Spirito, Florence. It was placed by the artist in 1493 above the lunette of the high altar and has been there since.

The Italian Renaissance artist was born in Florentine territory in Caprese in the provinces of Tuscany where his father was a government bureaucrat. The family soon relocated to Florence where Michaelangelo grew up. Becoming friends with Francesco Granacci (1469-1543) who saw Michaelangelo’s drawing talent, at 13 years old Michelangelo announced he wanted to be an artist. Despite his parents objection, they eventually yielded to their son’s aspirations, and he was apprenticed to Domenico Ghirlandaio (1448-1494) for the next three years.

Domenico Ghirlandaio (1448-1494), Expulsion of Joachim From the Temple, fresco (detail), 1486-1490. Santa Maria Novella, Cappella Tornabuoni, Florence. In the background, the mitered high priest receives sacrificial lambs at the altar where a fire burns. Joachim, according to sacred tradition, father of the Virgin Mary and grandfather of Jesus Christ, is sent away at this time since he is childless. He is married to Anne. To the right Ghirlandaio depicts an assembled group of contemporary Florentines including, second from right, Ghirlandaio himself. In 2nd century apocryphal writings, childless Joachim left for the desert where he prayed and fasted for 40 days. Angels appeared to Joachim and his wife Anne, and promised them a child. Joachim then returned to Jerusalem and embraced Anne at the city gate, a scene popularly depicted in medieval and Renaissance art. After this, Anne became pregnant and became the mother of the Virgin Mary and Jesus’s grandmother. This apocryphal relating of Joachim and Anne to Biblical figures Elizabeth and Zechariah and the birth of their son, John the Baptist (Luke 1) and Abraham and Sarah and the birth of their son, Isaac (Genesis 21) was a popular subject depicted in Christian art until the Council of Trent (1545–1563) when the church restricted public displays of these simple stories and events from apocryphal sources in a severe reaction to the Protestant reformation.

Michelangelo’s training was erratic, likely having left Ghirlandaio before his contract was complete, and working under the city’s ruler, Lorenzo de Medici for his contracted master, Bertoldo (1420-1491). Later in life Michelangelo did not advertise his training credentials as he believed art – such as freeing subjects from stone – emerged by the sheer artistic power of the individual. In this period, as a teenager, Michelangelo learned the art of fresco painting and drawing, copying previous masters such as Giotto (1267-1337) and Masaccio (1401-1428). Michelangelo absorbed the artwork of the naturalists, such as Paolo Uccello (1397-1475), whose artwork looked to present subjects with a viewpoint like a scientist interested in objective fact rather than looking to convey some established figural attitude. Where young Michelangelo was materially as great as Giotto and Masaccio, he also possessed a new means undreamt by those previous masters, as he drunk of the art of Donatello (1386-1466), Pollaiuolo (1429-1498), Verrocchio (c.1435-1488) and Leonardo da Vinci (1452-1519). Further, Michelangelo understood better than these others, that the epitome of these Renaissance artistic studies was to be expressed by one subject above all: the human nude.

Bernard Berenson described Michelangelo as “the pupil of nobody, the heir of everybody, who felt profoundly and powerfully what to his precursors had been vague instinct, who saw and expressed the meaning of it all.” 

Giotto, The Arrest of Christ (Kiss of Judas ), 1304, Padua, Scrovegni Chapel.

The Arena, or Scrovegni Chapel, was commissioned by Enrico Scrovegni in 1303. A nobleman of Padua, Enrico dedicated the chapel as an act of atonement for the sins of his father, Reginaldo, a moneylender whom Dante placed among the damned in the Inferno. The exterior of the chapel is austere, but its interior is filled with Giotto’s frescoes, completed by the time of the chapel’s dedication in late March 1305, with remaining work finished by March 1306. By this point, Giotto—then in his late thirties—was already a mature master, and in this cycle he transformed the course of Italian painting.

What had appeared as youthful brittleness and restlessness in his frescoes at Assisi in the late 1290s—works that had secured his fame and led to the Padua commission—has here developed into a fully realized visual language of narrative concision, solemnity, and decisive, almost fatalistic, plastic form. Although the subjects of the Life of the Virgin, the Life and Passion of Christ, and the Last Judgment draw upon a venerable medieval tradition, Giotto renders them with a striking immediacy. Human emotion, individualized gesture, and the presence of everyday life infuse the sacred narratives with a naturalism that conveys profound dignity and emotional gravity rather than rhetorical flourish.

The dramatic center of the Betrayal fresco is the confrontation between Christ and Judas. Once Christ accepts His fate in the agony of the garden, the world wastes no time in presenting Him with the cross He has embraced. One of His own apostles—an unsettling reminder of the failures of religious leaders across the ages—betrays Him with a kiss. Christ’s body nearly disappears beneath Judas’s enveloping cloak, yet His classical profile remains visible, fixed in a calm, penetrating gaze upon His betrayer. Judas’s pursed lips embody the chilling intimacy of treachery. As John 13 recounts, the devil—whether through possession or the alignment of Judas’s will with Satan’s designs—provides the impetus for the betrayal.

Giotto had previously depicted Judas as youthful and handsome, but here the apostle’s features bear the accumulated marks of moral decay. At the left, Peter lashes out at Malchus, the high priest’s servant, severing his ear; at the right, the high priest himself gestures toward the betrayal, yet his posture suggests a momentary hesitation before the full enormity of the act. Through these figures, Giotto constructs a scene of moral and emotional complexity, capturing the decisive moment when divine purpose and fallen humanity collide.

Michelangelo after Giotto, Drawing from “Ascension of the Evangelist,” 1490-1492. Louvre. see – https://collections.louvre.fr/en/ark:/53355/cl020001224 – retrieved March 6, 2025.
Paolo Uccello, Sacrifice of Noah And Noah’s Drunkenness (detail), 1447-48. Uccello was not interested primarily in conveying in art the possible “artistic” intention of this story’s scene. Instead, as Bernard Berenson described it, the artist produced “nothing but the scientific intention to find out how a man swooping down head-foremost would have looked if at a given instant of his fall he had been suddenly congealed and suspended in space.” These studies of reproducing objects as they really are, in anatomy and perspective, had a great bearing for the art of Leonardo da Vinci and Michelangelo. quoted in Berenson, p.54.
Masaccio, Distribution of Alms and Death of Ananias (detail), 1425-1427, Brancacci Chapel, Florence. An episode from Acts of the Apostles (4:43-37 and 5: 1-11) depicting Ananias’s wife and child whose husband withheld their tithe from the early church leaders with the outcome being that Ananias dropped dead in divine retribution. When it was painted, viewers in the 1420’s and afterwards, read it as an artistic display of a New Testament endorsement of the equitable redistribution of wealth and the divine punishment of death forthwith for those who falsely withheld their fair share. 67% 7.95mb

When the Medici fell and Florence became a theocracy under Savonarola (1452-1498), 19-year-old Michelangelo decided to leave Florence. He lamented the fall of Lorenzo the Magnificent, his artistic patron, and the young artist lived hand to mouth going to Bologna, then to Venice, and back to Bologna, and finally to Rome in June 1496. The popes’ tremendous influence in capitalist Italy started in the 13th century and augmented into the 17th century, leading to what art critic Bernard Berenson (1865-1959) called an encroachment of “soulless Vaticanism” towards modern art. But clearly Rome had no use for a firebrand friar who refused to support the pope’s troops against the invading French army. As Columbus set out to discover America, It was the unpleasant chapter of the Italian War of the 1490s that helped fill the times with ongoing brutality, duplicity, complicity, intrigue, opportunism and expedience. A looming danger of looting and violence of the invading French army were emphasized by the impassioned sermons of Girolamo Savonarola that frightened the people and led to their heightened resentment against the ruling Medici. Florence was traditionally pro-French, but Piero di Lorenzo de’ Medici (“Piero the Unfortunate”) (1472-1504), son of Lorenzo the Magnificent, had deployed against them to defend Naples. Under pressure from citizens and outside French forces promising church reforms and civic transparency, the Medici was forced to flee and the city was proclaimed a Republic. The Florentines, with Savonarola in the lead, facilitated the invasion of French king Charles VIII (1470-1498) and against the pope which they considered corrupt. Pope Alexander VI (1431-1503), a Borgia and one of the most corrupt popes in history, ascended to the papal throne in 1492 and was immediately condemned in fiery sermons by Savonarola. Yet all was not well between “liberator” Charles VIII and his Florentine supporters. Immediately the French king demanded a huge sum of money, a ransom payment of sorts, from the Florentines in appreciation, as well as to pay for, the pro-French liberation. The Florentine government refused and the king threatened to loot the city. Faced with a backlash and real threat of popular revolt, the French bully relented and continued onto Rome. Charles postured, but was constantly fearful of antagonizing the European powers and announced his decision that he would not depose the corrupt old pope after all. By having kidnapped the pope’s mistress Giulia Farnese, wife of the pope’s military ally Orsino Orsini, who commanded 4,000 Neapolitan soldiers freshly landed to defend papal interests on the peninsula, Charles VIII was able to extract full entry into Rome in exchange for her release. Once in Rome the French troops looted the city. The pope, in a panic, arranged a quick safe passage for Charles VIII out of the Papal States towards Naples during which the king’s army massacred many hundreds of local inhabitants.

Charles VIII, roi de France, anonymous, c. 1550. Entering Florence in a power vacuum the invading French king demanded a huge sum of money from the citizens who refused to pay and leading to a stand-off. Public Domain.
Domenico Ghirlandaio’s 15th century portrait of Piero the Unfortunate. Eldest son of Lorenzo the Magnificent, Piero di Lorenzo de’ Medici succeeded him as ruler of Florence in 1492. When Piero determined in 1494 to stay neutral during French king Charles VIII’s invasion of Italy, effectively defending Naples the object of the king’s campaign, he was challenged. Suffering from an abandonment of the Florentine elite under the spell of Savonarola, Piero totally capitulated to Charles VIIi’s demands. Having succeeded in alienatating everyone in Florence, Piero fled to Venice, aided by a French diplomat, in November 1494. Attempting to make a comeback several times to Florence he was constantly rebuked, Piero drowned in the Garigliano River while attempting to flee the aftermath of the Battle of Garigliano in 1503, Public Domain.
Pope Alexander VI Borgia, c.1495, attributed to Spanish painter Pedro Berruguete (c. 1450-1504), Vatican Museums. Alexander Vi was a wily politician from a prominent family who practiced nepotism and sired several children by way of his many mistresses.

Savonarola played an important role in this French infiltration in Italy — and Rome did not forget. Then, in February 1497, during Mardi Gras of that year, Savonarola, whose message was a combination of religious purist and civic republican preached his most dramatic act of cultural desecration by seeking that artworks, books, clothing items and cosmetics were thrown into a bonfire of the vanities as a sign of monied and other social decadence. The flames became his final undoing: Savonarola was excommunicated for heresy and sedition by Pope Alexander VI on May 12, 1497 after the preacher called “the contemporary Church leadership…a pockmarked whore sitting on Solomon’s throne.” The pope also threatened Florence with severe interdictions if they continued to be a sanctuary for Savonarola and his ilk. Savonarola was imprisoned on April 7, 1498 after failing a literal public trial by fire (it rained). Finally, he was dragged from his prison cell and with two other contemptible friars was condemned as a heretic and schismatic and hanged and burned at the stake on May 23, 1498, with the Vatican and the Medici observing it all from a safe distance. Yet the cult of Savonarola, his person as well as his political and religious ideas, did not go quietly up in smoke. Though seen today as a sort of vile figure, his supporters around 1500 and afterwards saw him as a martyr and encouraged his veneration as a saint to which many complied. In Florence Savonarola’s disputed legacy went on until the Medici more or less permanently re-installed themselves in 1530. Yet Protestant reformers in Germany and Switzerland were intrigued and influenced by Savonarola’s ideas and, in 1558, even Pope Paul IV, who was 22 years old when Savonarola was executed, declared him not a heretic and always in communion with the Catholic Church. Saint Philip Neri (1515-1595), a Florentine established in Rome, and regularly characterized as a most relatable prelate of and for the masses, also defended Savonarola’s memory.

Francesco Rosselli (1445-1513), The Execution of Savonarola and Two Companions at Piazza della Signoria, 16th century, oil on canvas, Galeria Corsini
Bernard Berenson as a young man, Berenson described Michelangelo as “the pupil of nobody, the heir of everybody, who felt profoundly and powerfully what to his precursors had been vague instinct, who saw and expressed the meaning of it all.” quoted in Berenson p. 72. Public Domain.
Donatello – David – Florença” by original file by Patrick A. Rodgers is licensed under CC BY-SA 2.0.
Verrocchio, Equestrian Statue of Bartolomeo Colleoni, 1480s, Venice. Bartolomeo Colleoni (1400-1475) was an Italian condottiero, who became captain-general of the Republic of Venice. Colleoni gained a reputation as the foremost tactician and disciplinarian of the 15th century. “Bartolomeo Colleoni by Andrea del Verrocchio” by Didier Descouens is licensed under CC BY-SA 4.0.
Antonio del Pollaiuolo, Nude Dancers, 1470s, Fresco Arcetri, Villa La Gallina. A fresco frieze of dancing nude figures, in a villa near Florence, shows the artist’s same interest in extreme body poses. Public Domain.

Meanwhile, in Rome, Michelangelo sculpted his first major marble works. The first, Bacchus, was commissioned by Cardinal Raffaele Riario (1461-1521) in partnership with Jacopo Galli, a Roman collector, that was displayed in Galli’s garden until it was sold in 1572 to the Medici and is today in the Bargello. The second is the sublime Pietà (St. Peter’s Basilica, Vatican City) that was commissioned by a French cardinal in Rome and placed in the Santa Maria della Febbre. Vasari described the Pietà as “a revelation of all the potentialities and force of the art of sculpture.” Though the Pietà made Michelangelo famous in Rome, he returned to Florence following its installation to work on the David, a commission made by the Florentine republic after the expulsion of the Medici.

Michelangelo, Bacchus, marble. 1497, Bargello, Florence.
Michelangelo, Pietà, marble, 1498-1499, St. Peter’s Basilica, Rome. A 24-year-old Michelangelo was all the rage in Rome as an artist in the late 1490’s and wrote his name promonently across the sash of the Blessed Mother. The artist did this after it was completed and heard a group admiring the artwork and attributing it to a different artist. Michelangelo was having none of it and one night whet into the chapel and chiseled his name for none to miss seeing. Pieta (Michelangelo)” by elixirk is licensed under CC BY-NC-SA 2.0.
Galleria dell’Accademia, Florence, Italy, May 1983. Author’s collection.

Michelangelo’s David, created in c. 1501-1504, has been in the Galleria dell’Accademia since 1873, The biblical figure of David came to symbolize the defense of civil liberties embodied in the 1494 constitution of the Republic of Florence, an independent city-state threatened on all sides by more powerful rival states and by the political aspirations of the Medici family.

This explanatory article may be periodically updated.

SOURCES:

Bernard Berenson, The Italian Painters of the Renaissance, Phaidon, New York, 1959.

Ornella Casazza, Masaccio and the Brancacci Chapel, Scala, 1990.

Enzo Carli, translated by Susan Bellamy, Giotto and His Contemporaries, Crown Publishers, 1958.

Andreas Quermann, Ghirlandaio, Könemann, 1998.

A Dictionary of Art and Artists, Peter and Linda Murray, Penguin Books; Revised,1998.

Giorgio Vasari, trans. George Bull, Lives of the Artists, Penguin Books, Harmondsworth, Middlesex, England, 1965.

https://www.virtualuffizi.com/francesco-granacci.html – retrieved March 6, 2025.

https://www.brepols.net/products/IS-9781915487117-1 – retrieved March 6, 2025.